DOCT OR
@ TENTH DOCTOR
e® THE COMPLETE HISTORY
STORIES 167-169 Son(
THE CHRISTMAS INVASION, NEW EARTH AND TOOTH AND CLAW
1B] BIC.
DOCTOR
4 WHO
THE COMPLETE HISTORY
THE CHRISTMAS INVASION NEW EARTH TOOTH AND CLAW
1B I BIC]
DOCTOR
WHO
THE COMPLETE HISTORY
EDITOR JOHN AINSWORTH
EDITORIAL ASSISTANT EMILY COOK
DOCTOR WHO MAGAZINE EDITOR TOM SPILSBURY
ART EDITOR PAULVYSE
ORIGINAL DESIGN RICHARD ATKINSON
COVER AND STORY MONTAGES LEE JOHNSON
PRODUCTION ASSISTANT PETER WARE
ORIGINAL PRODUCTION NOTES ANDREW PIXLEY
ADDITIONAL MATERIAL JONATHAN MORRIS, RICHARD ATKINSON, ALISTAIR MCGOWN, TOBY HADOKE
WITH THANKS TO JAMES DUDLEY, NIC HUBBARD, BRIAN MINCHIN, STEVEN MOFFAT, KIRSTY MULLEN, MATT NICHOLLS, MARTIN ROSS, EDWARD RUSSELL, JO WARE, BBC WALES, BBC WORLDWIDE
AND BBC.CO.UK
MANAGING DIRECTOR MIKE RIDDELL MANAGING EDITOR ALAN O'KEEFE
BBC Worldwide, UK Publishing:
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BBC, DOCTOR WHO (word marks, logos and devices), TARDIS, DALEKS, CYBERMAN and K-9 (word marks and devices) are trade marks of the British Broadcasting Corporation and are used under license. BBC logo © BBC 1996. Doctor Who logo © BBC 2009, Dalek image © BBC/Terry Nation 1963. Cyberman image © BBC/Kit Pedler/Gerry Davis 1966. K-9 image © BBC/Bob Baker/Dave Martin 1977. All images © BBC. No similarity between any of the fictional names, characters, persons and/or institutions herein with those of any living or dead person or institutions is intended and
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Contents
THE CHRISTMAS INVASION B 10 12 24 33
INTRODUCTION STORY PRE-PRODUCTION PRODUCTION POST-PRODUCTION PUBLICITY BROADCAST MERCHANDISE CAST ANDCREDITS PROFILE
OVERVIEW
NEW EARTH 64 66 68 73 81
INTRODUCTION STORY PRE-PRODUCTION PRODUCTION POST-PRODUCTION
84 87 88 89 92
PUBLICITY BROADCAST MERCHANDISE CAST AND CREDITS PROFILE
TOOTH AND CLAW 96 98 100 106 114
INTRODUCTION STORY PRE-PRODUCTION PRODUCTION POST-PRODUCTION PUBLICITY BROADCAST MERCHANDISE CAST AND CREDITS PROFILE
124
INDEX
DOCTOR WHO | THE COMPLETE HISTORY ¢ 3
VOLUME 51 |
=s Welcome
XXX AANA
attended a Doctor Who addressing the attendees from the stage. convention in Bournemouth “You're all aficionados,” he exclaimed. back in the 1990s. During those “That’s a new word for you, so I'll say it twilight years, when the TV again - aficionados.” He was having a little series was no longer being made, fun, of course, but I really liked the term the regular conventions across ‘aficionado’, which the dictionary defines the country (and indeed the world) helped as ‘a person who is very knowledgeable and keep Doctor Who alive. enthusiastic about an activity, subject, or At this particular convention, one pastime’. There’s nothing wrong with the of the guests was John Woodnutt, a more commonly used term ‘fan’, of course, seasoned actor who had played no less but aficionado seems to carry more weight than four roles in Doctor Who over the and respectability to it. years, including the dual role of the As has become well-known, David Duke of Forgill and Broton, warlord of Tennant is also a Doctor Who aficionado, the Zygons in Terror of the Zygons [1975 and the first to be cast as the Doctor. To - see Volume 23]. I was fortunate to have such a comprehensive awareness have lunch with John and, as we finished of the history of the series and to be so our meal, I asked him what it was that well acquainted with the performances of made him want to attend a Doctor Who the previous actors to play the part must convention. He immediately replied, “It’s have weighed heavily on him when he was the enthusiasm!” and went on to explain offered the role. The fact that he did not what a great pleasure it was for him to immediately accept, would suggest that he meet people who had such a passion for thought carefully about becoming part of the series. He later expanded on this when something that had been such an integral
part of his childhood.
Of course, how could he say ‘no’? He would never have forgiven himself. And that he went on to be such a huge success in the role, cementing Doctor Who as one of the BBC’s top shows, could have left him in no doubt that he made the right decision.
David’s aficionado status meant he was well qualified to provide input into elements of the show, not least of all his own costume. That smart pinstripe suit and that cloak-like coat invoke echoes of
Right: the attire of previous Doctors, while being John Woodnutt unique to David’s own interpretation.
as the Duke in
Terror of ‘
the Zygons. John Ainsworth — Editor
4 QDOCTORWHO | THE COMPLETE HISTORY
('paviD TENNANT 1S A DOCTOR WHO AFICIONADO AND THE FIRST TO BE cAST AS THE DOCTOR.’ {
DOCTOR WHO | THE COMPLETE HISTORY <>
_ STORY 16?
=
a ae The newly regenerated Doctor crash-lands the TARDIS in London. It’s Christmas. Sinister robot Santas are attacking the city anda
Sycorak spaceship is heading for Earth.
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Introduction
or many centuries, Christmas basis. He kept returning them to their passed the Doctor by. In fact, own time and inevitably they shared a when the TARDIS happened few Christmases with him along the way. to land at Christmas time - in Since then, Clara Oswald has split her the epic The Daleks’ Master Plan time between travelling in the TARDIS [1965/6 - see Volume 6] - he and teaching. She’s also no stranger to insisted on taking time out to mark the having the Doctor pop by at Christmas occasion, along with everyone watching - helping her cook the turkey, offering to at home! play Twister with her gran, or dreaming of In recent times, however, he’s engaged Santa Claus. in seasonal festivities rather more often. The Christmas Invasion marked the start If we need to find a reason to celebrate of this trend. Rose Tyler, whom the Doctor Christmas, then perhaps these regular recruited in the episode Rose [2005 - see specials can be explained away by the Volume 48], was a much more committed Doctor’s increased involvement in the _ traveller. But with greater control over the Below: — lives of his companions. Amy and Rory _ TARDIS than had previously been the case, Rose's Christmas : 4 etuined by the eventually found themselves travelling the Doctor was able to return Rose to her Sycoraxinvasion. with the Eleventh Doctor on a part-time own time for occasional visits. One such
visit, in the immediate aftermath of his ninth regeneration, just happened to be at Christmas. Of course it also just happened to be the time the Sycorax chose to invade. In much the same coincidental way that aliens seem to make Britain the focus of any incursion, many have chosen Christmas as a time to cause trouble for the Doctor: the Empress of the Racnoss in The Runaway Bride [2006 - see Volume 54], Max Capricorn in Voyage of the Damned [2007 - see Volume 57], the Cybermen in The Next Doctor [2008 - see Volume 60], the Master in The End of Time [2009/10 - see Volume 62], Kazran Sardick in A Christmas Carol [2010 - see Volume 66] and the Great Intelligence in The Snowmen [2012 - see Volume 72]. And no doubt many others as well, long into the future. After all, if you're going to invade Earth, you might as well do it when there’s something good onthe telly. Ml
10 | THE COMPLETE HISTORY
; =
“
AS A TIM R THE DOCTOR.
STORY
ickey is working at a garage rl when he hears the TARDIS
materialising. He and Jackie watch as it tumbles to Earth. The newly regenerated Doctor emerges, wishes them a merry Christmas, and collapses. [1]
Rose and Jackie put the Doctor to bed, giving him a pair of pyjamas belonging to Howard from the market.
Prime Minister Harriet Jones gives a press conference about the Guinevere One Space Probe. The probe is due to land on Mars but instead it is captured by a rock-like spaceship. [2]
Rose and Mickey are doing some late-night shopping when a brass band wearing Santa Claus masks starts shooting at them. They return to the flat, where a Christmas tree has been :
unexpectedly delivered. It starts revolving like a circular saw, slicing through the furniture. [3]
The Doctor wakes up and destroys the tree with the sonic screwdriver, then goes outside in time to see the Santas beam away. The Doctor finds an apple in his pocket left there by Howard, then loses consciousness. [4]
The Mars mission re-establishes contact with the probe and its transmission is broadcast live on the TV news - revealing a growling, skull-faced alien! [5]
Harriet, her right-hand man Alex, and the head of the Mars mission, Llewellyn, are taken to UNIT’s base beneath the Tower of London and told that the transmission originated from a spaceship approaching Earth. The aliens make contact but nobody can understand them - not even Rose. She infers that the TARDIS can’t translate because the Doctor is “broken”.
Harriet orders Major Blake to get Torchwood ready. UNIT’s translation software deciphers the aliens’ transmission. They are Sycorax; they are
mighty, they are strong, and they rock! [6] The Sycorax activate a device and one third of the world’s population falls into a trance and climbs to the top of a high building, ready to jump. [7] Harriet goes
on TV to appeal for help from the Doctor.
The Sycorax ship enters the Earth’s atmosphere and they beam Harriet, Alex, Llewellyn and Blake on board. Llewellyn appeals to them for compassion and is killed, along with Blake. The Sycorax’s ultimatum is for half of humanity to be sold into slavery. [8]
Rose and Mickey carry the Doctor into the TARDIS while Jackie brings a flask of tea. After Jackie steps outside to get food, the Sycorax teleport the TARDIS up to their ship. Rose emerges - and is grabbed by the Sycorax. Mickey joins her outside, while inside the flask of tea starts to leak...
Rose commands the Sycorax to leave Earth. The Sycorax mock her. She can understand them, which means the Doctor is back! He emerges, having been
restored to health by the tea. [9]
The Doctor deduces that the Sycorax are using blood control to possess everyone in the world who is blood type A positive. He presses a control button and all over the world the people on the buildings wake up.
The Doctor grabs a sword and challenges the Sycorax leader to a duel. The fight takes them outside onto a ledge. The leader severs the Doctor’s hand - but he grows a new one. [10] The Doctor overpowers the leader - but as he turns his back, it charges at him. The Doctor throws a satsuma from his pocket at the ledge control. The ledge slides away and the leader plummets to its death.
The Doctor orders the Sycorax to leave and they beam him and his friends down to Earth, along with the TARDIS. Harriet orders them to fire, and a laser beam destroys the departing Sycorax ship. [11]
Later, the Doctor selects a new outfit and joins Rose, Jackie and Mickey for Christmas dinner. [12]
| was being offered a job that may not exist,” recalled David Tennant in the video documentary Doctor Who: The Ultimate Time Lord as he remembered a conversation which arose during a viewing of his series
Casanova in early 2005, even before Doctor
Who had returned to BBC One...
By January 2005, Russell T Davies, head writer and executive producer of the forthcoming new series of Doctor Who, was already aware that the show’s star, Christopher Eccleston, would not
The Tenth b efor ee —_ Doctor e returning for a second series after has arrived. production concluded in March. This
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Pre-production
fact was kept a closely guarded secret as preparations were made for a surprise regeneration to be recorded at the end of the final story of the series, Bad Wolf/The Parting of the Ways [2005 - see Volume 50]. Due to the secrecy, no casting calls were put out to agents inviting them to suggest clients. Instead the show’s producers had a replacement in mind whom they would approach directly. The actor chosen to play the new Doctor was David Tennant, the star of Davies’ three-part drama about the life of Casanova made for BBC Three the previous autumn.
Born David McDonald in April 1971, Tennant had selected the stage name
AXA ARERR
‘David Tennant’ at the age of 16 after seeing Pet Shop Boys vocalist Neil Tennant in a copy of the pop magazine, Smash Hits. The Scots actor was quite a Doctor Who fan who had watched the show throughout the Fourth Doctor’s era after seeing the regeneration in Planet of the Spiders [1974
- see Volume 21]; aged 13, he had written a school essay called Intergalactic Overdose about his love for the show. Studying at the Royal Scottish Academy of Music
and Drama, Tennant’s early television appearances included Rab C Nesbitt, Dramarama and Taking Over the Asylum.
On the Doctor Who front, he had played roles in several Big Finish CD plays such as Colditz in 2001, Sympathy for the Devil and Exile in 2003 - both for the Doctor Who Unbound series - Medicinal Purposes in 2004, and had starred the same year as Galanar in the Dalek Empire III series. He had also provided the voice of a caretaker in the BBC online animated adventure Scream
of the Shalka in June 2003. On his first morning rehearsing Casanova in Soho
in October 2004, Tennant had asked Davies for a part in Doctor Who which was then in production. The two men had quickly struck up a friendship during the shoot, partly bonding over their love of Doctor Who.
ennant had in fact been considered T by the production team as a potential Doctor in early 2004, but the feeling at the BBC was that he wasn't quite a big enough name yet. Since making Casanova, the actor had returned to the stage, starring in a production of Look Back in Anger in Edinburgh and Bath from Friday 14 January to Saturday 19 February. He then met up with Davies for a pre-transmission viewing
of Casanova at the writer’s Manchester Above:
; : Rose takes home along with the executive producer, conten i Julie Gardner, who worked with Davies with Mickey on both Doctor Who and Casanova. When following
Gardner asked Tennant if he would like
closely behind.
to play the Doctor, Tennant laughed as he felt it was an impossible notion... and then asked, “Can I have a long coat?” The actor also asked if Billie Piper, who played Rose, would be staying on and was assured by the executives that this was the case. Understanding how strange the situation was, Davies told Tennant simply to consider the proposal. After a couple of days, Tennant realised that he would never forgive himself if he turned down the opportunity - in the meantime he could not discuss the project with anyone. At an early stage, Tennant and Davies agreed that after Eccleston’s northern accent, Tennant would not use his native Paisley dialect as the Doctor; Davies favoured a London/ Estuary accent for the new incarnation. On Tuesday 1 February 2005, Davies —
a &
INVASION
oo a -
o.. | | N
*.
and Gardner were in London to discuss their outline for 13 further episodes of Doctor Who with Jane Tranter, the controller of BBC Drama,
at the BBC’s Centre House, hoping that a second series would be commissioned
Connections: Code 9
® While contemplating the Sycorax threat, Harriet Jones enquires, “| don't suppose we've had a Code Nine?" It had previously
sl esta Siiaa 13 ' around May. They now felt ih Nl that they understood more Mar ihre ZS ~ see about the strengths and Volume 49] that a'Code
weaknesses of Doctor Who after a year in production.
The outcome of the meeting was that Tranter on Wednesday 2 February commissioned 13 new episodes, five of which were to be written by Davies, plus a one-hour Christmas Special, also from Davies, which the team had known was a possibility. The Special was unexpected, and for a while the production team assumed that this was also one of the 13 episodes, which meant a later rescheduling and the creation of an episode which barely featured the Doctor and Rose. For the proposed first episode of the second series, Davies had envisaged an invasion of Earth narrative to establish the new Doctor, and so brought this forward into the Special.
Davies loved Christmas television specials and had long wanted to write one; he strongly believed that these should be set at Christmas, involving festive elements. Davies immediately came up with a title The Christmas Invasion, a title suggesting traditional Christmas feel-good programming with Doctor Who’s special thrill. Aware of the previous Christmas . an Day Doctor Who episode The Feast of Steven, Ti ___ part of The Daleks’ Master Plan (1965/6 - ae i see Volume 6], where the Doctor wished a ___ viewers at home a “merry Christmas’,
s felt he should not go quite that far,
fous
Simm Nine’ indicated the presence of the Doctor.
R ; A masked robot Santa causes trouble in the brass band.
7
but wanted a worldwide threat to Earth for the Doctor to counter. With Christmas being a family time, he also wanted to emphasise the lonely Doctor finding a new family to join for the festivities, sitting down with the Tylers’ Christmas dinner on the Powell Estate. The script was to focus on a theme of the Doctor’s rebirth, allowing Rose to recover from losing her best friend and build up a new trust with his new incarnation. Rose would in fact take centre stage for the first two-thirds of the Special, during which the legendary and heroic quality of the Doctor would
be established through his absence, allowing him a big entrance at the climax. Davies also wanted to include very British elements, such as the Doctor being revived by a nice cup of tea.
Some of the ideas for the special were ones that Davies had originally had in mind for the first episode of the new series; he wanted the Doctor and Rose to start on Earth and travel onwards.
He had always found the concept of Santa Claus - an old man who sneaks into children’s rooms at night - creepy, but
was careful to clarify that the Santas that attacked Rose were purely monsters; their appearance as a brass band came when Davies recalled such a group playing in St Anne’s Square in Manchester in December 2004. or the Doctor’s adversary, Davies are a monster with a convincing prosthetic face using the actor’s eyes and mouth, as this had not been attempted in the previous series. He took the name Sycorax from the name of Caliban’s mother, an exiled African witch, in William Shakespeare’s 1611 play The Tempest, and saw the aliens having an almost supernatural feel. Davies wanted a tough broadsword fight to entertain the younger viewers, while for the adults he added the Doctor’s subtle toppling of Harriet Jones. Following her work in Aliens of London/ World War Three {2005 - see Volume 49], Davies wanted to use Penelope Wilton as Harriet Jones again, and planned to use familiar elements to help younger viewers get used to the change to the new Doctor. At the end of Aliens of London/World War Three, the Doctor had said that Harriet would become Prime Minister. Davies and producer Phil Collinson took Wilton out to Sheekey, a West End restaurant, and found that she would be delighted to appear in Doctor Who again. When Harriet ordered the Sycorax ship to be destroyed, the script’s aim was to show that neither the Doctor nor Harriet were totally right - indeed it was the Doctor’s own words that initiated her action. Harriet’s decision to have the departing vessel annihilated harked back to Doctor Who and the Silurians [1970 - see Volume 15], where Brigadier Lethbridge- Stewart of UNIT destroyed the dormant
Pre-production
Left: Harriet Jones captured by a Sycorax,
Silurians behind the Doctor’s back. Davies similarly drew upon his disappointment with the Labour government of Tony
Blair in shaping the Doctor’s attitudes towards Harriet, writing her out in a political downfall, even though Collinson, who greatly liked the character, pleaded for her to be given a second chance. At this point, Davies was thinking vaguely that Harriet’s replacement as Prime Minister would be
the Doctor’s old Time Lord enemy the Master so as to alter his predictions from World War Three. Early ideas included Harriet Jones opening the rebuilt Big
Ben (damaged in Aliens of London/World War Three) in a Christmas Day ceremony with the event organised
by a civil servant (possibly called Sir Aubrey) who was making a secret deal with
Connections: Doctor Who? » When Jackie is confronted by the new Doctor and doesn't know who he is, she exclaims ‘Doctor who?, being one of several characters in the programme's history to echo the title of the series. The first character to do this was lan Chesterton, who asked the same question in the very first story, 100,000 BC [1963 - see Volume 1].
Connections:
® Rose is aware that the
. ~*
7 _sae ( NVASTEL
_ the Sycorax. Big Ben was damaged once
___ again when the Sycorax ship arrived over London, slicing through it, with the falling debris killing the treacherous civil servant.
The Guinevere probe was inspired by Beagle II, a British project to land a probe on Mars which entered the Martian atmosphere on Christmas morning 2003 and then lost contact with Earth. Davies recalled his disappointment when the first pictures of the barren Martian surface were transmitted by the Viking One lander in July 1976, and so spiced up his version with the image of an alien sent back to Earth.
David Tennant had not yet been contracted when Christopher Eccleston recorded his regeneration on Friday 4 March; when the BBC did contract him it was for a projected three-year period. In the meantime, he was hired, at short notice, to narrate the BBC One programme Doctor Who: A New Dimension, assembled by BBC Three’s Doctor Who Confidential behind-the-scenes team, for broadcast on Saturday 26 March just before the debut of Rose [2005 - see Volume 48]. Meanwhile, Casanova began its BBC Three run on Sunday 13 March. On Saturday 19 March 2005, Tennant watched the ITV1 chat show Parkinson on which Billie Piper was promoting the début of Doctor Who and was impressed with the look of her fellow guest, celebrity chef Jamie Oliver, who sported a suit and trainers. The actor phoned Davies to ask: “Are you watching this?
Still beating
Doctor has two hearts, checking that they are both Still beating and becoming concerned when one stops. [twas first established that the Doctor has two hearts immediately after he
regenerated into his third Could we do this for body in Spearhead the Doctor?” from Space [1970 - At a Press Guild lunch
see Volume 15]. on Wednesday 30 March,
Tranter announced
~~
7 me —— Fe re i °
the 14 new episodes... the same day press rumours began to circulate that Eccleston was leaving and that the BBC was in discussions with Tennant, who simply told the Daily Mirror that the Doctor would be “a great role to play”. This media coverage was a blow to Davies who had hoped the Doctor’s regeneration at the end of Bad Wolf/The Parting of the Ways would be a major surprise for the viewing public.
uring rehearsals for the live BBC D Four production of The Quatermass Experiment on Saturday 2 April, Tennant started to receive calls from the BBC about his new role. In the final run-through for the play, Tennant approached cast member Mark Gatiss - a fellow Doctor Who fan who was writing for the new series - and told him: “Chris isn’t coming back. They’ve asked me.” On broadcast of the play, actor Jason Flemyng changed one of his lines addressed to Tennant’s character, Dr Gordon Briscoe, from “nice to have you back, Gordon” to “nice to have you back, Doctor”.
Casanova was now given a screening on BBC One from Monday 4 April. Finally, the BBC confirmed David Tennant’s casting at midnight on Friday 15 April, with the actor quoted as being honoured and daunted, but delighted to work with Davies again. It had been agreed that Tennant would not give interviews about Doctor Who while Eccleston’s episodes were on air. Most newspapers covered the story the next day, with Scotland’s Daily Record giving good coverage.
Attending the BAFTA ceremony at the Theatre Royal, Drury Lane on Sunday 17, the kilt-wearing Tennant joked with journalists that he would use his own accent as the Doctor and liked the
as en dogls | ~ —_ _. » AS z) # , TU +2 t Orin Hh!
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Right: The Prime Minister is having a bad day.
Connections:
Red planet
® When Llewellyn suggests that the Sycorax may not
STMAS INVASION § » sr :67
of a magic kilt. Next day, the actor celebrated his 34th birthday.
On the morning of Thursday 21 April, Tennant played the Doctor for the first time, recording his regeneration on the TARDIS set at the production base of Unit Q2 in Newport; the shots took a couple of hours, with the actor looking at some gaffer tape to get the eyeline for where Billie Piper would be standing. These would be edited into Bad Wolf/The Parting of the Ways. On Sunday 24 April, the Sunday Mail claimed that the new Doctor would indeed wear a kilt.
Tennant’s next projects were recording a BBC radio version of Dixon of Dock Green as PC Andy Crawford from Friday 29 April to Wednesday 4 May (broadcast from Wednesday 15 June to 20 July) and then playing psychotic entrepreneur Brendan Block in ITV1’s drama Secret Smile during May. Talking to the Daily Express on Wednesday 4 May, Tennant explained about his role as the Doctor: “I’ve known for ages but wasn’t allowed to tell anyone.”
Also during May, Billie Piper played Hero in BBC One’s updated version of William Shakespeare’s Much Ado About Nothing. On Friday 20 May, a news story appeared that Piper was to leave Doctor Who, based on alleged comments from her agent. The BBC quickly issued a statement saying
be Martians, Major Blake that Piper would be in the confirms that he is correct, new series, but not stating for saying that Martians “look how many episodes. The News
completely different” - a possible reference to the Ice Warriors who Mars and first appeared in The Ice Warriors [1967 -
came from
see Vol
WHO | THE
of the World proclaimed that
the actress would be in seven
episodes on Sunday 29 May. The Christmas episode
of Doctor Who II (as the
series was referred to in
production) was described as
‘Episode X (Xmas Special)’. It
ume 11],
COMPLETE HISTORY
formed part of Block One, the first three episodes in production, alongside the
first story, New Earth [2006 - see page 62] and the third, School Reunion {2006 - see Volume 52], work on which would take place from Monday 25 July to Wednesday 21 September. The director for this
block was James Hawes who had been responsible for The Empty Child/The Doctor Dances [2005 - see Volume 50]. Hawes had previously worked with Tennant in 1999 on The Mrs Bradley Mysteries.
A tone meeting at which a consistent look and approach for the episode was agreed by all the design and production departments was held for the first recording block (Block One) at BBC Broadcasting House in Cardiff on Friday 27 May, attended by Benjamin Cook of Doctor Who Magazine. For the design of the Sycorax ship, production designer Edward Thomas put forward a seashell which he had acquired while visiting his partner’s mother who was from Mauritius.
Thomas proposed the ship’s interior could therefore be recorded in a quarry or a cave. At a second tone meeting held at BBC Centre House in London on Wednesday
15 June, Davies indicated that he saw the story as “epic”, and also dark and scary. Unlike previous invasions, the scope of
the story would be global rather than parochial; Hawes equated it to the 1996 movie Independence Day. The director was initially a little worried about the amount of the episode which the new Doctor spent in bed... while David Tennant was amazed to find out how little action he had in the first half of the script!
ollowing trying-on sessions at [e costumiers such as Angels and shops
including Selfridges, it was agreed that the new Doctor’s costume could be lighter and more casual, akin to the garb of a student. Avoiding the image of a frock coat, the basic costume evolved early on as a narrow-shaped, thin cotton pinstripe suit with a four-button jacket; Tennant felt that brown suited him well. While plenty of trousers in the selected style were available, jackets were not available... resulting in many pairs of trousers being purchased, picked apart and resewn into new jackets. Although incoming costume designer Louise Page had seen some interesting Japanese army boots, Tennant favoured old battered shoes to take the edge off the suit; he eventually wore a pair of his own Converse plimsolls which he had worn all summer and had sported at his costume fitting. Because he liked “pocket acting”, the coat - made from upholstery material - had lots of pockets, and originally had a larger collar and cuffs. The shirt and tie were a late addition during fitting. Tennant was keen for the Doctor to wear glasses as
: e, a° part of the ‘geek chic’ image, though fe. the time, and liked the idea of the Doctor being a bit scruffy. The actor also decided to change the combinations of buttons which he fastened on the Doctor’s suit from story to story to give the character a haphazard feel.
At the Critics Award for Theatre in Scotland, Tennant won Best Male Performer for Look Back in Anger on Sunday 5 June. The following Sunday, the Sunday Mail saw Tom Baker commenting his approval of Tennant’s casting. At the BAFTA preview of Bad Wolf/The Parting of the Ways on Wednesday 15 June, it was confirmed that Piper would be in all 14 of the new episodes. Bad Wolf/The Parting of the Ways closed promising that the Doctor would return in The Christmas Invasion, and hours after its broadcast on Saturday 18, the Special was promoted on BBC One with a trailer of exciting moments from the 2005 series while proclaiming that “the countdown to The Christmas Invasion starts now...” Davies was interviewed by Lizo Mzimba on CBBC Newsround
OLICE "ERS BOX
Pre-production
Below: “| The new TARDIS team,
9
5 INVASION
Showbiz for broadcast that day in which he declared the special would be Chrismassy with reindeers and sleigh bells, as well as observing “every planet has a Scotland” (to misquote the Doctor from Rose) when asked about the new Doctor’s accent. Tennant attended the Glastonbury music festival where, on Saturday 25 June, he was interviewed by BBC Three, saying that his accent would be explained
in the Special. On Monday 27 and Tuesday 28, Tennant gave a telephone interview
Right: to Doctor Who Magazine editor Clayton
Eve's Hickman, and on Sunday 3 July it was
concerned ? ME ; y
about Rose's confirmed that the Canadian broadcaster
dangerous life CBC would be a co-producer on the __with the Doctor.
Connections:
® Rose and her fellow
new series.
In earlier drafts of the script, Jackie dashed to a chemist for things to cure the Doctor, including shampoo; hence he recovered and emerged from the TARDIS with the taste of “blood and shampoo”. Echoing the ‘Bad Wolf’ motif of the previous series, Davies settled on a similar element with ‘Torchwood’ (an anagram of ‘Doctor Who’), an old Earth institute referred to in Bad Wolf/Parting of the Ways which Davies was also planning as an adult spin-off series, featuring Captain Jack from The Empty Child/The Doctor Dances, for BBC Three. This was largely established in the scenes with Harriet. Another tone meeting for Block One was held in London on Thursday 7 July with Doctor Who
Pardon my Sycoraxic
humans are only
able to understand the Sycorax language once the Doctor wakes up. It had been established in The Masque of Mandragora [1976 - see Volume 25] that the Doctor is able
to share his “Time Lord gift” which automatically translates languages.
In The End of the World [2005 - see Volume 48] the Doctor explained to Rose that the TARDIS was part of the process, telling her that “the telepathic
field gets inside your brain and translates’
Confidential in attendance. The shooting script
dated Monday 11 July 2005
specified that the episode
should begin exactly the same ‘as Series 1’ with a zoom through space to the Tylers’ flat, reusing the shot from Rose. In the kitchen, Rose eagerly grabbed a pork pie because Piper was fond of these.
Harriet’s press conference speech referred to the New Cottage Hospital Scheme, a reference to her original concerns in Aliens of London/World War Three. Danny Llewellyn was described as ‘30, Welsh, clever, a media-savvy boffin’; Davies wanted the Cardiff-based series to feature strong roles for Welsh characters. It was specified that his press conference was being held at the British Rocket Group, a reference to the 1950s BBC television serials featuring Professor Bernard Quatermass. For the flight of Guinevere One, Davies specified ‘music, faint and tinny, Khachaturian, the Spartacus ballet (ie The Onedin Line)’ , a reference to the 1955 piece by Russian composer Aram Khachaturian which had been the theme tune to the BBC1 period seafaring drama from 1971 to 1980. As Guinevere is sucked inside the alien vessel, ‘Khachaturian stops dead’.
The Santa brass band was described as ‘wearing Santa masks. But they’re metal.
eNO
Coloured - rosy cheeks, white beard - but clearly, cold, glinting metal. The fixed smile. The sinister jollity’ Boarding a taxi, Rose originally said, “Powell Estate, end of Jordan Road.” Jackie was talking to
Bev - who had appeared in Father’s Day [2005 - see Volume 49] - on the phone. When the tree started playing music, the script described it as ‘like those musical Christmas toys. Here Comes Santa Claus, Bob B Soxx, from the Phil Spector Christmas Album; there’s no sound more sinister, a reference to the 1953 song by Gene Autrey and Oakley Haldeman which featured on Phil Spector’s 1963 LP A Christmas Gift For You by Bob B Soxx and the Blue Jeans.
The Sycorax leader has ‘a face like a horse’s skull, jagged, broken bones, but with ‘real’ red eyes and mouth; jagged broken bone-teeth... just a hint of clothing - a big, bulky creature, dark-red robes and tribal necklace’ When the aliens appeared on the scanner, ‘Four of them stand in an upright diamond shape, like Queen singing Bohemian Rhapsody’ - a reference to the landmark 1975 pop video. They were
Pre-production
i. . os ‘clearer now... arms clattering with bone Pee jewellery. Leather straps and belts, holding ~ broadswords and whips. The Leader... talks, gnarled wooden staff in hand, voice savage, vicious, a warrior’ Davies devised an alien language for the Sycorax, eg “Gatz tak ka thaa! Ka soo me fadroc, ka soo me Sycorax!” Rose referred to the fact that the TARDIS normally translated alien languages as the Doctor had explained in The End of the World, and Mickey recalled the scanner getting TV in Aliens of London/ World War Three.
Landmaris) (QS ajor Blake was ‘30s, smart, in ivi uniform’ and as Llewellyn arrived at the base the script suggested a ‘big music sequence, all epic and military, if not James Bond’. Originally, Llewellyn and Blake were driven by guards along subterranean corridors on buggies. Mission Control was described as ‘a big space, Houston-like’; Alex Klein was ‘25, suit, sleek comms headset, black briefcase, while Sally Jacobs was ‘25, clever’. On the estate, Jason was described as
‘a 25 y/o lad’ with Sandra ‘his wife’. The "Gate tak ka suburban family comprised a ‘Dad, 8 y/o thaalKasoome Son [and] 10 y/o Daughter’; the children fadroc Kaeo
me Sycorax! is
were named Catrin and Jonathan by Davies after his niece and nephew. As well as the Paris skyline, the script suggested ‘Sydney... people standing on the Harbour Bridge. Beyond and below them: the Opera House... Egypt... people standing on the edge of a hotel. In the distance: the pyramids.’
The Sycorax ship’s arrival shattered ‘the Gherkin Tower’, the nickname for the striking Swiss Re building designed by Sir Norman Foster which opened at 30 St Mary Axe in April 2004; this destruction of
3° (hee
EC HRISTMAS INVASION » so:
Big Ben in Aliens of London/ World War Three. The ship itself was ‘massive. Miles in diameter. Circular. It’s not sleek and hardwareish, it’s more medieval; dark, twisted metal, curves and spikes, like something forged in Hell.’ Davies’ script specified ‘Big Ben surrounded by Posaitent Raarge ets scaffolding, recalling the ™ We mnister damage caused in Aliens of is Blgratd London/World War Three. ii Inside the ship, ‘The space is immense. Like a dark, Gothic amphitheatre, no techno-spaceship-stuff. Much in darkness, with burning torches on the walls. Huge, torn, red banners hanging down. The amphitheatre benches - on which scattered groups of Sycorax sit... like Roman senators.’ When the leader’s helmet was removed, it revealed ‘the bony, savage Sycorax face’.
Connections: This means war!
® Harriet Jones’ message to the American President that, “he’s not my boss. And he's certainly not turning this into a war,” referenced the March 2003 invasion of Iraq into which American
Below: On returning to Earth from the ship,
a Mickey originally exclaimed, “It’s Bloxham octor
Bendsfor Road.” The Doctor’s speech about Earth
no nonsense,
drawing attention to itself echoed dialogue
a a Beg Se
from the Brigadier in the 1970 serial Spearhead from Space. The rays which destroyed the Sycorax ship were ‘like the Death Star firing’ from the 1977 film Star Wars. The Doctor’s six words that brought down Harriet echoed the whispers around Whitehall about how Prime Minister Margaret Thatcher looked tired at the end of her tenure in 1990.
As the Doctor selected his clothes, Davies suggested music where ‘the tolling bell is the opening to = The Bells of St Mary (Bob B Soxx & The Blue Jeans)’, another track from A Christmas Gift For You composed by A Emmett Adams and Douglas Furber in 1917. The script had the Doctor briefly consider ‘a red hussar’s jacket’. The TARDIS wardrobe was described as ‘a different Tardis room, same shape, same walls, no central console & column... a 360 degree rack of clothes circled around the central platform; above that, another hooped rail of clothes; above that, another, then another, the rails shrinking in circumference as they stack all the way up to the ceiling. The biggest wardrobe in the world’ The script did not describe the Doctor’s new costume, or his character. Davies effectively wrote as for the previous incarnation, giving Tennant latitude to create his own characterisation. However, he wanted to develop aspects from Eccleston’s interpretation by having the new Doctor stand for no nonsense.
The narrative began at 10.00 on Day 1 (ie Christmas Eve) with Jackie dressing the tree. The action resumed at 14.00 in the Tylers’ flat, with Mickey and Rose shopping at 19.30, and returning to the estate at 20.00. Mickey arrived with his laptop at 23.59, and the motorcade reached the Tower of London at 01.52 on Night 1 (ie Christmas Day). Mickey tracked the ship at 02.37, Harriet sent a message to the President at 03.00. Rose
. NAAR RRR
looked in on the Doctor at 05.00, Harriet discussed Torchwood at 07.00 and people were on the roofs by 07.10, Llewellyn realised the blood link at 07.30, Harriet’s broadcast was at 07.41, and her group was teleported at 07.48. Blood control was broken at 08.06 (so despite his “first 15 hours of my regeneration cycle” claim, the Doctor had been on Earth for around 22 hours during his sword fight), and the Doctor’s party arrived back in London
at 08.13. The closing scenes intercut the Doctor choosing his new outfit from 10.00 to 10.15 with Christmas dinner at the flat
meetings. The read-through took place on
from 19.00 to 19.16. News coverage of Tuesday 19; this was attended by writers eee Harriet Jones had been at 14.00, and the for the new series such as Steven Moffat, of Christmas ‘snow’ fell at 19.20. Stephen Fry and Toby Whithouse so they shopping.
octor Who Confidential interviewed i) Hawes and Collinson at a production meeting for the recording block on Friday 15 July. In mid-July, Tennant promoted his BBC One drama Blackpool in Los Angeles and was growing back the sideburns which he had sported in April. As preparations began for the new series of Doctor Who, BBC Three repeated the previous series from Sunday 17 July. Rehearsals for Block One began in Cardiff on Monday 18 July. This was a relief for Tennant who had been waiting such a long time amid press speculation and who commented, “It’s been such a long build up. Felt like it was never going to happen,” as he started to record a video diary of the series’ production for BBC Worldwide. The actor had arranged accommodation in Cardiff, but liked to travel home to London at weekends. The first day was spent purely with the two stars establishing the Doctor/Rose relationship with Davies and Hawes; during the spring, Tennant had got to know his co-star over several
could become familiar with Tennant’s performance. When she received the script, Piper was amazed and delighted that Rose carried most of the episode and made key decisions. Camille Coduri was pleased that the script made Jackie Tyler more concerned and nurturing, while Noel Clarke was happy that Mickey was braver, tackling the killer Christmas tree. “Pretty terrifying... I feel up for it now. I feel ready to go,” commented Tennant in his video diary that night.
Script revisions on Wednesday 20 July applied to Harriet’s first press conference, the taxi back to the estate, from Llewellyn’s entry to Mission Control through to the Sycorax’s threat, Harriet’s party being teleported to the Sycorax ship, the Doctor asking Rose about his new appearance, the Doctor defining his new character, and the Doctor challenging the Sycorax leader plus the creature’s demise. These were referred to as ‘pink revisions’ as they were issued on pink pages; to enable the cast and crew to keep track of rewrites, each new batch of changes were issued on different coloured paper (blue, pink, yellow, green, goldenrod, salmon, cherry, etc.) @ i
ae?
€) coctor wie | gus compere wrstory
ecording began on Friday 22 | July with a ‘pre-shoot’ day wea scheduled from 8am to 7pm | { (the standard time for each
\ day) to record items that A needed to be played back onto
television screens; Harriet’s broadcast plea was recorded first at the museum of Tredegar House, the seventeenth-century ~~ ancestral home of the Morgan family near Newport. Work moved back to Unit Q2 for scenes including the Sycorax broadcast which was recorded against black. For ; the aliens, Page was inspired by a book of Hawes’ about Masai warriors, suggesting
pl
a regal red velvet for their robes. Neill Gorton of Millennium FX produced the Sycorax helmets in fibreglass; sculpted
by Martin Rezard, these were based
on Kurgan’s helmet in the 1986 film Highlander. Earlier designs for the Sycorax helmets which had a wider, more medieval look to match the spaceship design from Matt Savage were dropped when Russell T Davies re-iterated that he wanted viewers to assume that the helmets were the aliens’ faces, to greaten the impact when they were opened to reveal the bone-like face. This first day did not require any of the regular cast. As with the previous year, the
ied DOCTOR WHO | THE COMPLETE HISTORY © -
Monday 25 on some waste ground in Brentford - a derelict car park found at short notice next to an empty Beecham’s Pharmaceuticals factory - with the crew travelling to London that morning. Tennant had received good luck messages via the crew from both Tom Baker on Monarch of the Glen and Peter Davison, who had played the Fifth Doctor, on Distant Shores. He donned his new costume for a press photocall at 11.45am, posing with Piper (who had had her hair cut short over the summer and so wore hair extensions for the episode), Gardner and Collinson. This BBC shoot was specifically scheduled
Above: production was recorded on DigiBeta after so that the best images of the new Doctor a a Hi-Def was considered but rejected. could be released to the press as quickly Of the guest cast, Cathy Murphy had as possible; Gardner recalled how the
been in The House of Elliot, and a 12-year- previous year, poor mobile phone shots of
old Daniel Evans had been the new Doctor taken on location had been Connections: cast in Why Don’t You..? some of the first to appear in the media. Fighting talk by Russell T Davies. Sean
® Rose's brave speech to the Sycorax was a mish-mash
Carlsen, playing a policeman, had featured in numerous Big
Recording underway
of elements from the Finish CD adventures since Mg ennant then changed into pyjamas previous series including The Natural History of Fear as to record the confrontation with the invocation of “Article well as the Gallifrey series. Harriet, with Hawes calling out Fifteen of the Shadow Playing Major Blake, Chu “beam!” to cue the cast for the digital Proclamation” (which Omambala had auditioned effects to be added later. “You can send wee the Doctor mentioned in as the Sycorax leader and Jimmy Krankie home! She’s not needed! Rose [2005 - see Volume had also been considered for You can't get rid of me now!” quipped 48]), the Slitheen and Mr Wagner in School Reunion. Tennant after his first take. Recording was Raxacoricofallapatorious Another actress seen for the followed by Doctor Who Confidential, and (Aliens of London/World part of Sally was Freema at the end his first day, Tennant cheerfully War Three [2005 - see Agyeman, auditioned on commented, “Can't get rid of me now!” Volume 49]), the “Gelth Friday 24 June, but felt to and went home exhausted after the Confederacy” (The have potential for a larger nervous energy keyed up inside him over Unquiet Dead [2005 - role later in the run... the previous months. In the meantime, see Volume 48]), the Over the weekend, Noel BBC Cymru’s Wales Today had run a short Jagrafess (The Long Game Clarke attended the Invasion item on the latest Doctor’s new image. [2005 - see Volume 49]) V convention in Barking Tuesday 26 July saw recording on the wm andthe Daleks (Dalek ff on Saturday 23 July, but Brandon Estate in Kennington, which since [2005 - see was unable to comment on July 2004 had been used as the Powell
Volume 49]) . ee agicom ne episodes. Estate where the Tylers lived; liaising
between residents and the BBC were local _
65-year-olds Dot Smith and Gwen Smith. In comparison to the previous summer’s visit where nobody had showed particular interest, Doctor Who was now big news
and word about recording quickly spread, attracting fans and the paparazzi. Over lunch, Tennant recorded a voice-over in his trailer and recording ran from 2pm
to lam including the TARDIS’ arrival in the afternoon, with a crane swinging a dummy half-police-box base over Coduri and Clarke’s heads, and wires pulling over the bins. That night, the ‘vanishing Santas’ scene was a special sequence for Tennant as it was the first scene with all four regular cast members. Doctor Who Confidential and Ben Cook from Doctor Who Magazine were present, while the newspapers revealed
the Doctor’s new look in pieces such as the Daily Express’ Geek Chic for Doctor
Who. Camera flashes from the press and watching fans delayed production that week. “Corrie bosses are planning to zap Dr Who this Christmas” announced the Daily Star on Wednesday 27, indicating that a special Coronation Street pantomime was being planned to combat the BBC One festive special. Work from 2pm to ¢ lam on Wednesday 27 was hampered by
rain and disruption from an awkward
local, although the TARDIS arrival was
completed. Tennant recorded more of his
video diary, and the rain stopped allowing
a snow machine to generate a fine foam for
the closing scene, while some scenes had to
be deferred to Friday.
Thursday 28 July was spent in central London without the regulars from 1pm to midnight. Clean plate shots of the city - showing landmarks such as Trafalgar
STMAS INVASION
left unfinished and were scheduled to be completed the following week. The same day, blue rewrites covered Mickey telling
Square, Westminster Bridge and the Gherkin - were taken for CGI work by The Mill,
Connections: Roar! » The Doctor attributed
and evening recording took place at the Tower of London which, in an unprecedented move, allowed the BBC crew access to the White Tower and the roof where taping was covered by Doctor Who Confidential. Mission Control was linked to UNIT, the United Nations Intelligence Taskforce organisation introduced in 1968 and seen in Aliens of London/World War Three. Only the UNIT acronym was used after complaints from the United Nations over a spoof UNIT website produced by the BBC earlier in the year. Weather was poor on the shoot and some of the planned exterior shots had to be abandoned. Meanwhile, Tennant was at the BBC’s Centre House being rehearsed with Sean Gilder by fight arranger Kevin McCurdy for the broadsword fight between the Doctor
his speech “from the day they arrive on the planet, and blinking step into the sun..." to the 1994 Disney feature The Lion King, a quote from Elton John and Tim Rice's song Circle of Life.
Rose how he wanted a simple Christmas, the Doctor discussing blood control, and the climactic fight. That evening, Tennant ruminated on his first week at his London flat before returning to Cardiff on Monday for “the best job in the world”.
Over the weekend, on Saturday 30 July, The Sun ran a short item about the London work on the special. Back in Cardiff, the morning of Monday 1 August was spent on New Earth, after which deferred estate sequences were completed through to 9pm for The Christmas Invasion at Loudoun Square in Gabalfa, as seen in Bad Wolf/The Parting of the Ways. It had been planned to record the TARDIS interior scenes at Unit Q2 (where the console itself had been rebuilt over the summer to replace lights and switches that burnt out in the heat) that evening, but these were deferred to the next day. The schedule
ht : Se evison and the Sycorax leader. The expensive visits the set. 440 ‘tank armour’ weapons were made
by Lancasters Armourie from chrome nickel molybdenum steel; the prototype, autographed by Tennant and Gilder, would be auctioned for £920.51 in June 2006 to raise funds for the Great Ormond Street Hospital Children’s Charity.
Friday 29 was the final day of recording in London from noon to 6pm with Hawes attempting to complete as many shots as possible on the Brandon Estate before the crew left for Cardiff. Tennant continued fight rehearsals, joining the crew in the afternoon to discover Peter Davison visiting the shoot. Tennant continued to record his video diary chatting to both
_ Hawes and Piper (the latter of whom also
spent a couple of days recording her own uring the shoot). Some shots were
had been to record from 10am to 9pm on Tuesday 2 at the overspill studios of HTV in Cardiff for scenes in the Tylers’ Flat, now repainted a warmer shade of
red; one Christmas card of a Victorian street scene was a photograph from The Unquiet Dead. This was scheduled as the venue for the rest of the week. Wednesday 3 was planned to include the Christmas tree attack, supervised by stunt expert Peter Brayham and covered by Doctor Who Confidential who interviewed Tennant, Clarke and visual effects producer Will Cohen. The complexity of this scene - with two rotating blades representing the tree in close-up - meant that it took a long time to complete, with recording for the day from 10am to 9pm. As with many effects shots on the series, this used a green screen which created a solid area of colour which the artistes stood against and into which CGI elements could later be added; in this case Clarke wielded a prop chair, the legs of which were blown off with detonators to simulate the tree’s blades which were later added using CGI. The same day, the Daily Mirror alleged that Piper was too busy on Doctor Who to attend the premiere of the horror film Spirit Trap which she had made in early 2004. Work on the Christmas tree scenes continued from 9am to 8pm on Thursday 4, while work between 8am and 7pm on Friday 5 saw a visit from a GMTV camera crew.
n Monday 8 August Tennant and 0 Gilder had more fight rehearsals at
Unit Q2, with Gilder also doing foam latex make-up tests with Millennium that morning. From Spm in the afternoon, the crew recorded scenes of the controlled
crowds on fire escapes in Cardiff, after which Brayham supervised the stunts
| Production
-
En oF
Pd
in the night shoot through to 4am at se
: e robot The Hayes, where Mickey and Rose were Santas fe attacked; the venue was selected as not brass band,
looking too ‘green’ for the Christmas time setting; in keeping with the continuity established in Rose, Howells department store was again dressed as Henrik’s. Cardiff Council agreed to erect their Christmas lights, and a market from Cornwall was set up to obscure the
nonfestive shop windows Connections:
(the Santa attack on a market What to wear?
had been deemed cheaper to ® The Doctor chooses stage than the original idea his suit and long coat of the sequence being staged from the many outfits to with shops which would be found in the TARDIS'
require breaking windows). extensive wardrobe. This Doctor Who Confidential vast repository of clothes covered similar work from rom many different eras
and worlds had often been eferred to and previously seen in The Androids of Tara [1978 - see Volume 29], The Twin Dilemma [1984 - see Volume 40], and Time and the Rani [1987 - see Volume 43].
4pm to 3am on Tuesday 9 - talking to Hawes, Clarke and Collinson among others - but the evening work was disrupted by drunks, yelling until they were removed by the police. The effect of the falling tree (a prop which was simply erected to pivot over
_ Below:
_ The Doctor challenges the _ Sycorax leader ~ toaduel.
a
Connections:
Don't panic!
» Wearing pyjamas, the Doctor commented on Arthur Dent being a nice man, a reference to the character from The Hitch-
Douglas Adams) who had worn pyjamas inthe 1981 BBC
Y television version.
STMAS INVASION
at pavement level) was finally achieved just before 3am the next morning and work was covered by the Western Mail on Thursday 11. Meanwhile, Tennant continued his video diary, with fight rehearsals
at Unit Q2 and an abortive
ne Gui = om trip to their next location, Ga ee ly arin Gleareclli@ aves. Doctor Who script editor
Clearwell Caves in Gloucestershire was the venue from Wednesday 10 to Saturday 13 August; this tourist attraction had once been an ochre mine, and was recalled by Ed Thomas from his work on the 1995 horror film Grim. The location was difficult to move equipment into, so plans to use a motion control rig to follow a shot into the TARDIS set had to be abandoned. Gilder was now in full make-up, and with Elaine Renshaw of the Real Eye Company supervising application of his red contact lenses; the actor was interviewed by Nick Griffiths of the Radio Times and BBC publicity was in attendance along with Ben Cook. While recording the Doctor’s appearance from the TARDIS, Tennant suddenly realised that he was now a part of the show’s history, and his work would be documented in this very manner. BBC Gloucestershire and the
Western Mail carried items about the shoot, which ran from 3pm to 12.30am on the first night and 2pm to 11.30pm on the second. By Thursday 11 August - when the Daily Star ran a piece on the late night schedule - the team was being hampered by factors such as Gilder only being able to wear his contact lenses for three hours at a time, and radios and phones not working in the caves. Doctor Who Confidential was present for the 1pm to 10.30pm shoot on Friday 12 August, with the fight sequence taking a lot of time because of Gilder’s tunnel vision. Recording his video diary after the third day in the caves, Tennant commented: “We are miles behind on
this. It’s not that we’re going particularly slowly.” Some shots were left to complete after recording from noon to 8.30pm
on Saturday 13, during which time a photograph taken by a fan of a Sycorax had been sold via a photographic agency for £2,000.
Although Monday 15 August was planned for scenes around Cardiff, only the garage sequence was recorded following the completion of the Sycorax ship scenes at Clearwell, and Piper had the day off; work took place from 10am to 7.30pm. Barry Island, as used by Hawes in The Doctor Dances, was chosen for work from 9am to 8pm on Tuesday 16 since the docks gave an infinite horizon with the view out to sea, ideal for CGI work; the crew had been unable to find a high building from which Cardiff could not be seen. While the fight on the spaceship wing was completed on the burning hot day, a second unit worked nearby from 11am to 10pm, recording green screen shots of people standing on the edge of buildings (really a raised rostrum) and taxi scenes deferred from the previous day. Again present were Ben Cook and Doctor Who Confidential, and for the shot where the Doctor’s hand was
. LX AREER
cut off, Tennant sported a green glove for the CGI effect while the prop hand which tumbled away was a cast of Gorton’s. Following this, the whole regular cast was released for the remainder of the week. Wednesday 17 August saw the crew return to Cardiff’s Millennium Stadium where Dalek had been recorded the previous autumn. The loading dock played the interior of UNIT mission control for the next three days (recording 8am to 7pm), and a team from Doctor Who Confidential was present to interview Hawes and Adam Garcia (who played Alex).
an interview with Piper by Nick
Duerden under the title The kid stays in the picture. By now, David Tennant was back in London and appeared on Blue Peter to announce the winner of the design-a-monster competition followed by a live CBBC webchat. Friday 20 was the final scheduled day for the guest cast, with Ben Cook interviewing Wilton. With Piper and Tennant back in Cardiff, recording from 11am to 10pm on Monday 22 August began at HTV to complete the flat scenes and then move out on location to finish estate rooftop scenes delayed from Monday 15. Meanwhile, a second camera unit remained at HTV to complete various green screen elements and inserts such as Rose looking at her watch, a close-up of the Doctor threatening the Santas with his sonic screwdriver (a heroic shot requested by Gardner) and shots for New Earth.
Block One then continued with School
Reunion and then New Earth. Hawes had originally aimed to record the Doctor selecting his new clothes on Tuesday 6 September, but this day was reassigned to location work on School Reunion.
0 n Thursday 18, The Independent ran
The model work of the top eight storeys of the tower block losing its 110 windows was undertaken by Mike Tucker’s BBC model unit team at the Model Unit Stage in London on Tuesday 6 and Wednesday 7 September, with Doctor Who Confidential present on the second day; the one-sixth scale model was shot shattering twice by three 16mm film cameras. Two inserts on the TARDIS set were recorded from 2pm on Thursday 8 along with work for School Reunion. The shot of the Santa mask rolling away was scheduled to be recorded in the Q2 car park on Thursday 22 September, an additional day at the end of Block One.
An extra recording day at the start of Block Two, Saturday 8 October, saw Tennant record what he felt was a landmark scene of the Doctor selecting his new clothes on a redressed version of the usual TARDIS set. Recording between 8am and 7pm, Tennant tried on a Casanova-style outfit, and a Hogwarts uniform (referring to his appearance in Harry Potter and the Goblet of Fire) could be seen along with versions of all the previous Doctor’s costumes and a Fourth Doctor-style scarf knitted for Collinson when he was a child by his great aunt. An insert of Rose, Mickey and Jackie looking
Above: Tennant on set.
t the Sycorax ship was recorded in the park with a double for Coduri. The e-up shot of the Doctor’s severed hand was recorded against a green screen, along with another shot of the Santa mask, all covered by Doctor Who Confidential.
On Monday 31 October, a goldenrod revision was made to the pre-credits, the first view of the Sycorax, and the Doctor selecting his new outfit. Additional shots for The Christmas Invasion were recorded along with a special ‘prequel’ scene for Children in Need at Unit Q2 on Thursday 3 November. These included the Doctor and Rose emerging from the TARDIS in the revised pre-credits, the Doctor sweating in bed, and Rose reacting to the Doctor’s new clothes (requested by Jane Tranter).
PRODUCTION Kitchen/Living Room)
Newport (British Rocket Group HQ:Smart —_—_(Tylers’ Flat: Rose’s Bedroom/ Office); Unit Q2, Newport (British Rocket Living Room)
Kennington, London (Tylers' Estate/Ext (Shopping Street)
Cross, Cardiff: Studio 1 (Tylers' Flat:
Fri 22 Jul 05 Tredegar House & Park, Wed 3 - Thu 4 Aug 05 HTV Studios (Subterranean Corridor/British Rocket
Group, Conference Room/Conference Fri5 Aug O5HTV Studios (Tylers’ Flat: (British Rocket Group: Mission Control/ Room #2; Black Background) Rose's Bedroom/Kitchen/Living Room) Control Booth)
Mon 25 Jul 05 Wallis House, Great Mon 8 Aug 05 Baltic House, James Fri 19 Aug 05 Millennium Stadium West Road, Brentford (Tylers’ Street, Cardiff Bay (City Street); British (Mission Control/Stairwell/Corridor) Estate: Wasteland) Gas Building, Churchill Way, Cardiff Mon 22 Aug 05 HTV Studios (Green Tue 26 Jul 05 Brandon Estate, (City Street); The Hayes, Cardiff Screen - Flying)
Tyler's Flat: Bedroom Window/Walkway) Tue 9 Aug 05 Broadstairs Road, Wed 27 Jul 05 Brandon Estate (Tylers’ Leckwith (Suburban Street); The Hayes block model)
Wed 17 Aug 05 Millennium Stadium,
ea oe ae. oe ae
That day, The Sun claimed that Doctor Who would form part of BBC One’s Christmas Day line-up.
Salmon-pink script revisions on Tuesday 8 November changed the television coverage of Guinevere One, Llewellyn’s arrival at the Tower of London and the entranced ‘A-positive’ people coming back to normal. The newsreader inserts were recorded in the C2 News Studio of BBC Wales on Thursday 10 November. One of the newsreaders was BBC Wales sports reporter (and Doctor Who enthusiast) Jason Mohammed who had been MC at the Doctor Who Galactic Dinner to raise money for Children in Need on Friday 14 October, while Lachele Carl had previously appeared in Aliens of London/ World War Three. @
Westgate Street, Cardiff
Group: Mission Control/Control Booth) Thu 18 Aug 05 Millennium Stadium
Tue 6 - Wed 7 Sep 05 BBC Model Unit, Kendal Avenue, London (Tower
Estate/Stairwell/Ext Tylers' Flat) (Shopping Street/Side Street) Thu 8 Sep 05 Unit Q2,
Thu 28 Jul 05 Tower of London,London Wed10-Sat13 Aug 05 Clearwell Newport (TARDIS)
(London Plate Shots/City Street/Ext Caves, nr Coleford, Gloucestershire Thu 22 Sep 05 Unit Q2
Tower of London: Roof/Ext Tower (Sycorax Ship) (Ext Shopping Street)
of London) Mon 15 Aug 05 Clearwell Caves (Sycorax Sat8OctO5 Unit Q2 (TARDIS/Ext Tylers’ Fri 29 Jul O05 Brandon Estate Ship); Brian Cox Motor Engineering, Flat/Shopping Street/Wing of Spaceship) (Tylers' Estate) Bromley Road, Elwood (Clancy's Garage) Thu 3 Nov 05 Unit Q2 (Ext Tylers’ Mon 1 Aug 05 Loudoun Square, Gabalfa, © Tue16 Aug 05 Barry Docks, Atlantic Estate/Control Booth/Tylers’ Flat: Hall/ Cardiff (Tylers' Estate) Way, Barry (Wing of Spaceship/Green Living Room)
Tue 2 Aug 05 Unit Q2, Newport Rostrum Shoot/Fx Shots: Paris/ Thu 10 Nov 05 BBC Broadcasting “ (TARDIS); HTV Studios, Culverhouse Egypt/Sydney) House, Llandaff, Cardiff: C2 News Studio
(News Studio)
»
y y
POLICE "ERS BOX -
| i |
| j |
Post-production
he Mill worked on the episode in October and November; CGI effects included the TARDIS crash, the Sycorax ship modelled by Matt McKinney, the intricate TARDIS wardrobe created by Chris Petts and Dave Houghton (featuring many costumes from throughout the show’s history), the shattering of the glass windows on the Gherkin simulated by Nick Webber (at one time planned as a partial model effect but deemed too expensive), and a handful of Sycorax were turned into hundreds. It had been intended to show the deaths of Llewellyn and Blake using skeletons suspended against a green screen, but these looked hilarious when the skulls kept rotating and instead they
were achieved by The Mill. The final shots of the spaceship were rendered on Tuesday 15 November, with Alex Fort providing the background matte painting of London. Shots of London from space were used from the Science Photo Library, while the backgrounds of Paris and the Colosseum came from the Getty Image Library and the shot of the Cairo Hotel came from Horizon: The Lost Pyramids of Caral, broadcast Thursday 31 January 2002. Shots of people standing near the pyramids and Sydney Harbour Bridge were dropped, the latter because it was too wide to fit the screen correctly.
Editing was underway in November, with Hawes pleased with the British, festive feel of the Special. The opening shot of the Earth was the same as that which opened
“Did you miss me?” David Tennantmakes his entrance as the Doctor.
Rose. The first cut was made to the scene in the kitchen after Rose got the pork pie from the fridge. Ignoring her mother’s questions about the Doctor, Rose said, “Oo, it’s been light years since I had a pork pie.” When Jackie persisted asking, “No, but how, though?” Rose started to explain, “He just...” She then stopped, explaining “He absorbed the Time Vortex. He saved my life, and then he was dying, he said he was dying. But then he sort of... whooshed. All this light and stuff, like he was exploding. Next thing you know... he’s different.”
Watching the Guinevere broadcast, Jackie asked Rose, “Ever been to Mars?” “Nope,” replied Rose, “God, I feel... Earthbound! They’re sending out spaceships, what about me? I’m stuck at home.” The taxi scene lost Rose’s concluding remarks that Jackie was in danger. As Rose persuaded Jackie to head for the Peak District, she told her, “Trust me. Someone’s after the Doctor. There were these things, they looked like Santa, they had the hats and faces, like they were using all that Christmas stuff as a disguise, and...” She tailed off, spotting the new tree.
Dialogue about the pilot fish was cut,
including Mickey commenting, “Pilot fish. I’ve seen them on telly, hold on, I'll show you...” as he plugged his laptop in, explaining to Rose, “The pilot fish pick food out of the shark’s teeth, that’s how they live, like parasites.” Later on, while tracking the spaceship, he commented, “The big fish doesn’t know the pilot fish exist. The big fish is just hungry.” In the meantime, Jackie said “Pictures of Mars, they’re all the same, Just rocks and dust. Nothing compared to what we've seen,” as she waited to see Guinevere’s pictures.
On entering Mission Control, Llewellyn originally said to Blake, “But... you’ve got better facilities than us! I spend all that time asking for funds, and you’ve built your own Mission Control. How long’s all this been here?” “I’m sorry,’ replied Blake, “all information is on a strictly need-to-know basis.” (This scene was later
| included as and extra on the DVD boxset
of ‘Series 2’) When Harriet made coffee for Llewellyn, there was a flustered exchange about milk.
A short scene of Mickey tracking the spaceship was cut, along with the start of the next scene where Mickey finds Rose watching over the Doctor. “Even his voice changed,” said Rose, to which Mickey replied, “Yep, that’s our biggest problem right now.” “How can he change accent?” asked Rose. “Well, you pick up accents, don’t you?” replied Mickey, “depending on who you're with. Maybe he’s got it off you.” When Blake realised that Harriet had met the Doctor, he commented,
“T’ve only seen the classified files.” As the Sycorax demands were translated, Harriet remarked that the aliens now possess “your women!”; this was dropped because the dialogue was deemed too ambiguous.
Another short scene was dropped with Mickey looking up and seeing Rose entering the living room; “You'd better
| | THE COMPLETE HISTORY
ia _ &.
.NNOAL
come and see this. Aliens online,” he told her; this sequence obliquely implied that the pair had spent the night together. Shortly afterwards, Rose heard Sandra calling after Jason outside the flat. Some dialogue concerning the possessed people was dropped. Harriet puzzling, “But why those people. Why are they affected...? And not us?” was trimmed, along with the start of the next scene in the flat where Mickey observed, “It’s an invasion. Different way of invading, gotta give them that, but all the same.” In Mission Control, Llewellyn’s lines were cut as he pondered “some sort of genetic link, but...” and then asking, “These people, do we know what blood group they are?” A short scene in the
flat was omitted with Jackie calling out
to the returning Rose and Mickey, “It’s
on telly, they’re saying it’s everyone. Whole planet. People just standing on the edge, there’s two thousand people on the White Cliffs of Dover - look, they said it’s a special announcement.”
CALIDA UU n board the Sycorax ship, Alex i) translating “welcome” and “no surrender” were deleted, along with the continual chants of “Jalvaaan!” from the Sycorax. Also omitted - to advance the Doctor’s entrance - was Alex translating, “We will summon the Sycorax armada and take only half your population. The rest you can keep,” “We have travelled in the wastelands. We care nothing for your, um, tiny legislation of landbound species,” and, “We practice the forbidden arts. The lost rites of Astrophia.” The Doctor’s first look around the Sycorax ship saw him comment, “Nice place. Roomy. Bit dark. Cost a fortune, heating this place.” When Harriet told the Doctor she was now Prime Minister, his original response
was, “Oh fantast... ”, whereupon he stops dead on trying to say his previous incarnation’s catchphrase. “No, hold
on... Fantas. Fanta. Fantazzz. Fan. Fa. R” He wanders away, saying, “Can't say it
any more, doesn’t fit these teeth. Ohh, I liked that word, what am I going to say now? ‘Brilliant’? Brilliant, brill-ee-ant, excellent!’ Naah. ‘Superb!’ ‘Marvellous!’ ‘Molto bene!’ Oh. I don’t know, let’s just settle for ‘very very good’. ‘That’s very very good, yes, that’s really very very good’. Not taking off is it?” This diatribe was dropped as unrealistic. He then told the Sycorax leader, “Nice ship, by the way, sturdy, good gravity, kind of rocky...” This sequence was later included on the DVD.
When Alex exclaimed that the Doctor had killed the people on Earth, the Doctor retorted, “Oh shut up! Don’t be so stupid! Blimey, this rudeness thing is way out of control, sorry. Whoever you are.” The fight was reduced to speed it up; as he fought, the Doctor originally said, “Thing is, I still don’t know who I am. Am [a fighter? Am Iaswordsman? Am I an expert? Am I the
Below:
Rose needs a hug!
E CHRISTMAS INVASION » sows:
Above: sort of man who could happily slaughter ae you, have you thought of that? What if I’m put what sort a killer?... or, what if I’m not?... actually,
of man heis, I don’t think I am... definitely not a killer,
no... which, if you think about it, is a good thing... but not right now.” As the fight moved outside, the Doctor exclaimed:
“Oh youre just nasty. I’m only wearing slippers.” When Harriet explained about using alien technology from a crashed ship, the Doctor retorted, “You scavenged it,” to which she replied, “We made best use.” She also told the Doctor, “I really am sorry,” while he informed her, “I don’t need swordfights, I’m stronger than that.” In the final scene as the Doctor and Rose looked up at the stars, Rose said, “I miss him.” “So do I,” replied the Doctor as they smiled at each other.
The ‘BBC’ caption appeared over the opening shot while producer and director captions were superimposed over Rose checking the Doctor’s hearts. David Tennant was billed as ‘The Doctor’ (rather than his predecessor’s ‘Doctor Who’) at Tennant’s request after he saw an early edit of the special. The episode concluded with a trailer comprising non-CGI extracts of moments from the first six episodes of the next series.
he music playing on the radio at Clancy’s Garage was Slade’s December 1973 hit Merry Christmas
Everybody. In the shopping street sequence, the brass band played the 1833 carol God
_ Rest Ye Merry Gentlemen, while the tune | of the whirling Christmas tree was Jingle
Bells, published in 1857 by minister James Pierpoint and out of copyright. Murray Gold wrote an incidental music score
) which - along with an extended orchestral
version of the theme tune including a ‘middle eight’ section - was recorded in
a six-hour session with the 80 piece BBC National Orchestra of Wales conducted by Ben Foster and with leader Lesley Hatfield at Studio 1 of the BBC in Cardiff on Monday 14 November. This was covered by Doctor Who Confidential. Some cues were reused from the previous series, notably
a vocal from Rose which the producers referred to as ‘President Flavia’s Song’. Very late in the day, when the
rights for The Bells of St Mary were
found to be not available, Gold composed Song for Ten - influenced by Phil Spector and the 1960s Motown composers Holland-Dozier-Holland. The lead for this was Tim Phillips who co-wrote the music for Shameless with Gold, who provided backing and an instrumental version. Ml
. LC XARA
Publicity
® Trailers for the special appeared on
BBC One from Wednesday 26 October, effectively reusing the one shown back
in June. The same day, Billie Piper was quoted in the MediaGuardian as saying of the episode: “It’s got scary
Christmas trees, Santa attacks, there’s
an invasion, and the Doctor stays in
bed for a long, long time. I am carrying
most of the show.”
® The Daily Mirror and Daily Star promoted the special on Thursday
24 November, claiming that it would
di
» & e : Post-production | Publicity
i
be broadcast on Christmas Day. This date was confirmed by the BBC five days later. On Monday 28 November, Davies wrote a special Doctor Who piece for the Christmas edition of Time Out in which the characters gave their preview of yuletide television. In the run-up to Christmas, Radio Times for 3-9 December 2005 saw Alison Graham select Doctor Who as one of the Top 20 festive shows. In the following week’s issue, E Jane Dickson interviewed Tennant about ITV1’s Secret Smile (broadcast Monday
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Left: Mickey, Rose, Harriet and
Alex confront the Sycorax,
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CHRISTMAS
a LONDON! ; << www.radiotimes.com 14-DAY GUIDE I “a :
ee
WIN A CHRONICLES REAL DALEK | OF NARNIA Doctor Who
Christmas
" i ian, 1 Prince Casp) special!
CS Lewis's magical tale FREE on CD
Disc Ton page 35
Flappy
Your 14-day guide to all the festive films, TV & radio
“ oe
12 and Tuesday 13 December) in Carry On Doctor with a small piece about The Christmas Invasion from Nick Griffiths. A teaser trailer for the special appeared on the BBC showing the rotating Christmas r
| tree (‘Something’s
coming...’) from Friday 2 December. BBC One’s [ie Newsround launched a competition on Thursday 1 December for one young viewer to attend the launch of The Christmas Invasion as a Press Packer on Monday 12 December.
® Ina surprising move, the cover of the Christmas double-issue Radio Times was given to Doctor Who, with Mark Thomas illustrating a snow globe containing the TARDIS, a snow Dalek and a snowman with a floppy hat and long scarf. Available from Saturday 3 December, this was the first programme-specific Radio Times Christmas cover for 16 years, in which time the custom had been to feature a generic festive illustration. A 10-page feature promoted the special with an article and series preview by Davies, comments from Tennant, Piper, Coduri and Clarke, Griffith’s interview with Gilder, and a chance to win a Dalek. Doctor Who was one of Graham’s picks in Today’s Choices illustrated by the Doctor, Rose and the TARDIS, while the show’s listing had a picture of the Doctor emerging from his ship. A message on how the Doctor could be revived was revealed by the capitalised lead letters of the articles: ‘A CUP OF TEA.
® On Saturday 3 December there was more promotion from tabloids like The Sun and the Sunday Mirror. A cast and crew screening was held on
Hidden depths,
SeeESEST EC RRS eeeeen Ft?
Tuesday 6 December in Cardiff, Blue Peter previewed the Special with a clip on Friday 9 (and a Dalek operated
by Nicholas Pegg pre-recorded on Tuesday 6). Tennant was interviewed in the Sunday Mirror on Sunday 11 December, and spoke to The Observer with Davies, while a new television trailer also appeared.
® On Monday 12 December, Davies, Tennant, Piper, Coduri and Clarke attended a press screening of The Christmas Invasion at the Soho Hotel in central London. Press reviews the next morning had Ciar Byrne of The Independent observing that Doctor Who Joins the Protests Against The War in Iraq, while in the Daily Star, Nigel Pauley penned a piece titled The Doc Gets Lost in Space. That afternoon, 12-year-
old Callum Kierk filed his report
for Newsround. BBC One’s Breakfast previewed a clip on Tuesday 13 as did GMTV on Friday 16. Penelope Wilton was interviewed by the Daily Telegraph on Saturday 17 December, while Tennant spoke to the Western Mail, and Davies talked to the Sunday Herald the next day. Davies also appeared
on BBC Radio Wales, Wales Today on Monday 19, the same day that bbc.co.uk updated Mickey’s fictional website to cover the Guinevere project. Radio 2’s Doctor Who: Regeneration documentary was broadcast at 8.33pm on Tuesday 20 (with Mark Gatiss having recorded his narration on Friday 9 December in Studio 1H of Broadcasting House), a new 50-second trailer appeared on BBC One. Next morning, Tennant was interviewed on BBC One’s Breakfast by Dermot Murnaghan and Sian
Publicity
Williams, while on Thursday 22, Coduri and Clarke were interviewed on GMTV. Friday 23 December
saw Tennant appearing on Radio 1’s Colin and Edith Show (commenting on the cut line about the Doctor’s accent), Radio 4’s Front Row and BBC One’s Friday Night with Jonathan Ross. In Wales, radio listeners could hear the latest edition of Doctor Who Back
in Time — New Doctor, New Danger
at 6.30pm, repeated Christmas Eve
at 1.05pm.
Promotion al image for the Christmas Special.
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® The Christmas Invasion became the raiders and scavengers from an
first episode of Doctor Who ever to asteroid in the JX82 system. début on a Sunday when it aired
on Christmas Day; it was the ® David Tennant continued to record second-most-watched programme his Doctor Who Video Diary during of the day, and became only the his Christmas break with his parents 12th Doctor Who episode to chart in Scotland, pondering the strange in the week’s Top Ten. During the phenomenon of his face adorning all broadcast, the BBC website carried the television listing magazines and the message ‘The Christmas Invasion is then viewing his début as the Doctor on BBC One now. Harriet Jones says: with the rest of the McDonald family Switch off this website for Britain’ on BBC One Scotland. After broadcast, a commentary by Davies, Gardner and Collinson ® The episode was broadcast by CBC recorded on Tuesday 6 December by in Canada on Boxing Day with a the Doctor Who Confidential team was special introduction by Piper. The made available; this was the BBC’s reviews for the episode were positive, most popular MP3 download with The Sun referring to it as ‘the over Christmas, accessed 64,000 jewel in the BBC’s crown’ while The times. BBC One digital viewers Times commented on the ‘totally were encouraged to use their red splendid and, more importantly, buttons to play the interactive very hot Doctor. In early January, adventure Attack of the Graske that the right-leaning Spectator evening. bbc.co.uk also offered a commented on the ‘worryingly British Rocket Group website which peacenik tendencies’ of the new was a tribute to Daniel Arthur ‘wussie’ Doctor to a Prime Minister Llewellyn (1972-2006), while the who was just doing her job. In Radio UNIT website referred to Major Times for 14-20 January 2006, Richard Blake. Davies also provided Russell T Davies answered a query a history of the Sycorax for the about his development of the
website, indicating that they were Sycoraxic language.
ORIGINAL TRANSMISSION EPISODE DATE TIME CHANNEL DURATION RATING(CHART POSITION) APPRECIATION INDEX The Christmas Invasion Sunday 25December 2005 700pm-8.00pm BBCOne 58'51" 9.8M (Sth) 84
REPEAT The ChristmasInvasion Sunday17 December 2006' 4.25pm-5.25pm BBCOne 58'51" 21M - 1Not Northern Ireland
Merchandise
he Christmas Invasion was
initially released on DVD,
along with New Earth, as Series
2 Volume 1 on 1 May 2006. It
was later released as part of
The Complete Second Series DVD box set, by the BBC on 20 November 2006. Also included on the box set was a commentary on the episode with Russell T Davies, Julie Gardner and Phil Collinson, a selection of out-takes and deleted scenes, Billie Piper’s Video Diary, the Doctor Who 2005 Children in Need Special and the short version of Doctor Who Confidential.
Several tracks of music used in The Christmas Invasion, including an extended, newly recorded version of Song for Ten, were included on the Doctor Who: Original Television Soundtrack CD, published by Silva Screen on 2 December 2006. Song for Ten and one other track from the » episode were included on | the Doctor Who: The 50th Anniversary Collection box set released in late 2014.
Yoplait Dairy Crest released a range of Doctor Who themed ‘cyber-strawberry’ flavoured fromage frais filled plastic
tubes in April
2007. The Sycorax featured on the ‘Frube Tubes’ and the accompanying packaging.
The Sycorax
Broadcast | Merchandise : - :
: 3 a, : , =>
Leader, along with his whip and staff, was one of the
six action figures released by Character Options in August 2007,
as part of their Series 1 Gift Set.
The Sycroax Leader was also This page: amongst the miniature MicroUniverse Doctor Who figures released by Character Options on underretiag (above), a 21 December 2007. Issue 20 of the Doctor Sycorax leader Who Figurine Collection, published 22 May figurine (below : left) and the 2014, presented a figurine of the i: action figure.
Sycorax Leader.
In September 2007, Millennium FX made available a Sycorax Helmet for £558.13 (a deluxe version was also available for £616.88). A Santa mask, cast from the same moulds as those used in the episode, was also made available in January 2009, costing £182.85.
Woolworths released a five-pack of Doctor Who themed underpants »> in October 2007, the red pairof 9. which featured the Sycorax.
The Sycorax returned to oppose the Tenth Doctor again in the comic strip adventure, The Widow’s Curse, originally published in Doctor Who Magazine in 2008.
The Sycorax also featured as one of the monsters in the Classic Doctors, New Monsters box set of audio adventures, released by Big Finish Productions in July 2016.
LI
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© DOCTOR WHO | THE COMPLETE HISTORY
Cast
CAST
David TENNaNt cues The Doctor Billie PIP@ hs. isiecisicvsccennaommmenenoren Rose Tyler
with
Camille COMUII,.........cc cscs Jackie Tyler Noel Clarke ou icccsisssissssen Mickey Smith Penelope WIITOMN..........ccccccsiin Harriet Jones Daniel Evans... Danny Llewellyn Adam Gall... sesisiinsiccnsiscannanmameneme Alex Sean Gilde... ccs Sycorax Leader Chu Omambala ..............::: cscs Blake Antal Bri@mt oicscsssccciscsccsssncosnarsce nen neat Sally Sian McDowalll............cccsssssssssssssssssesesssssnn Sandra Paul ANdePSOD....iicccccssssssiissssssssussssssseen Jason Cathy Murphy.............00s0.00.00n un neeeee Mum S@AMN CarlseM.cscssssseees Policeman Jason Mohammeg...........ccce Newsreader 1 SagamArya),.o. wcccucocmcon Newsreader 2 Lachelle Carbine Newsreader 3 UNCREDITED
Paul Zeph Gould, PHI KGFK ............ccccsiseeen ivives iota agra tanEeEE Rte eRe ER Mechanics [inc Steveo] Peter OLIVET... Van Driver
Jason Parkes, Johnson Yakoob, Andrew Morgan John, Liz Issacs, Jane Dance,
Genevieve SWiFE........ccs en Journos Lee Griffiths, Lloyd Everitt, Jamie Joneg......... sisiaovadysaasagt seni aGpsiaN Cryer MMRRRU ET ELE AR ae eT CTE Journos
Jeremy Harvey, Richard Beavis, Emily Biles, Paul Burke, Alexis Constantinou, Rachel Dax, Caroline Deacon, Derek Filby, David Handford, Myfanwy Harris, Lindsay Head, Gemma Jones, Wynford James, Blod Jones, Siobhan Carter, Jason Jones, Claire Bromage, Omar Latif, Leighton Morgan, Oakwell Muldoon, Catherine O'Leary, Jason Paginton, Joanne Symon, Olivia Wakeford, Lee Warner, Frank Wooles, Maxine Barnes, Derrick Caruana, Kimberly Caruana, Rachel
and credit
Cast and credits
Chambers, Paul Hallewell, Catherine Harris, Andrew Hopkins, Chris Ilston, Zoe Jefferies, Phillip Kirk, Kai Langford, Adele Morgan, Chris Norman, Simon O'Leary, Leanne Pemberton, Jennifer Pierce, Nina Rees, Kathryn Selway, Melissa West, Gwynfryn
West, John Williams, Emma Lowe......Shoppers Dean Forster ... .. Stunt Shopper UNKNOWN .........cecunnsca ee Bus Driver
Tony Gallagher, Richard Pullen, Andrew MitHel.......cccsusscsessnenene Evil Santas
Dean Forster... Stunt Evil Santa i“ UNKNOWN 2... Police Officers ie James Tatchell ............ccccuesscsssrees Taxi Driver i Simon Hughee ..............0nsssesie nce eee Dad
Josh Hughes, Miss Hughes................:..sn TBC
lan Bebb...........:ccnc:snieneieen ee Taxi Driver
Billi Atwal, Paul Sirgis, Alan Amin, Adam
Newell, Conrad Olendo, Joanna Tobiag............
janieidininemeniiiiietiin incite Estate Residents
Alex Bennett, Alex Donald, Simon Lee........... Jenieaneniicsqniiinniicinin ent Evil Santas
Lee Griffiths, Lloyd Everitt, Jamie Jones..........
(ovis nseantioiisei en ree art ee Sycorax Warriors
Phil Hamilton, Sean Adrian Reed..Limo Drivers Steve Cowles, Alun Cowles, Hopkin Bird,
Marcus Hobbs, Greg Bennet, Alan Hern........... jeestromecescienieeisaicconeraiis ee ee UNIT Soldiers Johnnie Cross...........06008 Technician Luke Parsons
Aleta Morgan, Adam Smith, Phillip Larcombe, Louise Vincent, Alex Dillow, Peter Lorenzo Smith, Heather Preston, Durine Howell, Angela Owen, Malcolm Orr, Richard Knott, Cherie Hamilton, Laura Meredith, Michelle Parper................
lan Hilditch... Geoffrey Baxter, Kodjo Tspako, To! Sperring, Joanne Lancastle, Ch Hamilton, Lola Alexander,
Above: Timothy Rudge, Simon Hamilton......... Advisors
estas at RREEIATMELIEKS itr iii iist issesisesisesinaseisasiimsenes Major
the Tylers. a PM MCATESESREDU rece ce vecrsessceccoccisspsivesessssecsssansssecsses Army Captain
Geraint Jones, Eddy Martin, Mike Freeman, Andrew Mitchel, Hopcyn Bird, Jim ThuraisinghaMm...........ccc UNIT Soldiers Bart Barton, Vince Bishop, Remo Borciani, Tina Borciani, Ronald Caabay, Tariq Chaudry, Bamba Diop, Carmina Dodoo, Sean Duffy, Emma Grace, Boyd Hatchett, Hsin-ni Hwa, Kate Lindesay, Beverly Mills, Rachel Moran, Suzie Ostrove, Beth Partridge, Monique Payneeandy, Tom Sanderson, Saleh Chaudri. Sires vscsssssessisusissssscsssssssevessssssen Estate Residents Sergio Dondi, Sam Greenaway, Elaine
Gunn, Lucy Hasson, Thomas Khoo, Keiko McKeown, Loretta Nelson, Paul Plausin, Billi Atwal, Paul Sirgis, Alan Amin..... Normal People Lee Dakin, Juan Diu, Joy Fitch, Selena Scott, Minreet Harzall, Zeynepjack, Mark Chiu, Sheila Matthews, Mike Mungarvan, Adam
-_
“pg Ge
Scurlock, Laurence Chanon, Gerald Cooke, Oliver Hopkins, Richard Heneghan, Sophia Day iista.nenserensuseneensapeant scat Assorted Crowd Genevieve Cope, Clair Tebbut, Estelle Lordonne, Peter Von Motz, Ricardo Martin,
Kevin Haydon........... Technicians/Assorted Crowd 20 UNKNOWN. Assorted Crowd Anthony MOlto0 |... ccc PC Babette Laostice ccs Double for Jackie
Alun Cowles, Mike Freeman, Martin Thorne, Jonathan Thomas, Richard Harris, Greg Bennett, Geraint Jones, Paul Blackwell, Nick Gwyn Evans, Phil Kirk, lan Richardson, Mark Griffiths, Andrew Mitchel.............cc00005 Sycorax Hannah Gould, Lee Chapman, Yaourou Konate, John Elford Smit, Grace Wainwright, Christian Knight... Mission Control Staff Paul ZePHh GOUlW uu... sen Sycorax Dean Foster........ Stunt Double for Sycorax Leader Vernon Keeble-Watson, Paul Keogh, Paul Ganney, Wendi Sheard, Nicholas Wilkes, Joanna Compera, Daryl Adcock, Sophie Olley crafinsnasoumpaetsarasteacnn Additional Dialogue Recording
CREDITS
Written by Russell T Davies
Producer: Phil Collinson.
Director: James Hawes
1st Assistant Director: Jon Older
2nd Assistant Director: Steffan Morris
uncredited: Lynsey Muir].
3rd Assistant Director: Lynsey Muir
uncredited: Adam Hill, Will Cummins,
Rhys Davies, Anna Evans]
Location Managers: Lowri Thomas, Gareth Skelding [uncredited: Gareth Lloyd]
Unit Manager: Justin Gyphion [uncredited: Rhys Griffiths]
Production Co-ordinator: Jess van Niekerk
Production/Script Secretary: Claire Roberts
Production Runners: Debbie Meldrum, Tim Hodges, Sarah Davies
A/Production Accountants: Debi Griffiths, Kath Blackman, Bonnie Clissold
Continuity: Llinos Wyn Jones
Script Editor: Helen Raynor
Camera Operator: Julian Barber [uncredited: Joss Lowe, Paul Lang, Terry Bartlett, Kevin Rudge
Focus Pullers: Mark Isaac, Terry Bartlett [uncredited: Donald Ng, Dean Thompson, Anna James, Elly Harrowes]
Grip: John Robinson [uncredited: Steve Jones, Peter Muncey, Craig Copple]
Boom Operator: Jeff Welch [uncredited: Rhydian Yeoman, Adam Margetts, Mark Walters, Glen Jenkins]
Gaffer; Mark Hutchings
Best Boy: Peter Chester
Stunt Co-ordinator; Peter Brayham [uncredited: Kevin McCurdy]
Stunt Performers: Dean Foster, Kim McGarrity, Dani Biernat, Maurice Lee
Supervising Art Director: Stephen Nicholas
Art Dept Production Manager: Jonathan Marquand Allison
Standby Art Director: Arwel Wyn Jones
Asst Supervising Art Director: James North
Design Assistants: Ben Austin, Matthew Savage
Standby Props: Phil Shellard, Trystan Howell
Standby Carpenter: Silas Williams
Standby Rigger: Bryan Griffiths
Set Decorator: Julian Luxton
Property Master; Adrian Anscombe
Production Buyer: Catherine Samuel
Props Storeman: Stuart Wooddisse
Specialist Prop Maker: Mark Cordory
Prop Maker: Penny Howarth
Construction Manager: Matthew Hywel-Davies
Graphics: BBC Wales Graphics
Costume Supervisor: Anna Lau
Costume Assistants: Lindsay Bonaccorsi, Barbara Harrington [uncredited: Rupert Steggle, Angela Jones, John Laurie, Gemma Jones, Chrisie Atkinson, Sheenagh O’Maragh]
Make-Up Artists: Anwen Davies, Steve Smith, Moira Thomson [uncredited: Laura Shalker, Sara Griffiths, Anwen Williams, Marie Doris]
Casting Associate: Andy Brierley
Assistant Editor: CeresDoyle
°
4
Cast and credits
Post Production Supervisor: (
Post Production Co-ordinator; Marie B
On Line Editor: Matthew Clarke
Colourist: Mick Vincent
3D Artists: Chris Petts, Pau! Burton, Jean-Claude — Deguara, Nicolas Hernandez, Andy Howell, Matthew McKinney, Neil Roche, Chris Tucker, Mark Wallman, Nick Webber
2D Artists: Sara Bennett, David Bowman, Melissa
Butler-Adams, Joseph Courtis!, Bronwyn Edwards
Simon C Holden, Russell Horth, Kim Phelan
Digital Matte Painter: Alex Fort"
Model Unit Supervisor: Mike Tucker
Dubbing Mixer: Tim Ricketts
Sound Editors; Paul McFadden, Doug Sinclair
Sound FX Editor: Paul Jefferies
Finance Manager: Richard Pugsley
With thanks to the BBC National Orchestra of Wales
Original Theme Music: Ron Grainer
Casting Director: Andy Pryor CDG
Production Accountant: Endaf Emyr Williams
Sound Recordist: Simon Fraser [uncredited: Graham Ross, Mark Walters]
Costume Designer: Louise Page
Make-Up Designer: Sheelagh Wells
Music: Murray Gold
Visual Effects: The Mill
Visual FX Producer: Will Cohen
Visual FX Supervisor; Dave Houghton
Special Effects: Any Effects
Prosthetics: Neill Gorton and Millennium FX
Editor: Liana Del Giudice
Production Designer: Edward Thomas
Director of Photography: Ernie Vincze BSC
{uncredited: Peter Tyler]
Production Manager: Tracie Simpson [uncredited: Marcus Prince]
Associate Producer: Helen Vallis
Executive Producers: Russell T Davies, Julie Gardner
BBC Wales with thanks to the Canadian Broadcasting Corporat on
bbc.co.uk/doctorwho
© BBC MMV
* Erroneous!
3
n ThE - 7 .
Below:
David discovers his family's past in the BBC's Who Do You Think You Are?
7
u [STMAS INVASION
Profile
STORY 167
,
The Doctor
think David will go a long way.
He’s a promising actor, with a
very firm bottom.” So said future
Doctor Who writer Mark Gatiss of
David Tennant when, in March
2003, the Scottish actor was recording Big Finish Doctor Who audio play Sympathy for the Devil. Little did anyone realise that just over two years later the revived programme would be a TV smash hit with the aforementioned Tennant as the Tenth Doctor.
Born 18 April 1971 in Bathgate, West Lothian as David John McDonald, he was the son of Reverend Alexander ‘Sandy’ McDonald, a Presbyterian minister and Helen McDonald (neé McLeod). He later grew up in Ralston, Renfrewshire, attending Ralston Primary School and then Paisley Grammar School.
It was Doctor Who in particular that convinced Tennant he wanted to be an actor at a very young age: “I was very small, about three or four I think, and just wanted to be the people on telly telling these wonderful stories. Obviously the idea grew and matured with me, but I can’t ever remember wanting to do anything else.”
Tennant was the first Doctor to have grown up a devoted fan of the programme (Peter Capaldi would be the second - see Volume 76). Aged seven, he owned the Doctor Who Monster Book, signed by Tom Baker in a John Menzies store in Glasgow.
“Tom Baker was the one I have the
earliest memories of and then I was still
watching it very avidly through Peter Davison,” he admitted to Doctor Who Magazine’s Clayton Hickman in 2005. His studies took over in his teens: “I lapsed a little bit in the final years, I guess. But I caught up with those episodes later on.”
Tennant’s first acting performance was at 11; he attended Saturday junior classes at the Royal Scottish Academy of Music and Drama in Glasgow. At 16 he passed the entry audition. He began a BA in Dramatic Studies at 17 in 1988 (accredited by the University of Glasgow).
Even before starting his studies, Tennant had already performed professionally, in an anti-smoking ad for Glasgow Health Board at 16, and then a ghost story for children’s TV play strand Dramarama made by Scottish Television, The Secret of Croftmore (1988). He was credited as David Tennant since there was another David McDonald on Equity’s register - the name was borrowed from Neil Tennant, singer with pop duo Pet Shop Boys.
Tennant graduated in 1991, taking the title role in Mozart from A to Z in his final year. His first job on leaving was touring Brecht play The Resistable Rise of Arturo Ui in a cramped van with the left-leaning 7:84
theatre group. Ashley Jensen, later star of Extras and Ugly Betty, was among the group. Repertory work followed at the Royal Lyceum, Edinburgh and Dundee Repertory Theatre.
He played a transvestite in a 1993 episode of Scottish comedy Rab C Nesbitt but his first major TV role was as manic depressive Campbell Bain in acclaimed six-part BBC Scotland serial Takin’ Over the Asylum (1994). Joining the same agent as the serial’s star, Ken Stott, Tennant moved to London.
His main focus was on classical theatre however and from the mid-90s he
appeared in Royal Shakespeare Company Above:
productions including As You Like It (1996) Lee aie and later took the male lead in Romeo and makes his big Juliet (2000). one Y e Christmas Tennant entered the world of Doctor invest
Who playing a Nazi guard in the Big Finish audio Colditz in autumn 2001, a story featuring Sylvester McCoy as the Doctor. Among much radio work, Tennant had
a part in a Radio 4 adaptation of Terry Pratchett’s The Amazing Maurice and His Educated Rodents in 2003, but he was excited to discover the new BBC online Doctor Who adventure Scream of the Shalka being recorded in the studio next door
DOCTOR WHO | THE COMPL
the voice
_ of Twigs in children’s TV series, Tree Fu Tom.
and persuaded the director to give hima one-line cameo. He was just as enthusiastic when recording further Big Finish
Unbound audios.
Tennant’s career exploded in his annus mirabilis of 2004 when in the space of around 12 months he took his first leading TV role in Trollope’s He Knew He Was Right as Reverend Gibson, stole the show from David Morrissey in acclaimed offbeat thriller Blackpool (playing DI Peter Carlisle) and took the title role in BBC Three’s Casanova (2005S).
Written and produced by one Russell T Davies while his commitments to Doctor Who Series 1 began to take priority, the fast-moving Casanova showcased Tennant’s dynamic energy and charm. As Tennant later recalled to Doctor Who Magazine's Benjamin Cook in 2006, he was desperate to ask Davies for a role in his ‘other show’: “I was doing Casanova so I thought, ‘I’ve got to get a part in Doctor Who. I just want to be in an episode. Playing the Doctor was not something that I actually believed that I'd be asked to do.”
But while watching a playback of a Casanova episode with Davies and fellow producer Julie Gardner, they took Tennant aside; “They said, ‘Look, we’re hoping we'll get a second series - will you be in it?’ So that was it really.”
On 31 March 2005, just five days after Christopher Eccleston’s Who début and a day after the BBC announced there would be a second series, the story broke that Eccleston had quit the show. Even the BBC News website immediately reported Tennant was the frontrunner, with bookies quoting him at odds of 1/10.
A BBC press release issued 16 April
_ 2005 finally confirmed the poorly kept
ret and announced Tennant as the
= Sais
said in the release. “I grew up loving Doctor Who and it has been a lifelong dream to get my very own TARDIS. Russell T Davies is one of the best writers television has ever had, and I’m chuffed to bits to get the opportunity to work with him again.”
With Christopher Eccleston having filmed an open-ended regeneration scene in early March, Tennant filmed the continuation of the scene on 21 April to be edited in later.
Winning his dream part was a huge step for Tennant: “You suddenly realise that you have to take it very seriously,” he told Doctor Who Magazine as he set out in the role. “It’s almost, ‘Be careful what you wish for. So yes, it was a funny one and I did have a few moments when I wondered if it would be a mistake. Is this what I should do? And then of course I woke up one day and thought, ‘Oh shut up! Obviously you'll say yes!’ Because how could you walk away from it and watch whoever it would be taking over instead?”
The production team had recognised Tennant’s huge charisma and potential. Producer Phil Collinson summed up the new star: “There’s an etherealness, an otherworldliness about him too, and a little more eccentricity. I like that. It’s a great contrast, and I think that viewers are really going to take to him.”
. CXAR RRR
Russell T Davies later attempted to encapsulate Tennant’s special onscreen magic: “What sets him apart from any other man on screen is a lack of boring machismo. He skates over stuff, he dances over stuff, he’s so nimble and light and clever.”
Davies decided Tennant would not use his own accent as the Doctor, the logic being he couldn't have another ‘regional’ accent following on from Eccleston’s Northern tones. A Cockney/Estuary London accent was chosen.
An inkling of the audience reaction that Tennant would produce came from Caitlin Moran, something of a spokeswoman for smart British women, reviewing The Christmas Invasion in The Times: “Very hot...” she purred, “he’s twinkly, he’s foppish, he’s clever...” We had the first ‘sexy’ Doctor and Tennant drew female
viewers to Doctor Who as never before. A poll of 10,000 women for New Woman magazine in March 2006 put Tennant
20th in their Top 100 Men list, ahead of icons like Brad Pitt. As Tennant admitted to Benjamin Cook he was nonplussed, “Before I was on the telly whenever I
was written about, they'd use words like ‘sawky’ and ‘beanpole’ and they were fairly unpleasant.” By 2006 he was dating Sophia Myles, his beautiful co-star in The Girl in the Fireplace [2006 - see Volume 52].
Davies played to Tennant’s attractive qualities and turned the Doctor, for the first time, into a romantic hero, becoming an endless source of fascination for attractive female characters. This took the Doctor into uncharted waters, as Tennant realised, speaking in late 2006.
“The relationship with Rose became, to all intents and purposes, a love story. You learn how malleable the character can be - the show doesn’t disappear in a puff of smoke if the Doctor does things that apparently he’s never done before. It’s not the end of the series if he snogs Madame
DOCTOR WHO | TI
Left: Tennant is
senior cabinet minister Aiden Hoynesin The Politician's
Husband.
="
.
Below: Tennant played British scientist Sir Arthur Eddington in the 2008 TV movie, Einstein and Eddington.
7
‘STMAS INVASION
n Th re
Pompadour. I’m interested in how we can push that - not necessarily sexually, but in other aspects as well. How can we tweak at the corners of the established myth without pulling it apart?”
The Tenth Doctor’s era is marked by its emotional beats, some romantic, some not: his separation from Rose by a dimensional split; his falling in love with Joan Redfern while in human form as John Smith; his tears at the Master’s wilful refusal to regenerate; his ‘exile’ from Donna after her memory wipe; his final sacrifice for Wilf. Again, female viewers responded positively to this new, upfront emotional approach.
Tennant’s era cemented the revived programme’s popularity, indeed laying reasonable claim to being the most popular Doctor ever. The 2007 Christmas special Voyage of the Damned |see Volume 57| had 13.31m viewers, placed second for the week and the highest figure (ignoring strike-assisted 1979 episodes) since Part Two of The Ark in Space [1975 - see Volume
22]. The second episode of The Stolen Earth/Journey’s End [2008 - see Volume 60} was No 1 for the week in July 2008, 10m viewers beating all-comers. It was the first time Doctor Who had ever topped
the ratings.
In December 2006, a Doctor Who Magazine poll of 4,000 fans made Tennant the favourite Doctor of all time, with 28% of the vote, almost 2% ahead of Tom Baker.
Despite the huge ratings, in September 2007, it was decided the show would have a gap year, with no full series in 2009. Tennant embarked on a lengthy run in the title role of Hamlet for the RSC at Stratford and London from August 2008 through to early 2009. Tickets sold out in hours and the play would be filmed and broadcast on BBC Two on Boxing Day 2009.
It was while in Hamlet that Tennant was nominated for a National Television Award for Outstanding Drama Performance. As 29 October 2008 approached, should he win the award, Tennant would make a shock statement live via satellite during Hamlet’s interval.
On receiving his award, Tennant made an emotional speech: “I’m very excited because in January, I go back to Cardiff to make four new Specials, which will see Doctor Who all the way through 2009. But...’ There was then an almighty pause. “’.. when Doctor Who returns in 2010 it won't be with me.” The gasps were audible. “T love this part and I love this show so much, that if I don’t take a deep breath and move on now I never will... I think it’s better I don’t overstay my welcome.”
Tennant admitted at the end of 2009 that “I signed a contract for three years, so it was always in the back of my mind that I'd do three series, and maybe a few Specials. I think once I realised that Russell and Julie [Gardner] were going, it seemed the obvious stepping-off
point.” He admitted to a “wobble” when incoming showrunner Steven Moffat outlined exciting plans for one further season starring Tennant. Moffat gave him a weekend ultimatum to decide, but ultimately Tennant reckoned it was a series he wanted to watch rather than be in.
After shooting his final scenes for The End of Time [2009/10 - see Volume 62} in May 2009, the Tenth Doctor’s era was almost over, except for a guest appearance in The Sarah Jane Adventures episode The Wedding of Sarah Jane Smith filmed the following week.
His two-part finalé aired on Christmas Day 2009 and New Year’s Day 2010.
With the last words, “I don’t want to go,” Tennant signed off. “Right now, I’m happy to leave it, feeling proud of what we did
- and happy that it never felt like a chore or a job,” he said. “It’s been a very happy period of my life.”
The Tennant era had been so popular that, as Steven Moffat revealed in 2014, BBC bosses even considered ending the series with his departure.
Tennant abandoned plans to relocate to Hollywood to marry Georgia Moffet, the daughter of Fifth Doctor actor Peter Davison, the couple having met filming The Doctor’s Daughter |2008 - see Volume 58]. They married on 30 December 2011 and had a daughter, Olive, in 2011 and son Wilfred in 2013.
Tennant has remained one of the UK’s most popular actors since leaving Doctor Who. Film work has included the role of Barty Crouch Jr in Harry Potter and the Goblet of Fire (2005) and St Trinian’s 2 (2009). He has had leading TV roles in Einstein and Eddington (2009) and Single Father (2010). A popular voiceover artist, he narrated the documentary spoofs Twenty Twelve (2012) and its sequel WIA (2014-15).
Profile
Above: Tennant with Olivia Colman in the acclaimed Broadchurch,
His biggest post-Who TV success
has been ITV murder mystery serial Broadchurch in which he stars as DI
Alec Hardy. The final episode of 2013’s first series was the year’s highest rated drama and a sequel followed in 2015. Of Broadchurch’s success following on from Who Tennant said; “I’ve been so lucky to have been in two shows that have got such a huge following. I still pinch myself,”
Tennant received a Special Recognition award at the National Television Awards in January 2015, much to his surprise as he sat in the audience.
To the fans’ delight Tennant returned for the 50th Anniversary story The Day of the Doctor [2013 - see Volume 75)), reaffirming his popularity.
The man who had wanted play the Doctor since the age of four, summed up the experience thus: “It’s continuously — inspiring really, to get to play this mercurial, anarchic, extraordinary who gets all the best lines and gets : the cleverest person in the
2006 SERIES ite ie
(THE INEVITABLE BREAK-UP TOR AND ROSE'S 1S SEEDED
IN THE SEASON.” :
OF THE DOC RELATIONSHIP
EARLY
2006 Series New Earth Tooth and Claw School Reunion (see Volume 52)
The Girl in the Fireplace (see Volume 52)
Rise of the Cybermen/ The Age of Stee! (see Volume 52)
The Idiot's Lantern
(see Volume 52)
The Impossible Planet/ The Satan Pit (see Volume 53)
Love & Monsters (see Volume 53)
Fear Her (see Volume 53)
Army of Ghosts/ Doomsday (see Volume 53)
2006 series
hen preparing the return of Doctor Who to our screens, Russell T Davies was dealing with a show with disparate expectations. For some - largely in the media - it was joke, a source of derision - naff TV of a bygone age. For an increasing chunk of the audience it
was something either largely forgotten or entirely unheard of. And for those who still loved it and awaited its return, there was nevertheless.a fear that the new incarnation
of the show might not be faithful to the one that had gone before. After 13 weeks of Christopher Eccleston and Billie Piper though, Doctor Who was a media darling,
a public success and a delight to the vast majority of its dyed-in-the-wool adherents. The Christmas Invasion [2005 - see page 6] had been a vehicle to establish that this new fellow was definitely still the Doctor, with his personality only really becoming established after spending much of the episode asleep. His first full series would determine exactly what direction he would
DOCTOR WHO | THE COMPLETE HISTORY a
Above:
Rose and the Doctor are shocked to discover that people are being taken from their homes in 1950s London,
be taking the show in. So where once the pressure had been to deliver something that - depending on their initial point of view - people didn’t think was either an ill-judged resurrection of something best forgotten, something that didn’t interest them at all or an insult to a much loved classic, now Davies and his team had
an entirely different but no less intense pressure. They had to complete the difficult second album.
f course repeating a success without 0 one of the key ingredients can be
tricky. No sooner had Christopher Eccleston established himself as the Time Lord for the modern era than he hung up his space boots and left the show without a leading man. Doctor Who has flourished after replacing an established lead with a totally different interpretation of the part, but the unprecedented success of the first
© DOCTOR WHO | THE COMPLETE HISTORY
year of the revamped series could have produced an audience resistant to the jar of a different characterisation. Eccleston’s soulful, war-scarred Doctor gives way to David Tennant’s apparently more chirpy, hyper investigator, but that’s not to say that the new incumbent of the TARDIS is without depth. The Doctor who apparently let Cassandra die in The End of the World [2005 - see Volume 48] is definitely the same man with a different face who wearily tells the Krillitane leader in School Reunion [2006 - see Volume 52] that he “used to have so much mercy”. Indeed his threat
to the shape-changers that they get “one warning : that was it” is an echo of the “no second chances” issued after the ruthless dispatch of the Sycorax leader in The Christmas Invasion. For all of the apparent laddish bonhomie, there is no doubt that this is still an aged Time Lord steeped in blood. He may be on the road to recovery from his post-Time War stress disorder, but the scars haven’t entirely healed and
the hardness hasn’t entirely gone. That is because despite his youthful exuberance he is old - ageing is a different form of time travel but one that provides a subtle undercurrent to the dominant theme of the 2006 series: loss.
If the audience were hoping to recover from the exit of one lead then they were in for a shock. The other original cast member would be gone by the time the credits rolled on this series’ final episode. If anything, Eccleston’s quick departure was quite useful in teaching the audience that one of the key factors of the show’s success is that the central character changes face and form and manner, but he is still the Doctor. Companions are, by their nature, much more disposable, but the potential problem at this point in the show’s history is that much of the success
of the 2005 relaunch was the integral part played by Rose. She was the essential identification figure and the opening episode was told through her eyes, and indeed named after her.
It is no surprise then, that thematically this series gears us up for the loss of the girl from the Powell Estate who breathed new life into the Doctor - both on screen and off. It’s fascinating how quickly the new TARDIS duo hit it off, frolicking on the grass of New Earth before invoking the ire of Queen Victoria for their insolence and blasé attitude to mortal peril (while others around them lose their lives). The message is that the fun they are having comes at a cost, and ultimately it is they who will have to pay the price. The inevitable break-up of their relationship is seeded early in the season. That their close
The Doctor surrenders to the Cybermen.
DOCTOR WHO | THE COMPLETE HISTORY
LONELINESS THA S TO ENDURE.
4
NNN
bond occasionally veers into smugness (by the end of The Impossible Planet/The Satan Pit [2006 - see Volume 53] they
are describing themselves as “the stuff of legend”) helps with this. It is the hubristic part of their dynamic which helps the viewer to see what the characters cannot - that they are getting too comfortable in a universe where all things (especially good things) have to come to an end. They are having such a good time together that the inevitable split will have a seismic effect on both of them.
NNN NN
t seems that the Doctor can never Tees) find happiness, but that
is the burden of his long quest to explore the universe - he knows that hanging around with humans comes at an emotional cost because he will ultimately outlive them: this is deliberately underlined in School Reunion. For a series that was coy about its past in its first year, to bring back a tin dog prop designed in the late 1970s and an actress who had not had much of a TV profile for many years might have looked like a ludicrous piece of fan-pleasing wish fulfilment with no place in the brave new world of reinventing Doctor Who for the 21st century. But School Reunion is about the cruel passing of time and the loneliness that the Doctor inevitably has to endure. The fact that a small percentage of the audience know who Sarah Jane and Elisabeth Sladen are might give them an added bonus, but the emotional pull of the story isn’t actually dependent on our familiarity with the older character - the episode is as much about Rose and the show’s new audience getting a glimpse of their future, as about the Doctor and long-established fans getting a taste of their past.
Indeed, a future and past love end up being one and the same person,
introduced and dispatched in one episode.
In The Girl in the Fireplace [2006 - see Volume 52] we are shown how the Time Lord can have an intense and important relationship that he has to say goodbye to in the space of 42 minutes. Just because it is short-lived, it doesn’t make the Doctor’s relationship with Reinette facile or superficial - there is no doubt that the emotions here are deep and heartfelt. But it also shows that time works differently in the Doctor’s universe than it does for us - and by extension, anyone from, say, a council estate on twenty-first-century Earth who might hop aboard his time ship. It also, crucially, shows that once someone is gone from the Doctor’s life there is no going back, no matter how much the fact that he can time travel might make that seem possible.
DOCTOR WHO | THE COMPLETE HISTORY >
Left: The Doctor falls for Reinette.
2006 SERIES
Above: John Lumic - creator of
the Cybermen.
During this series, Mickey finally takes his place on board the TARDIS as a travelling companion - but after his scuffle with the Cybermen in an alternate universe he takes his turn to emphasise this year’s continued adherence to the idea of loss.
In a short period he has transformed from comedy stooge and thoughtless, feckless boyfriend to a determined - if occasionally somewhat hapless - part
of the central dynamic. The Doctor and Rose are ultimately shamed by their sometimes patronising treatment of him as he emerges as a brave, principled hero. His departure relatively early in the series emphasises to the audience that no character is safe from being swept away should the plot require it. His surprise reappearance in Army of Ghosts/Doomsday [2006 - see Volume 53] helps to up the
© DOCTOR WHO | THE COMPLETE HISTORY
ante in the series’ final story but actually the changes he has undergone (“Mickey Smith - defending the Earth”) show that he was probably better off outside of the stifling dynamic of the TARDIS where he was undermined and patronised just a bit too often. This in turns reminds us that the Doctor and Rose are somewhat to blame for the terrible emotional wrench that awaits them.
Rose’s departure he Rise Of the Cybermen/The Age Of Steel T [2006 - see Volume 52] also rather cleverly subverts the expected dynamic of Billie Piper’s departure. Here, the girl who ran towards the TARDIS at the end of her first episode chooses to walk away from it - pulled by the promise that a version of
her father is alive. Mickey too is lured away by family. The Doctor, on the other hand, has no family. Although Rose might fear ever having to give up the travelling and the adventure, she will never experience the loneliness that the Doctor does.
This idea of entropy and decay doesn’t just run through the psyche of our heroes. The ageing that is an essential part of humanity and consequently such a barrier to the Doctor ever having a fulfilling relationship with one of us is also the very thing that Cassandra (with her foolish attempts to stave off the ravages of time), John Lumic (in creating the Cybermen), and the Krillitanes (in harnessing the Skasis Paradigm) are seeking to overcome. For the Doctor such avoidance of nature is morally wrong, despite the fact that the emotional consequences of what his enemies are trying to overcome are probably more hurtful to him than anyone. Time, though, has to move on, as
evidenced by the damaging, reactionary nature of Eddie’s blinkered adherence to
the rigid past while the country around him is revitalised by a new technology and a new hope in The Idiot's Lantern [2006 - see Volume 52].
By the latter episodes of the series, Rose’s imminent departure looms ever more ominously. By this time, pretty much everyone in Britain would have known that Piper was leaving, so instead of making the spoilerific nature of modern television steal his thunder, Davies uses it as conductor for dramatic weight. “The valiant child who will die in battle so very soon,” says the Beast in The Impossible Planet/The Satan Pit, a story so dark and unsettling that its sense of foreboding menace hangs over the season’s subsequent episodes. Even the quirky diversion of Love & Monsters [2006 - see Volume 53], in trying to make a virtue of the series’ need to largely dispense with its regulars for a week, hints at the likelihood of the exit of one of them. In his final summation of the wonders of having the Doctor in your life, Elton worries that something awful awaits the Time Lord and his friend. In seeing their space-age larks from the perspective of those left behind
The Wire is HUNGRY!
The Ood are possessed by the Beast.
DOCTOR WHO | THE COMPLETE HISTORY
2006 SERIES
Below:
Scary pictures! Chloe Webber's drawings come tolife.
- in this case Jackie Tyler - we see that the fun comes at the emotional expense of those close to them. The genocide of your species may be a cross to bear, but actually it means that the Doctor has no one to pine for him - this isn’t the case for Rose.
Another caring mother fretting about her daughter gives the travellers someone to assist in Fear Her [2006 - see Volume 53] - an episode all about isolation and the importance of a supportive unit, something Rose is definitely going to need very soon. Despite the celebratory mood at the end of Fear Her, the fireworks at the conclusion give the Doctor the indication of a storm coming, which leads the viewer into the two-part finale with a sense of foreboding - a foreboding that is well founded as the oft-mentioned Torchwood finally makes its début.
In terms of the series that it spawns, this Torchwood is a bit of a red herring. It is a covert, powerful thorn in the side of our heroes in The X-Files vein: its desire to resurrect the idea of the British Empire very much in keeping with the dominant issue of the danger of holding onto the past and trying to preserve what must
© DOCTOR WHO | THE COMPLETE HISTORY
.\NANNRRRAS
inevitably pass. Whereas ‘Bad Wolf’, in the early episodes of the 2005 series, was essentially a repeated meme that gave the eagle-eared something to get excited about, Torchwood is a far more tangible presence throughout the 2006 series. Specifically invoked by Queen Victoria as early as
the second episode, this covert group is
a constant presence in the shadows who make no bones about their knowledge of, and intentions towards, the Doctor. By the end of Army of Ghosts/Doomsday the institution is all but destroyed, but not before it facilitates the - at this point - last hurrah of the two characters whose meeting spawned the new era of Doctor Who. Fitting that their parting should take place on the premises of another new component of the Doctor Who universe
- birth, death, endings, beginnings, new things, old things: the patterns repeat and the universe goes on, and life and death are so inevitably intertwined.
t is a year of moving forward that
knows that part of doing this is to
look back and take stock as you do so. Regeneration and change bring with them ageing and decay. Going forward means leaving things behind. Brave new worlds blossom in the wake of older, lost ones. While David Tennant takes hold of the series and runs with it, his journey ultimately takes him away from the last onscreen remnants of what had made Doctor Who’s first year back on screen so successful. And that is because the show knows that standing still, staying familiar and trying to keep hold of the past, is actually lethal to the Doctor as a person and as a television character, which is ultimately the tragedy of everyone who travels with him.
We THE DOSTOR AND BOSE ARE GETTING TOO
: DOCTOR WHO | THE COMPLETE HISTORY cc
bs ORY 168
20Se further into the future Jefore, to New Earth. @d to a nospital mcurable eT an Old Toe, dy Cassandra.
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Se DOCTOR WHO | THE COMPLETE HISTORY Fos
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Right: Cassandra possesses Rose's body and examines her new appearance,
‘W EARTH » STORY 168
~ Introduction
here are two sides to New Earth. Most conspicuously, it’s quirky and jolly. Cassandra, the self-styled last human and “bitchy trampoline” first seen in The End of the World [2005
- see Volume 48] is back, and hilarity ensues when she possesses the bodies of the Doctor and Rose. The vast hospital, where much of the action takes place, is run by cats. As the episode reaches its climax, a horde of diseased patients are unleashed, but even then they have the shambling, lurching quality of zombies in a schlock horror movie.
But of course, ‘diseased patients’ aren't really funny. Bubbling beneath the story’s frivolity is something much darker - a tale of grotesque experimentation that raises questions about medical ethics. And the Sisters of Plenitude’s exploitative scheme,
\N\N\ANRAAAS
shocking in itself, also sows the seeds for a sequel the following year. Gridlock |2007 - see Volume 55] takes these pharmaceutical concerns further, with unchecked drug use having apocalyptic consequences.
The Tenth Doctor slept through most of his first adventure, and so New Earth feels a bit like the first proper David Tennant story. In places it has a vague similarity to the Seventh Doctor’s first story Time and the Rani [1987 - see Volume 43] which also features a strand where the villain adopts the appearance of the Doctor’s companion. It picks up on the moment in the Eighth Doctor’s first (and only) story [1996 - see Volume 47] where he kisses his companion - something that had already happened in the closing moments of the previous series and would become a bit of a tradition in the following years.
It’s a good introduction for the new Doctor. Its lighter, wackier moments pre-empt fun Tenth Doctor stories like Love & Monsters [2006 - see Volume 53], Partners in Crime [2008 - see Volume 57] and The Unicorn and the Wasp [2008 - see Volume 58}. Its dark undercurrents are akin to the more unsettling plot threads such as the ultimate fate of humanity in
_ Last of the Time Lords [2007 - see Volume
56] and the treatment of the Ood in Planet of the Ood [2008 - see Volume 58].
In the opening moments of New Earth, the Doctor promises to take us further than we’ve ever been before. The 2005 series strongly re-established Doctor Who after a long period off the air. The start of the 2006 series showed how the series could take its adventurous spirit to different extremes.
a Introduction
‘THE DOCTOR PROMISES TO TAKE US FURTHER THAN WE’ VE EVER
DOCTOR WHO | THE COMPLETE HISTORY ©
wi™=rwg . ' ae
NEW EARTH » STORY 168
STORY |
he Doctor takes Rose to the T planet New Earth in the year 5,000,000,023. Their arrival is detected by Cassandra who is residing in a basement. She recognises Rose, “that dirty blonde assassin!” [1]
The Doctor receives a message on his psychic paper to visit someone in the hospital. They enter the building and Rose is surprised to see that the nurses are humanoid cats. The Doctor steps into a lift and Cassandra’s assistant Chip overrides the controls, sending it up, so Rose has to take a different lift. She undergoes disinfection [2] before emerging in the grimy basement.
Chip takes her to see Cassandra, who is watching a movie of a party for the ambassador of Thrace. Cassandra orders Chip to activate a machine and it transfers her mind into Rose! “Oh my God, I’m a chav!” [3]
DOCTOR WHO | THE COMPLETE HISTORY
LANAAARS
The Doctor is reunited with the Face of Boe, who is being treated by Novice Hame. [4] There is a story that just before
| its death the Face of Boe will impart a
great secret.
Two of the cat nurses, Matron Casp and Sister Jatt, enter a vast vault lined with cells. Inside one of the cells a patient begs for help. Casp orders Jatt to have the patient incinerated. [5]
Occupying Rose’s body, Cassandra joins the Doctor, who accesses a computer terminal and locates the cats’ secret intensive care chamber.
They enter the vast vault and open a cell. The Doctor realises the patients are lab rats. [6] Hame appears and explains that they have found cures that have saved lives using the “flesh”.
The Doctor demands to know what they have done to Rose. Cassandra admits that she is occupying Rose’s body. She knocks the Doctor out and puts him in one of the cells while Hame goes to inform Casp.
Cassandra intends to pump the Doctor full of diseases, but Casp and Jatt arrive. Cassandra orders Chip to open all the cells on that level - and their newly awoken occupants walk free. One of the patients opens all the other cells. Another patient touches Jatt, infecting her, and she dies instantly. [7]
The hospital is placed under quarantine as the plague carriers wander its corridors. The Doctor and Cassandra return to the basement where Chip hides in a waste chute. The Doctor demands that Cassandra return Rose to him, but instead she transfers her mind into his brain. They flee up a ladder. Casp appears and grabs Rose’s ankle but one of the carriers grabs Casp, infecting her and sending her falling. [8]
To enable the Doctor to use his sonic screwdriver, Cassandra briefly transfers her mind into one of the plague carriers before returning to Rose. She tells the Doctor the carriers are alone, just reaching out to be touched.
The Doctor and Cassandra reach ward
26. The Doctor gathers intravenous solutions to cure every infection, then enters the lift shaft and descends the cable with Cassandra. [9]
The Doctor pours the solutions into the lift’s decontamination tank, enters the lift and he and some of the carriers are sprayed with the mixture. He emerges into the reception area and encourages the carriers to pass on the cure to everyone by touch. [10]
The Doctor says goodbye to Boe, who promises to share his secret the next time they meet. [11] Chip returns to Cassandra and volunteers to act as her body. She : transfers herself into him, even though he is dying. But now Cassandra is finally ready to accept death.
The Doctor takes Cassandra back to the ambassador of Thrace’s party, where - in the body of Chip - she tells her younger self that she looks beautiful, before dying in her arms. [12] The Doctor and Rose slip away.
NEW EARTH
Pre-production |
ew Earth was a nightmare, honestly, where the ambition of the script burst the seams of the budget and the schedule,” recalled director James Hawes in the video documentary Doctor Who: The Inside Story. Writing the début episode of the second series - originally an idea called Body Swap - Russell T Davies wanted to start with something spectacular and fun, and recalled how the press and viewers had quickly latched onto the futuristic images and alien beings from The End of the World [2005 - see Volume 48] prior to broadcast
© DOCTOR WHO | THE COMPLETE HISTORY
of the first series; in fact, he saw a visit to the year five billion becoming an annual event for the series. He was particularly fond of Cassandra, the villain in The End of the World, even more so since writing
a biographical piece about her for the book Doctor Who: Monsters and Villains. As with the inclusion of familiar characters Jackie and Mickey in The Christmas Invasion [2005 - see page 6], bringing Cassandra back would act as a good bridge for younger viewers who would recognise the character, helping them adapt to the new Doctor. To reduce the demands of the time-consuming CGI realisation of
a
/
Ss fi.
Pre-production
DOCTOR WHO | THE COMPLETE HISTORY ©
NEW EARTH» s:%v:00 \ANARARRR
7
Cassandra, which had plagued The End of the World), Davies decided to transfer the character’s persona into the bodies of the Doctor and Rose; the result would be both cost-effective and allow a rare opportunity to have both characters play comedy during their respective possessions. Furthermore, it allowed a kiss for ‘Rose’ and the Doctor, which was only natural if Cassandra had been trapped for so long in a body which prevented her having a good snog! This fulfilled a promise to Billie Piper that Rose would enjoy some comedic material after the emotional intensity of the first series. Another function of the episode was to show that Rose had now fully come to terms with the Tenth Doctor. For the futuristic setting, Davies opted
Right: for a hospital which he felt was suitably A Cassandra- ; . : possessed creepy, especially after having written Rose gets hospital drama for the CITV series eo with Children’s Ward. Originally, this was to be the Doctor. : the Hospital of Evergreen Days on the planet Coffra. Also returning was another them off! Script editor Helen Raynor had character from The End of the World, the also felt that releasing the patients from Face of Boe. In an early draft, the Face of pain by death was too harsh, commenting Boe imparted his message warning the in The Inside Story: “We had a conversation Doctor “You are not alone” and died, but - about it, and Russell must have been : this was removed and kept thinking along similar lines, because I _ Comections: 4 for a later episode when - didn’t have to convince him.” The infection Very new! in mid-June 2005 - Davies by touch was added following a comment ® Arriving on New Earth in learned that Doctor Who had by Julie Gardner that nobody in The Empty the distant future, Rose been guaranteed a third Child had been seen to be contaminated is incredulous when the series. The Doctor’s original in this way. Originally there was more Doctor identifies the city method of releasing the _ material with Frau Clovis and the Duke before them as "New New infected patients from misery | of Manhattan who teleported into the York" He tells her that itis, was to kill them because reception area as the Doctor and Rose in fact, the fifteenth city they were beyond hope. This arrived; the Duke collapsed only to be to be called New York - so solution was changed after saved by the Doctor’s swift actions. There it is, in fact, New New Davies read Steven Moffat’s was also a scene where the Duke’s butler ew New New New New foreword in Doctor Who: offered some champagne to the possessed New New New New The Shooting Scripts which Rose, who replied, “Moisturise me.” The New New New commented that Davies Duke’s disease, petrifold regression, was New New York! always created likeable incorporated by Jacqueline Rayner into her characters and then killed Doctor Who novel The Stone Rose.
7 DOCTOR WHO | THE COMPLETE HISTORY
New Earth was the first episode to be script-edited by Simon Winstone, the replacement for Elwen Rowlands who had left to work on Life on Mars. Winstone was already familiar with Doctor Who having edited novels developed from the series at Virgin Books in the 1990s; he joined the team in Cardiff in the first week of June.
New New YorR
Ithough during the summer there A were erroneous reports of the
episode being entitled The Sunshine Camp, the title on the shooting script for the first episode of the new series, prepared on Friday 8 July, was New Earth. The opening scene in the TARDIS described the Doctor ‘in his element, pulling levers, finding his way around. Same old ship, brand-new man’. New New York comprised ‘the gorgeous, glittering skyscrapers of a massive sci-fi mega-city’ while the hospital was ‘a white tower, built into the cliff, rising up like a classy, futuristic lighthouse, though taller, wider, more lofty’. Chip - originally a dwarf called Zaggit - had ‘white skin, completely covered with delicate henna patterns. Thin, gaunt, wide- eyed, servile’ In a mark of continuity, the stage directions specified ‘End of the World shuttles’ should fly overhead and that the Doctor and Rose were watched by ‘an End of the World spider’.
The Sisters of Plenitude were described
as ‘cats; beautiful, but with that cool feline archness too’; Davies chose cats to represent a sinister health service because he felt he could never tell what a feline was thinking. Sister Jatt was ‘50, wise, calm’ while Novice Hame was ‘unveiled, young’. When Cassandra inhabited Rose’s body, the stage directions noted that ‘she’s all sly and foxy, London accent gone’. After kissing the Doctor, Rose ‘wipes her mouth
like she’s eaten fried chicken’;
the Doctor’s comment that Connections: he had “still got it” was Song of the city » When Rose
written as he ‘catches sight of himself in a convenient mirror.
The intensive care area was ‘a dark, metal, industrial area. Metal walkways, gantries... the wall is lined with booths, all identical (like those on the Dalek ship), Human-size, opaque glass doors, plumbed with dark tubes and pipes.’ Referring to the vessels of the cybernetic assimilation race of Star Trek: The Next Generation, the area was later described as ‘very Borg ship’.
In chronological terms, the episode began on Day 3 (ie Boxing Day 2006) at 10.00 as Rose boards the TARDIS, stepping out onto New Earth at 10.11. The pair enter the hospital at 10.30, Cassandra
commented "New New York, so good they named it twice,” this referred to
Gerard Kenny's 1978 song New York, New York,
Below Cassandra's tattooed manservant, Chip.
v2
Above:
Frau Clovis working at the New New York hospital.
Connections: Precious!
DOCTOR WHO | THE
to Chip as “Gollum”, likening him to the wretched subservient creature from RR Tolkien's The Lord of the Rings which had been made as a trilogy of movies released over three consecutive years from 2001.
possesses Rose at 10.43 and joins the Doctor at 10.55, the patients are released at 11.13, the Doctor is possessed by Cassandra at 11.24, and they reach Ward 26 at 11.40. The Doctor’s cure is deployed at 11.45, the police shuttle arrives at 12.00, the Face of Boe departs at 12.35, and the party is taking place at 00.30 when the TARDIS arrives.
=x Pink revisions on q Wednesday 20 July covered
Cassandra watching the
her dialogue as ‘human Cassandra’ including, “Oh don't, now stop it, that’s simply not true. That wasn’t me! That’s vile rumour! Well, all right, maybe it was me, but for Bodley’s sake, don’t tell the princess. Oh, she'd be livid! Fuming!” Other changes affected
® Rose disparagingly refers | home movie of herself,
COMPLETE HISTORY
-\ANAAARARASE
‘Rose’ overpowering the Doctor; when the Doctor asked who she was, she replied, “So soon forgotten?” There were also changes to the scene where the Duke and Clovis helped barricade Ward 26, the Doctor and ‘Rose’ arriving in the besieged ward, and the arrival of the police and nurses at the hospital (it was noted ‘police & nurses all comparatively young, 20s and 30s’) with Frau Clovis taking charge and instructing the nurses. The other changes affected the Doctor and Rose with Chip outside
the TARDIS.
While talking to the Doctor, Sister Jatt originally commented, “And humanity does seem to have more than its fair share of woes.” This scene was considerably expanded to introduce Frau Clovis and the Duke of Manhattan.
Patients | imilarly, the later conversation with & the now-cured Duke was extended,
along with a more extensive introduction of Matron Casp. The scene
| where Casp and Jatt were confronted by
the patients was also changed to add their moans of “save us,” and delete the Matron’s comments, “Those theories about the echo of life might have some validity, they’re practically people.” “The human race, it will adapt,” agreed Jatt.
As part of the first recording block (Block One) of the series under director James Hawes, New Earth was largely left until after principal photography on The Christmas Invasion and School Reunion [2006 - see Volume 52] had been completed.
In preparation, Hawes went back and rewatched The End of the World. Of the cast, producer Phil Collinson had previously used Struan Rodgers in Sea of Souls while Lucy Robinson had worked with Davies on Revelations. &
Production
t had been planned to record Mickey and Jackie seeing Rose off on the Brandon Estate in London on Friday 29 July, but this was deferred to complete work on The Christmas Invasion. Recording for New Earth began after the crew returned from London. From 10am on Monday 1 August, recording took place at the Ba Orient dim-sum restaurant
on Mermaid Quay in Cardiff Bay for
the party scenes with Zoe Wanamaker
as Cassandra; this was the only day the actress was available before starting work on Poirot, and if she had not been available, Davies had planned to rewrite Cassandra as Cassandra’s sister to be played by another performer. It was Wanamaker who suggested the ‘Jessica Rabbit’ style wig that she sported in this sequence. Black drapes
David Tennant is trapped in the hospital's intensive
care unit,
DOCTOR WHO | THE COMPLETE HISTORY
a Connections: be 4 Chavtastic!
Rose's body for time, she is hor
term ‘chav’ cam popular usage i
Below: Rose leaves her mum, Jackie, to travel with the Doctor.
» When Cassandra occupies
discover that she has become a “chav. The
decade of the twenty-first century and is a derogatory term used to describe a young lower class person who behaves badly, wearing real
or imitation designer clothes.
NEI J EARTH ® story ise
had to be placed around
the building to simulate
the dark of night, and this was the first scene which David Tennant performed
in the Doctor’s new outfit; the actor was still recording his Doctor Who Video Diary for BBC Worldwide. Billie Piper was also still wearing her hair extensions needed for The Christmas Invasion, and so Rose wore her hair
up to hide the fact for this sequence. While at Mermaid Quay, Tennant and Piper gave interviews to Wyre Davies
of BBC Cymru’s Wales Today, Lizo Mzimba of BBC One’s Newsround, BBC Five Live’s Midday News, Radio 4’s PM programme and BBC News 24 (who covered the item with comments in studio from Nicholas Courtney, who had played Brigadier Lethbridge-Stewart in the series from 1968 to 1989). Wanamaker also performed all her other dialogue in
the first rified to
einto nthe first
LVN ANRNRARARAS
a sound booth. As had been the case in The End of the World, her performance was recorded by a camera so that the CGI Cassandra’s mouth could be made to move correctly. The pattern on Chip’s skin was achieved by airbrushing with a stencil.
For this and each subsequent episode, Tennant changed the configuration of the buttons on his suit after consulting with the crew. The shots of Mickey and Jackie were recorded at Loudoun Square (the ‘Bad Wolf’ graffiti was still visible where it had been painted in March for recording on Bad Wolf/The Parting of the Ways); in the ad-libbed dialogue, reference was made to Mo from The Christmas Invasion. Because of the TARDIS’ shift in location, Davies later suggested that some time had elapsed since the yuletide adventure and other adventures may have taken place prior to New Earth. On the same day, blue revisions were made to the arrival of the Doctor and Rose at the hospital (removing the Duke and Frau Clovis to cut down on location work), and Hame finding Casp and Jatt.
==, TS =. =a 5
NN he Daily Mirror revealed that
T Cassandra was returning on Saturday 6 August. With most of
The Christmas Invasion completed, work
on New Earth resumed on Monday 22
August with second unit work at HTV
Studios from 11am to 10pm. Tennant
was due to perform shots of the lift cable
sequence with Kim McGarrity doubling
for Rose (as she had done in previous
stories such The Empty Child/The Doctor
Dances [2005 - see Volume 50}), while Dani
Biernat undertook Matron Casp’s death
fall under the supervision of her husband
Peter Brayham; ultimately problems
with the rigging forced schedule changes
which meant that Tennant did not record
AND BE CURED.”
DOCTOR WHO | THE COMPLETE HISTORY 5
;
NEW EARTH © storv iss
76
Above: "Save us.”
Connections:
I need a doctor! » During the Doctor and Rose's visit to the New
New York Hosp
exotic diseases include Marcon
which the
to cure.
DOCTOR WHO | THE
encounter patients suffering from several
pallidome pancrosis, and petrifold regression - all of
Plenitude are able
his material. Choreographer Ailsa Berk rehearsed the movements of the infected patients emerging from the ICU booths as she would throughout production, with Sheelagh Wells and MFX collaborating on the infection make-up. Millennium FX performed make-up tests at an early stage, i incorporating distortions of \ the eyes and mouth which were felt to be too horrific; the aim was to keep the patients sympathetic, and avoid showing blood.
After another break while scenes for School Reunion were shot, recording began again on New Earth at 5pm on Monday 5 September; this was later than James Hawes had planned, but work on School Reunion had over-run to some extent. The first day covered the hospital foyer
ital, they |
. These i's disease,
Sisters of
COMPLETE HISTORY
scenes at the Millennium Centre in the heart of Cardiff Bay, previously seen in Boom Town [2005 - see Volume 50]; this was only available to the BBC for a single day. Doctor Who Confidential covered work which ran to 4am, interviewing crew including Edward Thomas and location manager Lowri Thomas. At an early stage, Davies overcame the issue of unconvincing cat costumes (the spectre of which still lingered from Survival [1989 - see Volume 46]) by suggesting to Neill Gorton that the Sisterhood were cats which had evolved into humanoids and so could be realised by prosthetics alone. The original designs were painted over photographs of the actresses cast in the roles (selected by James Hawes because they all had
| large eyes) and realised by Martin Rezard
in June 2005, starting off with a design
| which featured a far heavier set of facial
muscles. Flocked appliances were cast for each specific actress and had a different airbrush pattern to give them character, such as a soft ginger for Hame. Only three such make-ups were prepared as they took around three hours to apply and each mask could only be used once; one actress had a bad reaction to the make-up. Most Sisters wore veils over their faces, beneath which they had rigid cat masks to create the appropriate profile, purchased by Louise Page from a novelty shop.
It was originally planned to continue recording New Earth at Unit Q2 that week, but the next few days were needed to complete School Reunion. When work resumed at 1.30pm on Friday 9 September, it was at The Paper Mill, a Cardiff building used as the Nestene lair in Rose [2005 - see Volume 48] which now formed the Intensive Care Unit. A team from Doctor Who Confidential was again in attendance. When playing the possessed version of Rose, Piper wore a more vivid shade of
lipstick and emphasised her figure with
a Wonderbra. Recording was scheduled
to run to half-an-hour after midnight.
The following day the later sequences in intensive care were recorded from 12.30pm to 11.30pm, with a second camera unit completing plate shots for some scenes.
I t had been hoped that work on
PAN aA! SES AE's
Monday 12 September would cover
the TARDIS scenes deferred from the previous Tuesday. Instead recording from 11am to 10pm covered various hospital scenes, with Brayham supervising the stunt sequences in the hospital shaft with the ladder which was again covered by Doctor Who Confidential which had a team present the following day. Work from 10am to 9pm on Tuesday 13 focused on scenes on Wards 7 and 26. There were problems with the new Face of Boe prop - cast from the original mould but with more mechanisms to control the brow and mouth - when it
broke while being operated
by Piper’s boyfriend Connections: Amadu Sowe. When one Talking down
of the female extrasteled ® After inhabiting Rose's to turn up, runner Sarah body, Cassandra attempts Davies played one of the to convince the Doctor
that she is really Rose
by speaking in a cockney accent and using rhyming slang (which originated
in the middle of the nineteenth century), The Doctor is startled to hear the possessed Rose use such colourful phrases as “wotcha’, “governor’, “boat race” (meaning ‘face’), and “| can't Adam and Eve it” (meaning ‘| can't believe it’).
patients, and she chatted to Tennant for his video diary. Goldenrod script changes were made on Wednesday 14; these revisions abridged the discussion between Casp and Jatt in the Intensive Care area. The same day, work from 8am to 9pm covered scenes in the antechamber and Boe material on Ward 26.
Two units worked at Q2 from 8am to 7pm on Thursday 15 September. While the main unit recorded hospital scenes, the second unit recorded close-up insert shots such as the nuns’ claws opening; a prop claw which had been built proved ineffective and the effect was ultimately achieved
; : Left: using CGI. Several other inserts were aa Doce deferred to the following day, such as examines the Jatt’s death and Chip hiding in one of the Te ICU pods. Friday 16 had originally been solutions
scheduled for the Gower Peninsula (as reported in that day’s South Wales Evening Post), but instead was spent at Q2 covering the deferred TARDIS scenes from 8am to 7pm. By now, it was necessary to cut some scenes with Frau Clovis and the Duke of Manhattan. When under siege, the Duke’s butler realised they must block the service exit as well, and he and Frau Clovis ran to the Duke’s bed. The patient complained, “This is outrageous, I’ve tried calling the palace but the quarantine keeps cutting me off, Frau Clovis, you should complain...” “Indeed, I should,” agreed Clovis, “and he you, your Grace, you should shift.” When et ae ba
FARTH ® storviss
the Duke refused, Clovis and the Butler tipped him out of bed onto the floor. “Frau Clovis! You're fired!” roared the Duke. “Any attempt to terminate my employment without warning will result in the payment of massive compensation,” said Clovis, “so thank you very much. Now get out of my way!” Another short scene of the besieged Ward 26 hada furious Clovis bellowing “You're supposed to be the nurse! Can’t you do something?” to the cowering Hame.
David Tennant now had a day off, while Billie Piper was scheduled to resume work in the basement of Tredegar House - as used in The Christmas Invasion - on Monday 19 September from 8am to 7pm. Unlike The End of the World, Wanamaker’s dialogue was played in during recording, and this work was covered by Doctor Who Confidential. However, as Tennant recorded that day in
Connections: I know that face!
» The Face of Boe makes his second appearance in the series, Like Cassandra, he had originally appeared
in The End of the World [2005 - see Volume 48], Unlike Cassandra though, and despite his great age and terminal prognosis, Boe survives the story, promising the Doctor that they will meet again and
he will reveal “a great secret”
Right: ae : :
ae TARDIS his video diary, his co-star had been taken arrives on ill and recording had to be prematurely location for
curtailed after recording all the scenes with only Chip and Cassandra that had been scheduled. Further scenes in the dungeon and corridor had been planned
New Earth.
Billie Piper was in no fit state to work, the crew were stood down until Wednesday which had originally been planned as the final day of Block One.
The crew returned to Tredegar House on Wednesday 21 September, which had originally been planned as the final day of Block One; this completed the dungeon material with Rose and Chip between 11am and 10pm. Tennant rejoined the
for Tuesday, but since it was now clear that
=
SL \AANRNRARAS
crew at Tredegar on Thursday 22 from 10am, while back at Q2 an insert shot
of a patient in an ICU pod was recorded through to 9pm. This was also Billie Piper’s 23rd birthday, and Tennant’s video diary covered the surprise presentation
to her of a cake decorated with a picture of Rose Tyler. That night, cast and crew attended the wrap party for the block at the Terranova Bar on Mermaid Quay.
‘Bad weather n Monday 26 September, the crews 0 for Doctor Who and Doctor Who Confidential travelled to the Gower Peninsula for the opening and closing scenes of New Earth, with Tennant and Hawes being interviewed for Confidential. Recording was due to run from 11.30am to 7.30pm. Although Country Life had said this was the most wonderful place in the UK to see a sunset, and Davies had recommended the location, bad weather plagued the shoot, and the final scene outside the TARDIS had to be abandoned as the light went during a rain storm
Ohi On ‘nh an
es mt iit S ill od
shortly after 3.30pm. Subsequently, a problem was found with the camera recording the close-ups, and these were lost. Originally, the Doctor said to Rose and ‘Chip’: “New Earth. This planet lasts for another billion years. Then they move on, another planet Earth. Then another. Then another.” Rose asked, “Where does it end?” “I don’t know,” replied the Doctor, “Maybe it never does.” “I won't see it,” said ‘Chip’. “No one sees it all. Not even me,’ agreed the Doctor. Chip then said, “This heart is slowing. Not long now. You can leave me.” Stepping forward, the Doctor said, “Don’t think I’ve forgiven you, Cassandra. People died because of you. But... I think you can make one last trip... We've been invited to a party.” Rather than re-hire Sean Gallagher again, this was truncated to a voiceover from Tennant, and much of this day’s location material had to be redubbed because of the terrible weather conditions. A location report was published by the South Wales Evening Post three days later.
Two more days at Q2 were still needed. The first of these saw Tennant and Piper
recording with a second unit from 9am to 8pm on Friday 7 October while the main crew worked on Tooth and Claw [2006 - see page 94]. This recording was attended
by both Benjamin Cook for Doctor Who Magazine and Doctor Who Confidential and included the shots of the Doctor and Rose being disinfected in the lifts. What began as a pleasant warm shower at the start
of the day became colder as
Get me
the tank was refilled, and The Docto the clean-up of the set was he doesn't time-consuming. Confidential because th covered more pick-ups taped the creeps. between 8am and 7pm on he is recalli
Saturday 8 October; these included the stunt sequence of the Doctor and Rose sliding down the cable (with
he regener third body i
) out of here!
Feline make-up
is applied.
*
tells Rose that like hospitals ey give him Possibly
ng his own
stay in a hospital after
ated into his n Spearhead
from Space [1970 - see
Glenn Foster and Juliette Cheveley doubling for the stars in the green-screen sequence), plus close-ups of the pair in Ward 26 and of the Face of Boe.
On Monday 31 October,
alien
Volume 15] he was kidnapped by autons - agents of the estene - and then accidentally shot after he was able to escape.
. While there
Connections: ral 4
Above:
The Doctor challenges the Sisters.
PRODUCTION
Mon 1 Aug 05 Ba Orient, Mermaid
Quay, Cardiff Bay Loudoun Square, Estate)
Mon 22 Aug 05
a salmon-pink revision was made to the arrival of the TARDIS at the party. This shot of the Doctor emerging from his ship was recorded on Thursday 3 November alongside a special Children in Need item that would herald the return of the series with the new Doctor.
It was decided that the new series would be promoted by specially recorded ‘prequels’ for each episode, which would run up to a minute and be available either via mobile phones or the BBC website. These went by the name ‘Vortext’, although this was changed to “Tardisodes’ by the
Care/Stairs)
High Society Bar); Gabalfa, Cardiff (Tylers’ Ladder)
HTV Studios, Hospital Ward 26)
Mon 12 Sep 05 Unit Q2 (Hospital Dark Metal Corridor/ Hospital Shaft With
Tue 13 Sep 05 Unit Q2 (Hospital Ward 7/
VV\\NRRARREASE
end of March 2006. Gareth Roberts’
script for Vortext 1 - New Earth was dated January 2006 and was made in a recording block with episodes two to six and 11.
The 46-second item was an advert for
the Sisterhood’s hospital, with Novice Hame saying that they had never lost
a patient and could cure the incurable
as she walked past a patient restored to health from Hawtrey’s syndrome (which
_ Roberts named after Carry On film actor
Charles Hawtrey, whose biography was on his bookshelf. The writer had meant to change it as he thought it sounded silly, so was relieved it was pronounced ‘Haw- tray’ in the finished production). “Come to New Earth and be cured,” Hame said as a woman’s voice screamed out “Help me! Please, help me!” Establishing shots used elements from New Earth itself, and the new material was recorded in one day with Anna Hope reprising her role as Hame
on a minimal version of the Ward 26 set at Enfys Television Studios in Cardiff on Tuesday 31 January. It was on this day that Hope was interviewed for Doctor
Who Confidential (broadcast in Totally
« Doctor Who). &
Mon 19 Sep 05 Tredegar House, Newport (Dungeon)
Wed 21 Sep 05 Tredegar House (Dungeon Corridor/ Dungeon)
Thu 22 Sep 05 Tredegar House (Dungeon/Dungeon Corridor); Unit Q2
Culverhouse Cross, Cardiff: Studio 1 (Green Screen/Hospital: ICU Booths) Mon 5 Sep 05 Millennium Centre, Cardiff (Hospital Foyer/Lift #1)
Tue 6 - Wed 7 Sep 05 BBC Model Unit, Kendal Avenue, London (Smoke effects) Fri9 Sep 05 The Paper Mill, Sanatorium Road, Cardiff (Hospital Intensive Care) Sat 10 Sep 05 The Paper Mill (Intensive
0 DOCTOR WHO | THE COMPLETE HISTORY a
Wed 14 Sep 05 Unit Q2 (Hospital Ward Antechamber/Hospital Ward 26/Face of Boe's Area)
Thu 15 Sep 05 Unit Q2 (Hospital Ward Antechamber-Upper Level/Hospital Ward 26/Hospital ICU/Hospital Shaft with Ladder)
Fri 16 Sep 05 Unit Q2 (Int TARDIS/ Hospital Ward 26/ Hospital ICU)
(Hospital Intensive Care)
Mon 26 Sep 05 Worm’s Head, Rhossili, Gower (Clifftops) Fri 7 Oct 05 Unit Q2 (Hospital Lift Shaft: Top of Lift/Hospital Lift/Hospital Lift #2/ Hospital Lift #1) Sat 8 Oct 05 Unit Q2 (Hospital Lift Shaft/Hospital Ward 26)
Thu 3 Nov 05 Unit Q2 (High Society Bar)
Post-production
“She stole a ride on the back of the Face of be Boe’s truck, and fled to my devotions.” In response to Rose’s chastising, Cassandra q said, “I’m just desiccating in my pit. Letting =
ome material was deleted in editing. As the Doctor and Rose looked at New New York, Rose exclaimed, “There’s a city,” and when she asked about “New Earth?” the Doctor explained, “The next Earth. Earth Two.” When the message appeared on the psychic paper, Rose commented, “That’s a bit powerful. Projecting a thought across time and space.” “Exactly,” replied the Doctor, “well worth a visit.” When telling Rose how his mistress survived, Chip explained,
the memories play.” Of Rose’s phone, Cassandra commented, “It’s so antique. What do I do...?” As she walked off to meet the Doctor, she commented, “These legs... are walking!” A short scene was cut with Novice Hame noticing that the Face of Boe had awoken and telling him, “Your friend’s arrived, the Doctor. D’you want me to find him...?” then departing when _
NEW EARTH
The Doctor is not happy with the hospital's intensive
care unit.
STORY 168
the Face nodded and sighed. When ‘Rose’ ordered Hame about, she added, “Now I’ve discovered your private health care scheme, we've got business to discuss.” A sequence of ‘Rose’ confronting the Matron about the Sisterhood’s attitude to life was cut, but would be included on the Complete Second Series DVD box set. A short scene of Rose, Chip and the Doctor running downstairs was also dropped.
Entering the dungeon, the Doctor commented, “So this is where you were hiding. Sitting right on top of the secret
and you didn’t even see it.” “I wasn’t exactly built for looking around corners,” replied ‘Rose’ before asking what they should do next. When the Doctor ordered Cassandra to leave Rose’s body, she replied, “Aren’t you tired of killing me?” “You did all this to yourself,” replied the Doctor raising his sonic screwdriver, “Now d’you really think I can’t force you, Cassandra? You’ve met me before. You know I won't stop. You're violating that mind, and I won't allow it.” When Cassandra occupied the Doctor and Rose ordered him to leave, the ‘Doctor’
82 QOCTORWHO | THE COMPLETE HISTORY
replied, “Lesson in logic. The Doctor
has the power to remove me. Little Rose Tyler does not. Ergo, I occupy the Doctor - temporarily, because frankly, this nose needs work.” “But the Doctor’s the only one who can save us!” insisted Rose.
A brief exchange was cut from the sequence of the Doctor and Rose on the shaft ladder after Cassandra had just returned to the Doctor. “What the hell are you doing?” demanded Rose. “He was threatening me!” exclaimed the ‘Doctor’. “He can open the door!” insisted Rose. “He’s not nice!” retorted the ‘Doctor’.
Cassandra-possessed Rose
aving grabbed all the IV bags, the
Doctor tells ‘Rose’, “Cassandra,
with me, I need another pair of hands.” When he later repeated this in the lift shaft, ‘Rose’ retorted, “Well go to the hand department, you’re not having mine.” “Oh come on,” pleaded the Doctor,
“there’s got to be a bit of Rose still in there.
She'd do it. She’d come with me.” “She would,” said ‘Rose’, “but I’m stifling her very successfully, thank you.” “What about Cassandra, then?” appealed the Doctor, “C’mon Cassie!” When ‘Rose’ asked the Doctor to leave her, she replied, “I want Rose.” Scared, ‘Rose’ replied, “But I can’t. You won't let me go to anyone else.”
The episode content was locked by
ee Kg ee
| on Monday 9 January 2006; this featured } 35 minutes of new music, some of which
mid-November and additional dialogue recording took place on Tuesday 20 December. Shots of the lifts were taken from Rose. The producer and director credits were superimposed over the Doctor and Rose leaving the TARDIS; at the
Rose is ready for new adventures with the new Doctor.
_ suggestion of Doctor Who Magazine editor | Clayton Hickman, the name of the actor
was now capitalised as opposed to their role (as with previous shows). The music for the pre-credit sequence reworked the incidental score from Rose. The CGI work by the Mill included Cassandra (rendered in a more sophisticated manner than
in The End of the World), the metal spider, the full ICU area, the disease effects, lift-shaft backgrounds, New New York (which featured the same shuttles as in The End of the World) and the hospital itself (both created by Alex Fort); this
was originally an isolated building, but was amended close to transmission, at Phil Collinson’s suggestion, into part of a complex with a retro 1930s look. The final mix of Murray Gold’s score was performed
Cassandra abandons her
reworked themes from the 2005 series. old ‘body:
— “= ay
NEW EARTH © storviss a a
a ' 1:
One Year On, up to date. The team recorded links for Doctor Who Night with Corey Johnson at the Tower of London on Thursday 6 April.
» Repeating the build-up of 2005, Radio Times began a countdown to the series’ return in Doctor Who Watch for the issue of 1-7 April 2006, starting with It’s not long now..., an interview with Collinson. The following week, It’s nearly Time... promoted BBC Three’s themed evening with comments from Davies.
» New Earth was screened at a press launch at the Millennium Centre on Tuesday 28 March, with Tennant,
nage » On Thursday 2 March 2006, Doctor Piper and many of the cast and crew is ey Who Magazine 367 announced the in attendance along with Doctor
from his pod, introduction of the specially recorded Who Confidential and also director along with all prequels for each episode of the new Brendan Sheppard from CBBC extra the infected ' ' : : anans. series and the New Earth prequel was recording a Doctor Who Special; this
made available from Friday 31 March.
team had interviewed Totally Doctor
Who presenter Barney Harwood and assistant producer Jack Jameson earlier that day, and that evening spoke to Tennant and Piper who answered young viewers’ questions. BBC Cymru’s Wales Today also carried another feature. Next morning the CBBC team recorded questions from the children at St Patrick’s Primary School in Cardiff and returned to London. On Thursday 30 March, Davies was interviewed on BBC Radio Five Live, while material from the launch appeared on GMTV and BBC One’s Breakfast and Newsround, and the episode was discussed on BBC
» In March, the Doctor Who Confidential team had three weeks’ notice that BBC Three would host a three-hour Doctor Who Night on Sunday 9 April; this comprised repeats of The Christmas Invasion and the 2003 documentary The Story of Doctor Who plus a one hour programme from the Confidential team. Following last-minute commissions in 2005 for BBC One’s Doctor Who: A New Dimension and Doctor Who: The Ultimate Guide, Gillane Seaborne’s team had anticipated the request and assembled material recorded for The Christmas Invasion to bring the new programme,
84 DOCTOR WHO | THE COMPLETE HISTORY
Radio 1’s Newsbeat with Kev Geoghegan speaking to Davies and Tennant.
There were also parts of BBC Radio Wales interviews with the two stars on Nicola Heywood Thomas’ lunchtime show. In London, Sheppard’s team worked with John Leeson and recorded material with K9 for the CBBC feature, although this was ultimately dropped from the 12-minute package which aired from 6 to 15 April. Mickey’s website was updated on Friday 31, a specially made series trailer aired at 6.58pm on BBC One on Saturday 1 April, and on Sunday 2 the Sunday Mirror ran a piece claiming Nicole Kidman had been Davies’ inspiration for Cassandra.
Doctor Who again grabbed the cover of Radio Times for the week of its
return, with a fold-out photo of the Doctor and Rose by the TARDIS, along with Sarah Jane, K9, a Sister of Plenitude, two clockwork robots and
Doctor Who, Saturday BBC)
And they're not alone ..
the Cybercontroller. A major feature included a piece by Davies, an episode guide, Tennant and Piper answering readers’ questions, and an article about the cover photoshoot. Alison Graham selected New Earth as one of Today’s Choices, with a photo of Rose and the Doctor; Graham also picked Cassandra’s “chav” comment as her Moment of the Week. The programme listing was accompanied by a photo of the Doctor with one of the Sisters. The Culture Show on BBC Two promoted New Earth with a positive review on Thursday 6 April, and Davies was spotlighted by The Independent on Monday 10 April in a piece entitled The Saviour of Saturday Night Drama.
PRIL2006-95p \
eso
SSS aii
- Open here to see who's joining them >
The return of Doctor Who features in the Radio Times.
A younger
Lady Cassandra
at the Ambassador
of Thrace's
dinner party,
NEW EARTH
And they're not alone... open here to see who's
An extended Radio Times cover for the new series.
The Doctor and Rose enjoying the scent of ‘apple grass.
STORY 168
y Pe joining them >
An episode-specific trailer appeared on BBC Television from Wednesday 12 April. In publicity before transmission, a bearded Tennant was interviewed on Virgin Radio’s The Breakfast Show and by John Barrowman on ITV1’s This
DOCTOR WHO | THE COMPLETE HISTORY
Sarah Jane, K-9 (episode three) Sisters of Plenitude (episode one)
Clockwork robots (episode four)
Morning on Wednesday 12 April; Piper was due to have appeared on the latter but was unwell. Tennant featured on Radio 1’s Jo Whiley show the next day, with New Earth reviewed on Radio
4’s Front Row. The Sun ran a piece about Tennant on Thursday 13 April, commenting on his school essay about his love of Doctor Who. Friday 14 saw
a three-minute trailer with clips from most episodes (created for the press launch) screened by BBCi digital.
On Saturday 15 April - the début date for New Earth and the start of the new series, fixed for around 10 months
- CBBC saw its programmes hosted with a Doctor Who theme (with Matt Edmondson and Anne Foy dressed as the Doctor and Rose), while Davies took part in a phone-in with Nicola Heywood Thomas on BBC Radio Wales, Tennant was interviewed by T4 on Channel 4, and Eamonn Holmes arrived by TARDIS on BBC One’s The National Lottery Jetset that evening.
Cybermen (episode five)
Broadcast
Following the broadcast of
New Earth on 15 April, bbc.co.uk made a podcast narration of the episode available, recorded in Cardiff on Wednesday 15 March by Tennant, Davies and Collinson; this was also available to some viewers on the BBC Three repeat the following day. Reviews for the episode were generally enthusiastic, and New Earth rated far higher than the main competition, 2002 film
Early on in the development of the 2006 series in spring 2005, there was debate about whether the opening episode would be the Body Swap storyline or Mme de Pompadour (latterly The Girl in the Fireplace). Months later, there was further discussion of this nature when Tooth and Claw was also seen as a contender for beginning the run. The fact that the pre-credits had Rose with a change of clothes had been created so that, if necessary, it could be moved from New Earth to Tooth and Claw. However, BBC Drama Controller Jane Tranter felt that the Victorian tale was too dark and New Earth offered a lighter introduction.
EPISODE DATE New Earth Saturday 15 April 2006
ee Se ee
TIME 715pm-8,00pm
DURATION 44'05"
Harry Potter and the Chamber of Secrets, on ITV1 that evening, and was only outrated by editions of EastEnders and Coronation Street during the week.
Cassandra (in Chip’s body) visits her younger self.
RATING (CHART POSITION) APPRECIATION INDEX 8.6M (9th) 85
NEW EARTH © stows \AANRARAS
~ Merchandise
ew Earth was initially released on DVD, along with The 7 Christmas Invasion, as Series 2 Volume 1 on 1 May 2006. It was later included as part of The Complete Second Series DVD box set, released by the BBC on 20 November 2006. It featured a commentary with James Hawes, Julie Gardner and visual effects producer Will Cohen. Various outtakes and deleted scenes were included as extras. Billie Piper’s Video Diary and the Doctor ; Who 2005 Children in Need Special were "A ?
}
i oF 3a ace ) a om mam im
also special features along with the short version of Doctor Who Confidential.
| rf D Right: Several tracks of music used in New oD) YC QOR-¥ oe DVD box Earth, were included on the Doctor Who: set for the
|_THEGOMPLETE SecoND SERies
Berend series, Original Television Soundtrack CD, published ~ by Silva Screen on 2 December 2006.
eos Action figures of Cassandra and Chip
and right:
NewEarth were released together by Character
action figures Options in July 2006. The same company subsequently released a figure of Rose
from New Earth along with the robotic spiders in January 2007; A 5” scale toy of the Face of Boe, initially sold through Toys R Us, was released on 31 March 2007; figures of the Doctor, Rose and Cassandra as an exclusive for the Sainsbury’s supermarket chain in 2008; Chip and the Destroyed Cassandra figures in June 2008, with the Destroyed Cassandra also being available individually as an exclusive through Woolworths in the same year. An action figure of Novice Hame was released in January 2008. @
Cast and credits
David Tennant
Billi@ PIPEN icicnuctaainconnennmenein
Camille Coduri
Noel Clarke icine
Zoé Wanamaker
SEAN GallaGhel iiss Chip DonaiGrollosuscanunmnonnincccns Matron Casp Michael Fitzgerald ...... Duke of Manhattan Lucy Robinson...... . Frau Clovis? AGIGa ANDO iidicccniiitccticsssenese Sister Jatt Anna HOD §asissiicscniisanniiisciciies Novice Hame SIMON LUMME|TS..e scsi Patient StrUAN ROGET... Face of Boe
‘ Mis-spelt Fran Clovis
Sam Stennett, Paul Burke, Emma Powell, Philippa Daniels, Madog Davies, Owain Davies, Marianne Hemming, Elsie May.............
Mere Comma anuiamignsnntnrmpEBiusu Visitors Liza Meggitt, Hazel Beauchamp, Jade
Kenning, Natalie CUZNEF.............0 Cat Nuns Stuart ASAMAMN wc Butler Claire; SaGGleny, memo satiated us Red Lady Zeph WHITE... cenit sienvvisiiern Man Nila COMI eisai. Ga trrommrtnncetccssatiecicen Cat Nun
Gareth Dixon, lan Wooley, Kevin Hudson, Domenico Balsaco, Kwesi Gepi Attee, Nate Webb, Peter Simon, Jeremy Harvey, Sian Gunney, Sarah Williams, Becky Evans, Surayall ittal,...c\ Semeacon atic naisaisapssnnie Guests Unknown .Bar Man Lucy Hassan, Andy Jackson, Nick Godding, Jo Dibble, Luke Zac, Beth Dibble, Nikki White, Jeannie Rebane, Jason Jones, John Evans, Richard Atkin, Sarah Davieg................... Patients Rebecca Tromans, Clare Bromage, Jo Ruiz, Laurence Chanon, Richard Heneghan, Heidi
Scurlock, Oliver Hopkins, Gerrard Cooke, SophiaiDay...ccoc.ucunane Patients - Diseased Steve Whaites, Paul Loftas, Poppie Skold, Linda John, Paul Starsky, Fred Smith, Annie
SWAINSON siéiiodisdananunsunmennneetine Patients Helen IFvVing......::s:sicsciicneesnonemeeeee Posh Mum Dave BreMMe®........cccccccsesseesssssssnes Posh Dad
Eddie Hunt, Eryl Vaughan, Steve Apelt, David Hanford, Sam Varna, Deborah Evans, Boby Tee, Sally Martin, William Adrian bsaieanniiiaisinnvepeeistivtsn GUS CORUM EEE ae Patients - Diseased Louisa Davis, Jodi Mulcahy, Andrew Hopkins, Oliver Hopkins, Carl Watson, Ash Croney, Gerard Cooke, Sophia Day.......... Patients - White Mai [email protected] White Man Dani Biernat........... Stunt Double for Matron Clasp
Rose is possessed by Cassandra.
NEW EARTH
Above
The Doctor is trappedina pod about to be infected with every single disease,
» STORY 168
Joanna Crozier, Richard Beavis................. Patients Kim McGarrity, Juliette Cheveley
saadrcoreesnjs sea igvmnropperaTeNay RTUIMUATTENNTOSIRR Stunt Doubles for Rose Glenn Foster............... Stunt Double for The Doctor Rachel Williams, Matthew Williams Visitors; Rachel Williams, Matthew Williams, Elin Griffiths, Hannah Emlyn Jones, Abigail Apollonio, Gavin Jessop.................. Clean Patients John Walker, Dennis Gregory, Joanna
Brown, Rick Manning, Louise Harrison, Sam Downie, Richard Tromans, Rebecca Rendell, James Saunders, Simon Frost, Melissa Stanton, Diane Lukins, Kirsty Alderton............ Gorn ud <b MED TROTTER Tee Patients Dave Wong, Gareth Somere............... NNYPD Cops Michael Tudor, Jitka Charyparova....Paramedics Steven Bracken-Keogh, Nina Kitt, Paul Ganny, Wendi Sheard, Nicholas Wilkes, Hannah Welch, Daryl Adcock, Jane Hunt........ eee Additional Dialogue Recording (inc Tannoy, Police Voice)
DOCTOR WHO | THE COMPLETE HISTORY
TARDISODE CAST
ANNA HOP... cscs Novice Hame with
Sophie HIGGS....cccuuustcnn acces: Patient
Natalie Cuzner, Kim Wyld.........00000008 Cat Nuns
CREDITS
Written by Russell T Davies Producer: Phil Collinson Director: James Hawes 1st Assistant Director: Jon Older [uncredited: Tim Hodges 2nd Assistant Director; Steffan Morris [uncredited: Lynsey Muir] 3rd Assistant Director: Lynsey Muir uncredited: Adam Hill, Anna Evans, Dan Mumford] Location Managers: Lowri Thomas, Gareth Skelding Unit Manager: Justin Gyphion uncredited: Rhys Griffiths] Production Co-ordinator: Jess van Niekerk Production/Script Secretary: Claire Roberts oduction Runners: Debbie Meldrum uncredited: Victoria Wheel] A/Production Accountants: Debi Griffiths, Kath Blackman, Bonnie Clissold Continuity: Llinos Wyn Jones Script Editor: Helen Raynor Camera Operator: Julian Barber uncredited: Joss Lowe, Paul Lang, Terry Bartlett, Paul Lanh] Focus Pullers: Mark Isaac, Terry Bartlett uncredited: Steve Rees, Donald Ng, Elly Harrowes] Grip: John Robinson [uncredited: Steve Jones] Boom Operator: Jeff Welch [uncredited: Rhydian Yeoman, Bryn Thomas, Adam argetts, Glen Jenkins, Jon Thomas] affer: Mark Hutchings est Boy: Peter Chester [uncredited: Slogger] unt Co-ordinator: Peter Brayham. tunt Performers: Dean Foster, Kim McGarrity, Dani Biernat, Maurice Lee Supervising Art Director: Stephen Nicholas Art Dept Production Manager: Jonathan
ae)
WALA (OO: Cy
Marquand Allison
Standby Art Director: Arwel Wyn Jones
A/Supervising Art Director: James North
Design Assistants: Matthew Savage, Ben Austin
Standby Props: Phil Shellard, Trystan Howell
Standby Carpenter: Silas Williams
Standby Scenic Artist: Louise Bohling
Set Decorator: Julian Luxton
Property Master: Adrian Anscombe
Production Buyer: Catherine Samuel
Props Storeman: Stuart Wooddisse
Specialist Prop Maker: Mark Cordory
Prop Maker; Penny Howarth
Construction Manager: Matthew Hywel-Davies
Graphics: BBC Wales Graphics
Costume Supervisor: Anna Lau
Costume Assistants: Lindsay Bonaccorsi, Barbara Harrington [uncredited: Angela Jones, Sheenagh O'Maragh, Gemma Evans, Louise Martin, Anna Stone]
Make-Up Artists: Anwen Davies, Steve Smith, Moira Thomson [uncredited: Sara Griffiths, Anwen Williams, Marie Doris, Neil Batt, Betsan Dafydd]
Casting Associate: Andy Brierley
Assistant Editor: Ceres Doyle
Post Production Supervisors: Chris Blatchford,
Samantha Hall Post Production Co-ordinator: Marie Brown On Line Editor: Matthew Clarke Colourist: Mick Vincent 3D Artists: Chris Petts, Paul Burton,
Jean-Claude Dequara, Nicolas Hernandez,
Andy Howell, Matthew McKinney, Neil Roche,
Chris Tucker, Mark Wallman, Nick Webber 2D Artists: Sara Bennett, David Bowman,
Melissa Butler-Adams, Joseph Courtis,
Bronwyn Edwards, Michael Harrison,
Simon C Holden, Russell Horth Visual Effects Co-ordinator: Kim Phelan Digital Matte Painter: Alex Fort Dubbing Mixer; Tim Ricketts Sound Editors: Paul McFadden, Doug Sinclair Sound FX Editor: Paul Jefferies Finance Manager: Richard Pugsley With thanks to the BBC National Orchestra
of Wales Original Theme Music Ron Grainer Casting Director: Andy Pryor CDG Production Accountant: Endaf Emyr Williams Sound Recordist: Simon Fraser
[uncredited: Phil Edward]
Costume Designer: Louise Page
Make-Up Designer: Sheelagh Wells
Music: Murray Gold
Visual Effects: The Mill
Visual FX Producer: Will Cohen
Visual FX Supervisor; Dave Houghton
Special Effects: Any Effects Prosthetics: Neill Gorton and Millennium FX Editor: Liana Del Giudice Production Designer: Edward Thomas Director of Photography: Ernie Vincze BSC
[uncredited: Rory Taylor, Pete Tyler] Production Manager: Tracie Simpson Associate Producer: Helen Vallis Executive Producers: Russell T Davies,
Julie Gardner BBC Wales with thanks to the Canadian
Broadcasting Corporation bbc.co.uk/doctorwho © BBC MMVI
AA \ a Cast and credits
Left:
Sister Jatt overseeing the patients.
ofile
Cassandra
oé Wanamaker was born in New York on 13 May 1949
to actors Sam Wanamaker and Charlotte Holland,
both Americans from Jewish Ukrainian émigré backgrounds, but her family was soon uprooted. Father Sam, one of America’s first ‘method’ actors, was blacklisted at the height of the paranoid McCarthy witch-hunts
that persecuted intellectual communist sympathisers, so the family moved to England in 1952.
Wanamaker attended King Alfred School, Hampstead then Sidcot School, a Quaker boarding school in Somerset. She attended a Pre-Diploma course at Hornsea College of Art before moving to train at the Central School of Speech and Drama.
Her first job as a clerk in a Covent
\V\ANNNRARRAEB
Garden basement office revealed that she was dyslexic but this did not deter her acting ambitions, and on graduating from drama school she went “from rep to rep”. She performed in Much Ado About Nothing in 1971 and by 1973 she was with the Cambridge Theatre Company.
She limited TV appearances to around one a year, mostly in single plays. Early TV parts included Take Three Girls (1971), A Christmas Collection (1972), Between the Wars (1973), Jennie, Lady Randolph Churchill (1974), Village Hall (1975) and A Christmas Carol (1977).
Theatre remained her main focus and a stint as Celia in As You Like It in 1976 at the Nottingham Playhouse and Riverside Studios led to her joining the Royal Shakespeare Company. Working at Stratford in 1978 for Piaf, playing Edith Piaf’s half-sister Toine, proved a breakthrough role, taking her to Broadway and gaining her a Tony Award nomination in 1981.
Becoming one of British theatre’s leading players through the 1980s and 1990s, Wanamaker was nine times nominated for an Olivier Award. A win for Best Actress
_ ina Revival for Once in a Lifetime in 1979
at the Aldwych Theatre launched her as a major talent. Almost 20 years later in 1998 she won Best Actress for the title role of Electra.
Selective TV work still tended to be in
| prestige one-off dramas during the 1980s.
Among a few more populist outings was an episode of Tales of the Unexpected: Skeleton in the Cupboard (1987). Wanamaker became a household name with romantic comedy drama Love Hurts (1992-94) in which she played a high-flying businesswoman who quits her career and finds love.
Even greater mainstream TV success came with hit comedy My Family (2000- 2011). Despite the show’s popularity,
after several series she and co-star Robert Lindsay complained about inconsistent writing and asked for more creative input. Wanamaker continues to view TV and film as something to subsidise less lucrative, more challenging theatre work.
Mainstream parts in recent years have included Harry Potter’s Quidditch teacher Madame Hooch in The Philosopher’s Stone (2001) and, on TV, six episodes of Poirot and Mr Selfridge (2015).
Of her time twice playing the CGI- generated Cassandra in the Doctor Who stories End of the World [2005 - see Volume 48] and New Earth (in which she also
appeared in her own human form) she said: “I thought she was fantastically funny. She appealed to me on the principle that she’s a naughty child really.”
Wanamaker’s talent and unconventional pixie looks have helped her carve a niche of offbeat roles. “I’ve never been considered a great beauty,” she told Doctor Who Magazine in 2006, “and what people call ‘character actors’ are usually people who aren't great beauties. But that’s fine by me: I play all the nice parts and the funny parts.”
Wanamaker was awarded the CBE in 2000, specifically taking British Citizenship so she could receive the full award. ©
=—_2 er ay
DOCTOR WHO | THE
Above: Wanamaker as a younger Cassandra.
1879 Scotland. A group of sinister monks are plotting against the monarchy and hope to create a new empire... the Empire of the Wolf.
© DOCTOR WHO | THE COMPLETE HISTORY
fore g - é a
. >» Ny en DOCTOR WHO | THE COMPLETE OQ
espite his alien origins, there’s something pervasively British about the Doctor. Among a myriad examples: the First Doctor takes pride in his food machine serving up British bacon; the Fifth Doctor loves the typically British pastime cricket; and the Eighth Doctor’s sidekick Grace attributes his eccentricity to him being British. Quite often, to be even more specific, the Doctor is conspicuously Scottish. Arriving in Scotland in Tooth and Claw certainly brings out the Scot in the ordinarily English Tenth Doctor.
Equally, despite the fact that the TARDIS can travel anywhere in space, when it travels back in time it often favours a British perspective on history. Recently, such journeys have focused on the greats of British literature - Dickens, Shakespeare, Agatha Christie - but going back to the early days, when he travelled back into the history of Earth, the Doctor often encounters the British monarchy.
In The Crusade [1965 - see Volume 5], we are welcomed into the court of Richard the
~ Introduction
Lionheart. The Doctor’s companion Ian is even knighted by the King - a scene that’s echoed at the end of Tooth and Claw. Only a few weeks after The Crusade, we get our first glimpse of Queen Elizabeth I (who the Doctor would go on to marry...) on the Time Space Visualiser in The Chase [1965
- see Volume 5]. The Second Doctor, while not meeting royalty, gets involved in a dispute over sovereignty in The Highlanders [1966/7 - see Volume 9]; the Fifth Doctor encounters a very good copy of King John in The King’s Demons [1983 - see Volume 37]; and after turning down an invitation to meet her in his fourth incarnation, the Seventh Doctor has a brush with Elizabeth IL in Silver Nemesis [1988 - see Volume 45].
Tooth and Claw is the first time a British King or Queen actually gets involved in the action (but not the last - the totally fictional Liz X is central to The Beast Below [2010 - see Volume 63]). Queen Victoria had already been named-checked several times in the series, but here we have a gun-toting monarch, quite capable of defending herself and putting the Doctor in his place.
As we discover in Tooth and Claw, the Doctor’s dealings with royalty don’t always end well. Perhaps he should have taken note of Queen Victoria’s disapproval and trod more carefully when he finally met Elizabeth I. She may have helped him outwit the Zygons [The Day of the Doctor, 2013 - see Volume 75] but she too was less than impressed, when he didn’t take the responsibility of being her husband seriously, and called for his execution in The Shakespeare Code {2007 - see Volume 54]. @
‘HERE WE HAVE QUITE CA HERSELF
AND PUTTING THE DOCT IN HIS PLACE.’
A GUN-TOTING MONARCH,
PABLE OF DEFENDING OR
e, a THE COMPLETE HISTORY ©
group of monks cross a rugged Byes: to arrive at a manor house.
The steward tells their leader, Father Angelo, they are not welcome. The monks respond by taking the house by force. [1] They lock Lady Isobel and the servants in the cellar - along with a cowled figure in a cage.
The TARDIS brings the Doctor and Rose to Scotland in 1879. They are captured by Captain Reynolds anda band of redcoats escorting a carriage. The Doctor identifies himself as Doctor James McCrimmon and is called to speak to the occupant of the carriage - Queen Victoria! [2] Tonight she will be residing at the house of Sir Robert MacLeish. Rose bets the Doctor she can make Victoria say she is not amused.
At the house, Angelo is disguised as a butler and reminds Sir Robert that his wife Isobel will die if he does not
pes WN NNN*
co-operate. Robert welcomes Victoria
to the house, known as the Torchwood Estate. Captain Reynolds orders two soldiers to bring a mysterious box inside.
In the observatory, Robert shows Victoria Endeavour, his father’s telescope. In the kitchens, the monks prepare a soup which, when served to the soldiers on guard, sends them to sleep.
Rose discovers a maid hiding in a cupboard. [3] She is hiding from the monks. Rose tells her she has a friend who can help. They are both caught by monks and dragged to the cellar.
The Doctor dines with Victoria, Reynolds and Robert. Victoria asks Robert to tell her about the local wolf. He explains that every full moon a howling rings through the valley and livestock is found ripped apart. Sometimes a child goes missing. Robert’s father didn’t think it was just a story. [4]
Rose approaches the figure in the cage. He is a host for an alien intelligence, kidnapped by the monks when he was a
boy. The intelligence intends to migrate to Victoria - with one bite it will pass into her blood - and create the Empire of
the Wolf. [5]
The host is caught in a beam of moonlight and begins to transform. The Doctor and Robert run down to the cellar just as the prisoners pull their chain from the wall. Everyone runs as the host becomes a werewolf and smashes out of its cage! [6]
Angelo overpowers Reynolds, but Victoria pulls out her own gun and shoots him. [7]
The male servants attempt to fend the wolf off but it makes short work of them. [8] The Doctor, Rose and Robert flee upstairs where they bump into Victoria. She’s carrying the mysterious box. They run to the library where Reynolds stands guard. He holds the wolf at bay long enough for them to barricade themselves inside.
Victoria reveals that her box contains the Koh-i-Noor diamond. The Doctor
J realises the house is a trap for the wolf,
designed by Prince Albert and Robert’s father. The wolf crashes through the skylight [9] and they run to
the observatory.
The Doctor and Rose position the telescope to point towards the moon while Robert stands outside with a sword. The wolf kills him and bursts into the observatory just as the moonlight is magnified by the telescope. The Doctor uses the diamond to refract the light at the wolf, which turns back into the host. [10] He asks the Doctor to make it brighter; the Doctor does so and the host dissolves.
Later, Victoria dubs her rescuers Sir Doctor of Tardis and Dame Rose of the Powell Estate. [11] She goes on to say she is not amused and banishes them from her empire. They return to the TARDIS.
Victoria tells Isobel that she will establish an institute to fight Great Britain’s otherworldly enemies; it will be known as the Torchwood Institute! [12]
Below:
The Doctor and Rose are impressed by the Koh-i-Noor diamond.
me TOOTH ANDCLAW stor JU
Pre-pro
hen considering the second BBC Wales series of Doctor Who, Jane Tranter had asked Russell T Davies to “kick the historicals up the arse a bit.” Since 2004, Davies had had an idea for an episode which featured Queen Victoria and a werewolf, and when the original sixth storyline of the new series - The Runaway Bride {2006 - see Volume 54] - was dropped back to form the Christmas 2006 special, this idea was pulled into service with a new ingredient of kung-fu fighting monks. The element of Queen Victoria, the instantly recognisable British monarch who ruled for most
of the nineteenth century, came about following the success of Victorian writer
LX NNNRA'
cduction
Charles Dickens, who was an integral element of The Unquiet Dead {2005 - see Volume 48]; Davies liked the idea of another ‘celebrity historical’ and wanted one in each series. He was also keen to make it a scary story using a traditional monster. Since ghosts and zombies had both been used in the previous series, he selected werewolves, partially because the visual effects team at The Mill had indicated that they would like to create such a beast in CGI. From the outset Russell was determined that no blood would be shown. The martial arts monks were inspired by films such as the 2000 movie Crouching Tiger, Hidden Dragon. The narrative element of the Koh-i-Noor diamond was suggested by producer Phil Collinson.
'
Pre-production
was planned to span Monday 26 September to Wednesday 26 October, and the director would be Euros Lyn who had handled The End of the World [2005 - see Volume 48] and The Unquiet Dead [2005 - see Volume 48] in autumn 2004. By July, the episode had been established as the second in the run, displacing
Connections: Alternate desinations » The Doctor offered the Rose some other potential destinations in the TARDIS, including the Battle of Trafalgar in which the British Navy defeated French and Spanish forces in October 1805, or Julius
and Claw, derived from the line ‘Nature, Left: | Early in 2005, the storyline was red in tooth and claw’ from the poem In Theresa on the loose!
commissioned from a writer who was
new to Doctor Who but had a couple of decade’s experience writing for various established drama series. The brief was that Jack the Ripper-style murders were being committed around Buckingham Palace and the court of Queen Victoria, and that the monarch herself was setting out to find the killer, who turned out to be a vampire. The writer developed a solid two-page Queen Victoria treatment (about the Queen getting an alien insect in her eye at Buckingham Palace and the Doctor having to operate on the monarch), but omitted both werewolf and warrior monks as well as the Koh-i-Noor. Davies thus took on the commission himself, with the formal allocation made on Wednesday 15 June and the script having to be written within days to allow pre-production
to get underway in late July. Although originally planned to be included in the first recording block (‘Block One’) of episodes, it was deferred to become one of the two episodes being produced in Block Two, with the other being The Girl in the Fireplace [2006 - see Volume 52], referred to at this stage as Pompadour. Recording
The Girl in the Fireplace which had originally been allocated an earlier slot. By now, the story was entitled Tooth
Memoriam AHH by Alfred, Lord Tennyson; Davies had toyed with the idea of calling it Empire of the Wolf. Published in 1850, Queen Victoria said that “Next to the Bible, In Memoriam is my comfort” after the death of her consort, Prince Albert
of Saxe-Coburg, in December 1861. In 1862, the monarch requested a meeting with Tennyson because of the piece. (Tooth and Claw had also been used as the title of a 1997 Doctor Who Magazine comic strip story by Alan Barnes.)
avies structured his episode very D carefully around the werewolf.
During The End of the World, too many CGI shots of the Cassandra character had originally been requested for the time available, and had needed to be cut back. This time, The Mill indicated in advance how many shots of the werewolf they could realistically achieve. Davies thus used this quota sparingly and effectively for key moments, keeping the momentum of the piece by showing sequences from the creature’s point of view, eliminating
Caesar crossing Italian river the Rubicon in 49 BC.
“Queen Victoria
» Commenti Doctor ref
17 Februa
22 june,
Connections:
1979 and all that... ngon 1979, the erred to Chinese forces invading Vietnam on ry, the Muppets’ first big-screen outing The Muppet Movie, released on argaret Thatcher being elected Prime inister on 4 May, and the
US space
aboratory Skylab alling back to Earth on 11 uly - an event that the Doctor claimed he had a hand in, nearly losing one of his thumbs as aresult.
the need for CGI and requiring only hand-held camera work. The story used classic horror elements: a monster in a cellar, empty windswept moorlands and characters trapped in a remote house.
The use of a werewolf also meant that less dialogue needed to be spent explaining its background to the audience. The inclusion of the monks allowed Davies to write a substantial stunt fight sequence of the
sort that had not yet appeared in the revived series.
The script was set during one of Victoria’s regular visits to Scotland, and Davies phoned David Tennant to ask if Scotland had an ‘everyman’ name like the Doctor’s usual alias of ‘John Smith’. All Tennant could suggest was ‘Jock Tamson’ - as in the Scottish saying ‘we’re all Jock Tamson’s bairns’ - but two days later Davies phoned again and said he had settled on the name Jamie McCrimmon, the Doctor’s former companion and eighteenth-century Highlander who featured in the programme between 1966 and 1969.
After Davies had delivered his script, incoming script editor Simon Winstone (who had replaced Elwen Rowlands after she joined the crew for the BBC series Life on Mars) undertook background research on elements of it to back up Davies’ own research, discussing the use of prisms in telescopes with an astronomer, and also a justification for the use of mistletoe against werewolves, since its use as an anti-convulsant fitted in with the agonies suffered by the Host during his transformation. Winstone
talked to Debrett’s Peerage for background on the concluding knighting ceremony, though a more ceremonial version was used than was truly authentic on the grounds that this was what the audience would expect; in an actual knighting ceremony, the Queen would say nothing. In reality, the first instance of an order for dames in Britain was 1917, 16 years after Victoria’s death. Tooth and Claw would also include the origin of Torchwood; in the early drafts, the name of Sir Robert’s estate was not revealed until the end. Another idea rejected at an early stage was that Queen Victoria would die at the end of the story, thus creating the alternate universe which the Doctor and Rose would visit later in the series in Rise of the Cybermen/ The Age of Steel [2006 - see Volume 52]. However, Davies knew that such a move would be too complicated at this point and could cause the series to lose viewers.
A planning meeting for the episode was held on Friday 5 August, attended by Ben Cook of Doctor Who Magazine. The shooting script, Episode 2: Tooth and Claw, was prepared on Tuesday 16 August 2005. Of the characters, Father Angelo was ‘bald, strong, impressive; says the most terrible things with such sadness’. The steward - named Jacob in the dialogue -
was ‘50’, Sir Robert was ‘a tall, strong man in his 30s’, Lady Isobel was ‘30s, English’, Captain Reynolds was a ‘smart, 30 y/o’ and Flora was a ‘15 y/o maid’. The Host was introduced as ‘a man in rags, legs crossed like Buddha’ and his eyes ‘are black. No whites; jet black.” When transformed into the werewolf, he was ‘a muscular, fearsome 8ft beast, standing like a man, powerful forearms... hurtling onto all fours, like an almighty hound,
Victoria
ueen Victoria was described as ‘60 years old, in black, though nowhere near as dour as tradition would say; a glint in her eye, a keen intelligence’. Victoria spent time in Scotland in 1879, crossing the Tay Bridge in June and entertaining the Empress Eugenie of France at Gelder Shiel. Prince Albert had purchased the Balmoral estate for Victoria in 1852. There were references to six previous attempts to assassinate her: these took place in 1839, 1842 (twice), 1849, 1850 and 1872. Her attackers were believed to include the Chartists (a movement demanding social and political reform based on the 1838 People’s Charter), the Anarchists (believing in the abolition of rulers) and the Fenians (Irish nationalists opposed to British rule). The phrase which Rose associated with Victoria, “We are not amused,” was allegedly inspired either by the Hon Alexander Grantham of Yorke, a groom in waiting whose role was to entertain her, or on the Monarch first seeing the 1878 Gilbert and Sullivan comic opera HMS Pinafore.
Victoria was a carrier of haemophilia, an impaired control of bleeding, which had not been evidenced in either of her parents but which surfaced in her son, Prince Leopold,
N P q t
born in April 1853. As noted in the dialogue, the Queen had five daughters, from Princess Victoria in November 1840 to Princess Beatrice in April 1857. The Doctor’s comment about Victoria being “like a stamp” related to her image on the ‘Penny Black’, the world’s first postage stamp issued in May 1840. The Koh-i-Noor was once the largest diamond in the world, hailing from the Indian subcontinent and gifted to Victoria in 1850. When displayed at the Great Exhibition, it disappointed the crowds and Albert had it recut from 1852 to improve its brilliance. In 1937, it was set in the Queen Mother’s consort crown.
Connections: Quote the poet
The Doctor's description of Rose as a“timorous beastie” hailed from the start of Robert Burns’ 1785 poem To a Mouse (‘Wee, sleekit, cow’rin, tim'rous beastie’) while his comment about chasing her “over hill and over dale” echoed the child ballad Walter Lesly,
Although Hazelhead is a real locale near ne F Aberdeen, the royal jewellers of Hellier and transformation,
Carew were an invention. When Reynolds tells two
of his troops to escort the jewel from the carriage, they are named Mackeson and Ramsay, the real names of the two soldiers who actually carried the Koh-i-Noor from India. When considering assassination, Rose commented about President John F Kennedy (shot on
22 November 1963, the day before the first episode of Doctor Who was broadcast) and Beatles musician John Lennon (shot on 8 December 1980). The Doctor made reference to the “Elephant Man”, the badly deformed Joseph Merrick who at that time was a sideshow attraction.
Connections:
Man of the isles
» When asked to identify himself by Captain Reynolds, the Doctor claims to be Doctor James McCrimmon, from the township of Balamory. Highlander Jamie McCrimmon was a companion of the Second Doctor and Balamory is the fictitious Scots island community featured in the CBBC TV series
Balamory which
premiered in . > FY September 2002.
sy
ciel ; For the pre-credit action sequence, The bald, athletic Pawiee’ a : b < h Peaks of the avies’ stage directions about the Brethren
cut, cut, fast, a blur - the monks turn, fast - whip off their robes, revealing simple, dark red tunics underneath (more like Japanese warrior monks, all young, athletic... slo-mo fight, bullet-time, pure Crouching Tiger, monks sailing over the heads of the stablehands!... And then
cut, cut, cut, sticks, jaws, punch, whap - ! Monks spinning! Men sent flying!’ Father Angelo spoke a Latin incantation: “Lupus magnus est, lupus fortis est, lupus deus est...” which translates as “the wolf is great, the wolf is strong, the wolf is god”. Davies’ father was a Latin teacher and translated the phrase for him.
Inside, the Torchwood Estate was ‘not lavish, but stark & cold; rough plaster, all browns, blacks, whites; the wind howls through, all day, all night’. When the host transformed, the stage directions noted, ‘Music should be wild, clever, a bit [Quentin] Tarantino - not period, maybe wild electric guitars.’ The script carefully indicated the FX shots of the CGI werewolf and the point of view (POV) shots. One FX item was ‘that classic shot of the half- wolf host, holding up his hand, watching it stretch, crack, and claw..., inspired by films such as 1981’s An American Werewolf in London. Originally, when the beam of moonlight hit the werewolf at the climax, the host appeared again: ‘His eyes are normal. He’s human. And he’s smiling, gentle.’
The narrative opened on Day 4 at 16.00 when the monks crossed the moorlands, arriving at Torchwood at 16.30. The TARDIS materialises at 17.00 and the Queen’s entourage reach Torchwood at 18.15, visiting the observatory at 18.30. Rose prepares for dinner at 18.42, the meal starts at 18.55, and the Doctor confronts the Host in wolf-form at 19.09. The Doctor’s party barricades itself in Sir Robert’s library at 19.18 and the climax
YX NNNSA
in the observatory is at 19.36. The Doctor and Rose are honoured at 08.00 on Day 4 and depart in the TARDIS at 10.00
that morning.
Doctor Who Confidential attended both the episode’s storyboard meeting on Monday 5 September, and a production meeting on Friday 9. Pink script revisions were made on Wednesday 14 September covering the TARDIS’ arrival, the royal party moving on, from the arrival at Torchwood House through to the observatory scene, Victoria meeting Sir Robert, the Doctor and Rose on the stairs, and the TARDIS’ departure.
Scottish actors
ead-throughs for the Block Two i
episodes were held on Friday 9 ‘
September at the end of recording for Block One. Tennant loved the script, and very much enjoyed being surrounded by other Scottish actors; he had been at drama school with Tom Smith who played the Host. The actor was also pleased that he was able to use his natural Scots accent during this episode, although he was now so used to using an English voice for the role that he found he needed to concentrate hard so he didn’t forget. The main guest star was noted actress Pauline Collins who had previously featured in the Doctor Who serial The Faceless Ones [1967 - see Volume 10]. Collins and several other cast members were not available for the readthrough, so the part of the Queen was played by Helen Griffin, who often sat in on rehearsals. Also present at the read- through were Tennant’s parents, Sandy and Helen McDonald, who read the dialogue for Captain Reynolds and Lady Isobel respectively; the actor later commented on how delighted his mother and father had been to take part. Also in the cast as
Flora was young Ruthie Milne from the Edinburgh Lyceum Youth Theatre who celebrated her 18th birthday during the episode’s production.
Monday 19 September saw Doctor Who Confidential join the production team ona location recce. On Saturday 24 September, This is Gwent ran an item about the story
Lady Isobel and her servants are trapped with the wolf.
)} entitled Mates knuckle down for Dr Who | in which it was revealed that three local
members of the Korean Kickboxing
Association Wales - David ’ ) Connections: 6
Jennings, Rob Taylor and Richard Carpenter - had A qualified doctor \w= ‘ The Doctorclaimsto WV
passed auditions to appear as warrior monks... for which have a doctorate from they had to have their heads Edinburgh, training under shaved. After hearing that Dr Bell; this was Dr Joseph the trio had landed parts in Bell, a lecturer at the Doctor Who, the production University's medical school office was also approached in the late eighteenth by a local cheerleading squad century and the inspira to see if there was a script for Sherlock Holmes, which could involve them... created by his student
A fight rehearsal was held Arthur Conan-Doyle, The at Penllyn Castle in the Doctor had previously Vale of Glamorgan on claimed in The Moonbase Sunday 25 September, [1967 - see Volume 9] supervised by stunt to have taken a degree in co-ordinator David Forman Glasgow in 1888, studying (who had worked on the under pioneering surgeon movie Batman Begins) and oseph Lister. wireman Bob Schofield.
ion
2 ee
TOOTH AND CLAW Desai:
‘QUEEN VICTORIA W
‘g0 YEARS OLD, IN BLACK, THOUGH NOWHERE NEAR AS DOUR AS TRADITION WOULD SAY’ .”
108 DOCTOR WHO | THE COMPLETE HISTORY ic
THM, ecording on Tooth and 7
| B : : : Claw began on Monday 26
AB ome oe September with the pre-credit fight; the cart and horses were )\ provided by Classic Horse WA Drawn, and the courtyard Paickens from Animals on Film. Director Euros Lyn, who took his inspiration for
duction -
= _ an \
this sequence from the fantasy fighting of Crouching Tiger, Hidden Dragon and the stylish 2001 French horrortovie Brotherhood of the Wolf (Le Pacte des Loups), wanted it to be edited in the style of the 2002 zombie film 28 Days Later. He also drew upon the 1995 thriller Se7en. Forman employed the martial art of wushu for
DOCTOR WHO"| THE COMPLETE ATSTORY 107
STORY 169
the stick work among a mix of other
Father Angelo has sinister plans for the monarchy.
Connections:
What big eyes
you have The host's comment that there was “something of the wolf” about Rose was a reference back to the ‘Bad Wolf’ theme of the previous series which was resolved in Bad Wolf/
The Parting of the
Ways [2005 -
see Volume 50],
visually exciting techniques. This shoot - scheduled for 8am to 7pm - focused ona mere one page of script compared to the
daily average of three or four pages. A high-speed 35mm film camera (rather than a digital camera) was used to create a slow motion effect, and wire work allowed the artists to leap effortlessly. Doctor Who Confidential covered this set piece, interviewing lan Hanmore who played Father Angelo and stuntman Tony van Silva who doubled for Ron Donachie’s steward in the shot where the character was
sent flying backwards - an effect achieved by yanking him back on a wire. Donachie also participated in other parts of the fight, wearing a carefully padded costume to absorb the blows. At the same time, David Tennant and Billie Piper were working with James Hawes on location for New Earth [2006 - see page 62] on the Gower Peninsula. In the afternoon, Jamie Sives had a horse riding rehearsal on a mount provided by Classic Horse Drawn for his role as Captain Reynolds.
The scenes in the Scots wilderness were recorded on Gelligaer Common near Fochriw on Tuesday 27 September from 8am to 6.30pm, with Tennant, Piper and Collins joining the cast at the freezing cold location - a closed road between Bargoed and Merthyr. Classic Horse Drawn
furnished the farmer’s horse and cart, the Queen’s carriage and the escort horses, while armourer Mark Wilde supervised the soldiers’ rifles and pistols. To help show that the Doctor’s outfit wasn’t a uniform ‘costume’, Tennant opted not to wear a
tie for the episode, while Louise Page clad Piper in a T-shirt with an image of the coronet crown as a visual joke. For Collins, Sheelagh Wells worked from photos of Queen Victoria taken during a visit she made to Scotland at this time; the actress wore a wig which she had previously donned for a BBC production of Bleak House a few months earlier and which was specially sent down from Scotland. The South Wales Echo reported on recording the following day, while Doctor Who Confidential interviewed art director Stephen Nicholas and the design team as they dressed the following day’s location.
A Scottish castle
second location was used for
Torchwood House between 11.30am
and 8.30pm on Wednesday 28 September; this was Craig-y-Nos, a castle owned by the cleaning agency Selclene situated in the Brecon Beacons National Park in the Upper Swansea Valley. This roadside venue was one which Edward Thomas had worked at before and had visited as a child, recalling that its turret and limestone construction resembled a Scots castle. The cast and crew were plagued by rain as they worked on the exterior sequences. One of the guards’ horses decided not to behave in the courtyard, so one artist had to perform his shots sat atop a pair of ladders. A second unit was used to shoot establishing shots of the castle - the modern fittings of which had been camouflaged - at dawn
and dusk.
At work from 9.30am to 8.30pm on Thursday 29 September, Lyn’s crew worked at the disused Headlands School in Penarth which he had used in 2004 on The Unquiet Dead. Tennant was not required for the first day, which saw the first appearance of drama student Josh Green as the wolf stand-in. Clad in a revealingly tight lycra body stocking of white, black or green (depending on the type of shot), Green would act as a point of reference for The Mill to create the werewolf. Tom Smith also had to wear special dark contact lenses for his close-ups as the Host. Visitors on the set on the first day included incoming BBC One controller Peter Fincham and Clare Hudson, BBC Wales’ head of programmes. Friday 30 saw the team joined by Tennant and Doctor Who Confidential who interviewed Tom Smith
Connections: My credentials
The Docto
uses his psychic paper to prove his identity to Queen Victoria andis slightly surprised
to learn that the Queen reads from it that he has been appointed by the Lord Provost as her protector. ALord Provost is the
civic head of one of the principal cities of Scotland, a position not dissimilar to that of mayor.
Josh Green provides a reference point for creating
the werewolf.
-») STORY 169 P< WK NAN.
and visual effects supervisor
Connections: Dave Houghton; recording
at save was scheduled from 8.30am € queen to 7.30pm. For later scenes, ® Although he had not
Green wore a skateboard helmet topped by a pole with a green ball attached to give the actors an eye-line for the werewolf’s head, referred to by Green as his “Ultra Lupine Stunt Hat”. After completing their scenes, Donachie, the servants and farmhand artists returned to Unit Q2 for gun-firing rehearsal with
previously met Queen Victoria, the Doctor had been instrumental in saving her life while in his Seventh incarnation, foiling a plan to assassinate her in Ghost Light [1989 - see Volume 46]. The Third Doctor also claimed, in The Curse of Peladon
piesa “Gee ne 18}, Wilde. During this day, a thet he ned oat ay second unit recorded the Queen Victoria’s pistol, while Piper attended Victorias visual effects shots of the was not needed and had the weekend coronation, but inlet ine Host’s transformation and off. An interview in the Sunday Mirror BGG) Cents ng iti the scenes with the Doctor, the next day saw Collins discussing her ie eratntaniet Sir Robert and the wolf in current role. Work on Monday 3 October Ease the below stairs corridor. resumed at Q2 on sets for the hallway and Recording from 8am to observatory, scheduled for 9am to 8pm. 7pm on Saturday 1 October saw another Wilde supervised the servants handling venue for Torchwood: Llansannor Court their guns and van Silva performed a in the Vale of Glamorgan, where the close-up insert as the farmhand whose dining room and corridor were situated. head was forced into a bucket of water.
Wilde was on hand for the firing of The next day, costume fittings were held Right: |
Piper and Tennant shooting scenes in the library,
eave tight: The monks
_ force Sir Robert MacLeish to commit treason. feo! The Doctor es the escope in the tory,
for the two Victoria doubles, Colleen Quinn and Karen Vincent, along with tests for The Girl in the Fireplace, while Doctor Who Confidential interviewed crew including Forman, Wilde and Chris Petts. The two stars spoke to reporter Kate Lawson, and had problems in making the freely spinning wheel mechanism on the telescope look heavy. The observatory scenes continued to be recorded on the Tuesday from 8.30am to 7.30pm.
Torchwood House
he ornate staircase of Treowen House,
a seventeenth-century Grade 1-listed
building in Dingestow, first came to the attention of Edward Thomas when one of his colleagues had been married there, and it appeared as another part of Torchwood House on Wednesday 5 October when recording ran from 8.30am to 6.30pm. For the running scenes, Collins wore trainers under her voluminous skirts, which tripped her up a couple of times; in some shots she was doubled by Quinn. It was here that Derek Riddell, playing Sir Robert, pointed out that Victoria should be referring to Sir Walter Raleigh rather than Sir Francis Drake: by coincidence, Riddell had appeared as Raleigh in BBC One’s The Virgin Queen earlier that year and had also acted with Piper in Much Ado About Nothing a few months beforehand. To simulate the passage of the werewolf along the corridors, first assistant director Peter Bennett fanned the flames of the candles. Production was covered by Jason Arnopp from Doctor Who Magazine. The same day, blue rewrites were made for the material of the Doctor’s party puzzling why the werewolf could not enter the library.
Various Torchwood sets were erected
at HTV Studio 1 on Thursday 6 October for recording from 8am to 7pm. Sives
i
had another gun firing rehearsal in the morning (and for the final take he fired
at a sheet of Perspex to stop the blast hitting the camera), and in tandem with various corridor scenes the second unit recorded various inserts, including the transformation of the host, the chain coming free from the wall, and an insert for The Girl in the Fireplace. Peter Ross was on set from The Sunday Herald Magazine, and it was on this day that Piper singed her hair by running too close to a candle.
Tredegar House, already used in The Christmas Invasion [2005 - see page 6] and New Earth was used for recording from 8am to 7pm on Friday 7 October on various kitchen, study and library scenes while Tennant and Piper were at Q2 completing deferred scenes from Block One.
Connections: Knight of the realm
Queen Victoria rewards
the Doctor and Rose by
knighting them, awarding
the Doctor the title “Sir ( Doctor of TARDIS" and Rose “Dame Rose of the Powell Estate’ The First Doctor had said that he almost wished that he had been knighted when his companion lan Chesterton was knighted by King Richard the Lionheart in The Crusade [1965 - see Volume 5]. The Fifth Doctor was also knighted, as “Sir Doctor” by an impostor of King John in The King’s Demons [1983 - see Volume 37].
STORY 169
a Gl
7 “= { P ee tafe .
“Books... the ‘ best weapons in the world!" a -
-
The suit of armour in the antiques room had previously appeared in the TARDIS wardrobe in The Christmas Invasion. Doctor Who Confidential recorded material about CGI work at The Mill on Saturday 8 October, including the digital scanning of Smith’s head for the transformation effect. Back at Tredegar House on Monday 10 October, scenes of the Doctor’s party trapped in the study were completed from 8.30am to 7.30pm. Tuesday 11 marked the final principal day of work on Tooth and Claw at Tredegar (again from 8.30am to 7.30pm), where the crew would remain for The Girl in the Fireplace the next day; also on Tuesday 11, the BBC website confirmed Pauline Collins’ guest role in the episode. This was Collins’ final day on the production, and she re-recorded much of Victoria's dialogue for the country road scene which had been spoilt by a flapping curtain in the earlier location shoot.
Second unit work from 10am to 9pm on Wednesday 12 included cutaway shots of the monks and their overpowering of the soldiers.
Musical issues
here turned out to be clearance
issues on the music that Davies had
originally wanted playing in the TARDIS; Lucky Number, a February 1979 new wave hit for American singer Lene Lovich. A British artist was easier to clear, so yellow rewrites covered this on Monday 17 October. Davies specified that the music should now be ‘Ian Dury, Rhythm Stick’. Entering the charts in December 1978, Hit Me With Your Rhythm Stick was a Number 1 hit in January 1979 for Ian Dury and the Blockheads. Davies’ script specified Drury as appearing at the Sheffield Top Rank (a real venue) on 21 November 1979
(not a real tour date for Drury). A shot of Isobel’s view of the courtyard monks was picked up at Dyffryn Gardens on Thursday 20 October, with the TARDIS scenes recorded alongside The Girl in the Fireplace on Wednesday 26 October (during which Billie Piper struggled to get up from the TARDIS floor) and the shot of the model telescope barrel completed the following day. This eight-foot section was built by Nick Kool, a member of the newly formed Model Unit effects company created by Mike Tucker following the disbanding of the BBC model team; it was designed by Peter McKinstry.
The script for the promotional Tardisode ‘prequel’ (referred to at this stage as a ‘Vortext’) was inspired by the prologues of Terrance Dicks’ Doctor Who novelisations (the murder of a peasant, strange lights in the sky, etc). The script for Vortext 2 — Tooth and Claw was dated Wednesday 25 January 2006, and originally indicated that the object from space arrived in ‘Scotland 1552’ after which the setting changed to ‘Hundreds of Years Later’. The 53-second
Sat 1 Oct 05 Llansannor Court, Llansannor, Vale of Glamorgan (Sir Robert's House: Dining Room/Corridor) Mon 3 Oct 05 Unit 02, Newport
(Sir Robert's House: Servant's Hall/ Observatory/Courtyard)
Tue 4 Oct 05 Unit Q2 (Sir Robert's House: Observatory/Corridor)
Wed 5 Oct 05 Treowen Manor, Dingestow, Monmouth (Sir Robert's House: Stairwell/Parlour/Entrance Hall/
Mon 26 Sep 05 Penllyn Castle, Penllyn, Cowbridge (Sir Robert's
House: Courtyard)
Tue 27 Sep 05 Mountain Roads, Gelligaer Common, Mythyr (Scottish Moorlands - Mountains/Rough Road/Valley/Country Road - Approaching Castle)
Wed 28 Sep 05 Craig-y-Nos, Brecon Road, Pen y Cae (Sir Robert's House: Front/Front Door/Courtyard)
Thu 29 Sep 05 Headlands School, St Augustine's Road, Penarth, (Sir Robert's House: Cellar/Ramp)
Fri 30 Sep 05 Headlands School (Sir Robert's House: Cellar/Bedroom/Below Stairs Corridor)
Stairs)
Thu 6 Oct O5 HTV Studios, Culverhouse Ni Cross, Cardiff: Studio 1 (Sir Robert's House: Upstairs Corridor/Corridor Outside Study/Downstairs Corridor/Corridor Outside Library/Cellar/Green screen/ (Telescope Barrel
Queen Victoria knights Rose and the Doctor. /
Tardisode began with something landing from space on the moorlands one night. 300 years later, a lone crofter making his way through the heather hears the snarling of wolves. He tries to run, but a creature attacks him. This was recorded on the Cefn- y-Crib moors at Hafod yr Ynys in the Gwent
j Valley on Wednesday 1 February, with Alan
Dorrington as the Crofter, previously seen as one of the re-animated corpses in Sneed’s cellar in The Unquiet Dead.
Black screen)
Fri 7 Oct 05 Tredegar House, Newport (Sir Robert's House: Kitchen/ Study/Library)
Mon 10 Oct 05 Tredegar House (Sir Robert's House: Study/Library/Corridor) Tue 11 Oct 05 Tredegar House (Sir Robert's House: Study/Library/Corridor/ Country Road) Wed 12 Oct 05 Tredegar House (Sir Robert's House: Front/Courtyard) Thu 20 Oct 05 Dyffryn Gardens, St cholas, Vale of Glamorgan (Sir Robert's House: Courtyard Wed 26 Oct 05 Unit Q2 (TARDIS) Thu 27 Oct 05 Unit Q2
Rose and Lady Isobel are trapped with the host.
D CLAW
~ Post-production
STORY 169
he first assembly of the episode was ready by mid-November and was found to over-run by around 10 minutes. As it transpired, the bulk of the editing was done simply by removing panning, pausing or reaction shots with barely any loss of dialogue. The first edit was to the steward telling Father Angelo, “You'll have to seek charity in the village, not here,’ when the monks arrived in the courtyard. As the steward sarcastically offered his wife to the monk, Angelo replied, “Women will not be necessary. Only the house.” When
imprisoned in the cellar, the steward asked Lady Isobel, “Did they hurt you?” “They’re madmen, Jacob. Every single one of them. Utterly insane,” she replied.
In the TARDIS, Rose welcomed the Doctor’s suggestion of “going to a concert. Like a regular couple.” Speaking to the Queen about Dr Bell, the Doctor said, “And he taught me the skills of observation, I can’t help but notice, you're very armed to the teeth, for such a quiet stretch of road, now why would that be? Who would the Scots Guard be protecting?” “That’s none of your business,” replied Reynolds. “A student of
Dr Bell, it’s claimed,” ruminated
the Queen, explaining to the Doctor,
“The train was halted.” “Then someone wanted to stop you,” pointed out the Doctor. “It’s a possibility,” agreed
her majesty. Commenting on her would-be assassins, the Queen listed, “The Chartists, the Anarchists, the Fenians.” Rose’s comment about John Lennon was dropped. When the party arrived at the estate, on seeing the observatory dome the Doctor commented, “Somebody’s
got a hobby. Astronomy. I like this place! Torchwood House...” In the observatory, Victoria quoted a comment of her late husband, “The German forests are rife with stories, creatures of the night, and so forth,” and informed Sir Robert, “In the absence of your cook, there’s a hamper in my possession, a cold collation from the train.” When Flora explained to Rose about the unwelcome arrivals, she described them as “The monks. The Brethren. Did they attack you, Miss? Did they steal your clothes?” Over dinner, Victoria made reference to the hope of ghost stories, and “some word from our beloved. Which never comes.” Outlining the legends of three centuries, Sir Robert commented, “though the incidents continue to this day.”
Observatory
peaking to the caged host, Rose said “I
can help you.” “This is Devil’s talk...”
began the steward. Rose responded, “Oy, shush! I’m serious.” The host talked of “an empire of smoke and iron... being forged, to the south’, and explained, “This body is only a host.” Discussing the monks over dinner, Sir Robert wondered, “What if, they changed their allegiance, long ago? What of that, Doctor?”
Trapped in the library, Rose commented,
“I could get through those doors, no
trouble.” Considering the background
1 i | of the alien cell in the host, the Doctor shee
| speculated: “A spore. A virus. A thought.
Started growing.” “But in its real form, it’s a wolf?” asked Rose. “Maybe it just adopted that,” said the Doctor, “mapped itself onto a local mythology.” When Sir Robert asked why the host wanted the throne, the Doctor responded, “Think what it could do! With its knowledge of the stars, added to the might of Great Britain...” As they fled for the observatory, Sir Robert asked “But what is it you need there, Doctor?” “Your father’s legacy,” was the reply. As Victoria muttered the Lord’s Prayer and clutched her crucifix at the observatory door, Rose called, “Your Majesty, come back from there...” and asked the Doctor, “If it’s not a telescope... what is it then?”
A short scene of a shocked Doctor and Rose leaving the estate was cut; the pair laughed as they addressed each other as “Sir Doctor” and “Dame Rose” and ran off.
Sir Doctor of TARDIS and Dame Rose of the Powell Estate.
In her closing speech, the Queen declared of the Institute, “In Sir Robert’s honour, we could name it after this house. I would call it Torchwood.” Greatly impressed by the finished episode, the team considered running it first in the new series, but ultimately decided to stick with New Earth; the third episode was also considered to give balance to the opening episodes, but Jane Tranter felt it was too dark to open the new season with.
Additional dialogue recording was performed on Thursday 9 February 2006, which included dubbing for the cellar scenes plus the moorland sequences which had been affected by both natural and mechanical wind noise.
The Mill’s CGI work in January and February 2006 included adding snow to
})
IPLETE HISTORY
the Welsh mountains and creating the observatory roof. The Mill had experience of werewolves before Tooth and Claw, having created one for the 2004 film Harry Potter and the Prisoner of Azkaban. This new wolf was modelled under the supervision of Nicolas Hernandez and Jean-Claude Deguara. The creature had
a wolf head, hands and feet, with a more human-like body. The werewolf’s voice was recorded by sound designer Paul McFadden on Friday 24 February and modulated using a pitch shifter, as covered by Doctor Who Confidential.
The final edit and dub of the episode was completed on Wednesday 15 March 2006. The producer and director credits appeared over the Doctor and Rose in the TARDIS.
Publicity
On Thursday 16 February 2006,
The Sun interviewed Pauline Collins and discussed the forthcoming episode. There was also an item in
the South Wales Evening Post on Saturday 18 February about recording at Craig-y-Nos under the title Dr Who Filmed at Historic Castle.
Matthew Norman’s article about his location visit appeared in the Sunday Telegraph on Sunday 2 April as The Doctor will see you now. Tooth and Claw received a special preview in Glasgow on Thursday 6 which Tennant attended with his father, Piper, Davies, Gardner, Collinson and Lyn; Billie Piper had now left the series and a farewell party was given for her after the event in which she was presented with a special DVD of her finest moments on the series. Sunday 9 saw an item on Collins’ appearance in the show in the Sunday Herald.
In Radio Times, Doctor Who Watch featured Bad Wolf? by Nick Griffiths in which Will Cohen discussed the creation of the werewolf and Royal Prey where Anna Hunt interviewed Collins. Again, Alison Graham selected Doctor Who in Today’s Choices with a photograph of the caged Host, while the programme listing had a shot
of the Doctor and Rose with the Queen. The bbc.co.uk team set up a Torchwood Estate website to tie in with the episode, and, in the lead-up to transmission, BBC Radio Wales
broadcast In Need of Some Assistants, a new episode of Doctor Who: Back in Time, at 5.32pm on Monday 17 April (with repeats on Saturday 22 and Sunday 23), while a TARDIS model set started to be built on Blue Peter on Wednesday 19.
Tenth Doct
EPISODE Tooth and Claw
STORY 169
There were concerns that Tooth and Claw would air late because of live coverage of a football match between Liverpool and Chelsea. Gary Lineker assured viewers that the episode would follow “even if the match goes to penalties”. In the end, the programme aired as scheduled at 7.15pm.
A commentary for bbc.co.uk and BBC Three was recorded with Tennant,
DATE TIME Saturday 22 April 2006 715pm-8.00pm
DURATION RATING (CHART POSITION) 44'32" 9.2M (10th) 83
Riddell and Winstone on Friday 24 March, and the episode drew very strong ratings against a repeat of Midsomer Murders on ITV1. In
Radio Times for 6-12 May, a letter applauded Tooth and Claw in comparison to New Earth. The letter went on to wonder what the Queen - who was reportedly a viewer of Doctor Who - made of the theory that her family were werewolves!
APPRECIATION INDEX
~AAA AX Broadcast | Merchandise
One track of incidental music from Tooth and Claw, composed by Murray
Gold, was included
on the Doctor Who:
Original Television Soundtrack CD, published by Silva Screen on 2 re acute December 2006. tHe were In September 2006,
ooth and Claw was initially
released by BBC Worldwide on
DVD, along with School Reunion
and The Girl in the Fireplace,
as Series 2 Volume 2 on 5 June
2006. It was later released as part of The Complete Second Series DVD box set on 20 November 2006. It included a commentary with Russell T Davies, visual effects supervisor David Houghton and
supervising art director Steven Nicholas. Character Options released an per cover The short version of Doctor Who Confidential action figure of the werewolf for Series
from the episode. Volume 2.
“4 Bie > . ie |
DOCEOR -!
was also included.
Not 10 be sunetied 10 amy person beiow Out ape
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DOCTOR WHO | THE
4 Cast and credits
CAST
David Tennant... . The Doctor SONIA es icccsstsssnssssssessssscsssscssssssseees Rose Tyler
with
Pauline COINS |...........cccscsin Queen Victoria TAN HANMOTE.......cc scsi Father Angelo Michelle DUNCAMN.............cses Lady Isobel Derek Riddell iiss Sir Robert Jamie Sives...... ..Captain Reynolds RON DOMACHIE seen Steward BMMIMRMRESUREREAM ITIVE Te (0e0esssssssssssccsssscsssssssssssssesscssessssssss The Host CUCU Too ee Flora UNCREDITED
Ruari Mears, Marc Llewellyn-Thompson, Laurence Chanon, Andrew Morgan Evans, Sam Stennett, Alessandro Noble............ Monks Stephen Giffard... Cart Driver-Monk Dave Jennings, Richard Carpenter, Rob
Darryl Cross, Pete Newman, John Jones Snr... OUree ear sva ro cesttecsepiy ctosepseisnaseiassioitaonneviisstoxanpseaninnns Farm Hands Tony Van Silva................ Stunt Double for Steward Glen Foster, Tony van Silva....Stunt Farm Hands Levan Doran, Kai Martin, Rick English.............
SMPTE i ssssssssssssssssssssnssesssssssnssssenssnes Stunt Monks Debbie Reid, Jade Harris Cupit... sits SUZANNE DOWD... Dom Kynaston, Paul Strike... Servants Adam Sweet, Michael Barry, John Mallon........
aire eirceeacerrecesstsstsseesresssessestsseessses Farm Hands Marcus Hobbs, Jonathon Holcroft, Dave Smith, Leighton Haberfield, Les Mason, Tony Was, Geraint Herbert, Brett Langdon...
Me resrvseyscsssasssnyesnscsesessssssscassevesssvseseesssenn Soldiers Jonny Black/Dave Smith ..Mackeson Charles de Paula... Ramsey Rainisiis Footmen
rer eerbasaciiscsciess Carriage Driver
Footman
Ruari Mears, Laurance Chanon............. Servants OSHIGFCON irc rnc Wolf Stand-In Colleen Quinn................ Double for Queen Victoria
Gerard [Last name unknown]]............0.cun Toi Mea DUN Cart Driver-Farmer (Dougal) Paull Cartomirngorcreans canteens Unknown Cameron Jake, lan Busted, Ronnie McCann, Glenna Morrison, Judith Williams, Marsall
Stewart wns Additional Dialogue Recording TARDISODE CAST
Alan DOFTINGtON .....iisscsss ss Crofter CREDITS
Written by Russell T Davies Producer: Phil Collinson Director: Euros Lyn 1st Assistant Director; Peter Bennett 2nd Assistant Director: Lynsey Muir 3rd Assistant Director: Adam Hill [uncredited: Tim Hodges, Daf Parry] Location Managers: Gareth Lloyd Unit Manager: Rhys Griffiths Production Co-ordinator: Jess van Niekerk Production/Script Secretary: Claire Roberts Production Runners: Tim Hodges A/Production Accountants: Debi Griffiths, Kath Blackman Continuity: Non Eleri Hughes Script Editor; Simon Winstone Focus Puller: Terry Bartlett [uncredited: Penny Shipton] Grip: John Robinson [uncredited: Clive Baldwin, Zac Henderson] Boom Operator: Jeff Welch [uncredited: Rhydian Yeoman, Andrew Heard, Nick Stewart] Gaffer: Mark Hutchings Best Boy: Peter Chester Stunt Co-ordinator: Dave Forman Stunt Performers: Peter Miles, Tony van Silva,
Chris Blatchford
Post Production Co-ordinator: Marie Brown
On Line Editor: Matthew Clarke
Colourist Mick Vincent
3D Artists: Chris Petts, Jean Yves Audouard, Paul Burton, Jean-Claude Deguara, Nicolas Hernandez, Will Pryor, Matthew McKinney, Neil Roche, Chris Tucker, Mark Wallman
2D Artists: Sara Bennett, David Bowman, Melissa Butler-Adams, Joseph Courtis, Bronwyn Edwards, Michael Harrison, Simon C Holden, Russell Horth
Visual Effects Co-ordinator: Kim Phelan
Digital Matte Painter: Alex Fort
Model Unit Supervisor: Mike Tucker
Dubbing Mixer: Tim Ricketts
Sound Editors: Paul McFadden, Doug Sinclair
Glen Foster, Levan Doran, Kai Martin, Rick English, Maurice Lee
Supervising Art Director: Stephen Nicholas
Assistant Editor: Ceres Doyle Post Production: Supervisors Samantha Hall,
Art Dept Production Manager: Jonathan Sound FX Editor: Paul Jefferies Marquand Allison Finance Manager: Richard Pugsley
Standby Art Director; Lee Gammon With thanks to the BBC National Orchestra
A/Supervising Art Director: James North of Wales
Design Assistants: Matthew Savage, Original Theme Music: Ron Grainer Peter McKinstry Casting Director: Andy Pryor CDG
Standby Props: Phil Shellard, Trystan Howell Production Accountant: Endaf Emyr Williams
Set Decorator: Julian Luxton Sound Recordist: Simon Fraser
Property Master: Adrian Anscombe Costume Designer: Louise Page
Production Buyer: Catherine Samuel Make-Up Designer: Sheelagh Wells
Props Chargehand: Paul Aitken Music: Murray Gold
Props Storeman: Stuart Wooddisse Visual Effects: The Mill
Forward Dresser: Matthew North Visual FX Producer: Will Cohen
Specialist Prop Maker: Mark Cordory Visual FX Supervisor; Dave Houghton
Prop Maker: Penny Howarth Special Effects: Any Effects
Construction Manager: Matthew Hywel-Davies Editor: Crispin Green
Construction Chargehand: Allen Jones Production Designer: Edward Thomas
Graphics: BBC Wales Graphics Director of Photography: Rory Taylor
Costume Supervisor: Anna Lau Production Manager: Marcus Prince
Costume Assistants: Lindsay Bonaccorsi, Associate Producer: Helen Vallis Barbara Harrington [uncredited: Angela Jones, Executive Producers: Russell T Davies, Gemma Evans, Anna Stone, Laurie Anne Major] Julie Gardner
Make-Up Artists; Anwen Davies, Steve Smith, BBC Weles with thanks to the Canadian Moira Thomson [uncredited: Sara Griffiths, Broadcasting Corporation Neil Batt, Julie Davies] bbc.co.uk/doctorwho
Casting Associate: Andy Brierley © BBC MMVI
Queen Victoria
he daughter of William Collins, a school headmaster, and Mary Callanan, a teacher, Pauline Collins was born 3 September 1940, in Exmouth, Devon but grew up near Liverpool and attended the Roman Catholic Sacred Heart High School. She initially followed her parents into teaching before studying at the Central School of Speech and
Drama, London.
Her stage début came at Windsor in A Gazelle in Park Lane in 1962 and her first TV appearance in March 1963, as Nurse Elliott in Emergency — Ward 10.
Me stins In the summer of 1963 she travelled
as Samantha with an acting company to Killarney, Briggs in the Ireland but on returning to London
1967 Doctor ‘ ‘ Whostory, The discovered she was pregnant after a brief Faceless Ones. relationship with actor Tony Rohr. He
Ee 7
\ 3
——————— ee SC ANNAN
offered to marry her but she felt this
an unnecessary self-sacrifice. Without telling her parents, Collins pretended to return to Ireland to tour but was looked after by convent nuns until having a baby daughter, Louise, in spring 1964 before giving her up for adoption. Collins wrote of her experiences and eventual reunion with Louise 22 years later in autobiography Letter to Louise (1992).
Collins now threw herself into her career, her West End début coming in Passion Flower Hotel in 1965. 1966 brought several small TV parts and more significant roles in a Theatre 625 telling of Franz Kafka’s Amerika, Play of the Month: The Making of Jericho and The Three Musketeers.
In 1967, Collins appeared in five episodes of Doctor Who alongside Patrick Troughton in The Faceless Ones [1967 - see Volume 10]. Collins played Samantha Briggs, a plucky, fun-loving Liverpudlian lass. Invited to become the Doctor’s new companion with a contract for 39 weeks, she declined. Collins reflected in The Guardian in 2012: “I thought it was like a prison sentence. Maybe it would have given me a profile early in my career, but then I would have missed so many things.” As she explained to Doctor Who Magazine in 1994; “I havea low boredom threshold... I’m a mover-on and I didn’t want to do any more.”
The Liver Birds arrived in 1969, asitcom from two female writers, Carla Lane and Myra Taylor. A Comedy Playhouse pilot aired in April of that year with four further episodes in the summer. Collins played Dawn to Polly James’ scatty Beryl. This was an important year for Collins as, having met actor John Alderton the previous year (becoming a TV star himself in ITV sitcom Please, Sir!), the couple married.
In 1970 Collins began work on period family saga, Upstairs, Downstairs. Initially not supported by ITV it eventually aired
in 1971 and became a huge global hit. The series marked the first time husband and wife had worked together, John Alderton playing chauffeur Thomas Watkins. Their characters left the series in 1973 to get married. Collins and Alderton would work together many times: in No, Honestly (1974/5); Wodehouse Playhouse (1975/6); Upstairs, Downstairs spin-off sequel Thomas and Sarah (1979); 1980s TV commercials for Maxwell House coffee; narrating animated series Little Misses and The Mr Men (1983); and bucolic country drama Forever Green (1989 and 1992).
It was onstage however that Collins found the role of her life. In 1987, Collins took the lead in Willy Russell’s 1986 monologue Shirley Valentine in London’s Vaudeville Theatre. It ran through 1988 before transferring to Broadway, still with Collins, in 1989. Collins won the Laurence Olivier Award for Best Actress in 1988 and a Tony award for the Broadway run. She starred in a film adaptation in 1989 for which she won a BAFTA and was nominated for an Oscar, launching a late blooming movie career.
Further movies included City of Joy (1992), My Mother’s Courage (1995), Paradise Road (1997) and rest home comedy Mrs Caldicott’s Cabbage War (2002), the latter again with John Alderton, and Quartet (2012) directed by Dustin Hoffman.
She returned to TV to take the lead in The Ambassador (1998), featured in Simon Curtis’ TV film Man and Boy (2002) and was Miss Flite in a BBC adaptation of Bleak House (2005). Recent TV guest spots have included Agatha Christie’s Marple (2010) and Merlin (2010).
Collins has tended to avoid anything too dark in her career. “It’s bad for the spirit to do stuff like that. If it’s going to be worthy and hard labour, I’m not going to enjoy it and the audience won’ either.” @
Profile
~
DOCTOR WHO | THE COMPLETE HISTORY &
Index
Page numbers in italic type refer to pictures.
LODOOO BG icaitiveeseserecercrepeievovpurcestw poceesecviyesien goventanienorstinceistsinints 15 POOB SOME Simnsivircnnreearncmninnrnnannnnen
anew leading man....
ROSE'SICEPAr LU siisixcnnaminadnmmmnanioninmainns FAC EOP UTUCILUF SS assists sotssanaycsssiepbeseinsotgsinidisbpeasbarepeensiith 41, 88,119 Age of Steel, The....... 53,58, 102 AGYEMAN, FLO QM cssssscsessssseesecssssssesssssssecsssssssessessssseessessssseseensssnees 26 AEX ccnunanmnamenncnnnanmanncmntonninn 10,11, 21,3135; 37 Ali@ns Of LONGON wissen 14,15, 20, 21, 22, 26, 28, 32 ANGrOldS OF TFG: TRG savcscnsraiimimmnnnannmmmnaacnaniacie 29 ARR NTS DOCG IMC hccivseiarsseesiesncvociescestensnvsessanntineciodnaasetccctaisiaenvesnis 50 Army Of GHOSTS... 53, 58, 60 ALLOCK OF CHE GhASKE siserisrcovrnivitnnmincaspinwninnminenienenteniecs 40 BOG WO fo nsrinasnsianianiincconmaive 12,16, 18, 19, 20, 28, 74,108 BAPTA cxnniconsnnnnnnmonininnanninmnurnenenanrennviaes 16,19, 123 BAG KE pe Il Oi tives svevernivnernnrenivedivivuneunavevsswvneivieevierenerddieveirie 19, 26, 46, 50 BBC BreGk pO bessasstsscsszicevariecccccoccesvovevinccvecesvovavenvvevcestbuvnveenensetstess 39, 84 BBC National Orchestra of Weles... 36, 74 BBC NOWS:2 4 iiinsisinninicininnnmiinnnanniinninenmannininerin 74 BBC website... 39, 40, 80, 87, 112, 117, 118 EIEN HOS LC sts aniaeannvsiinpadbandsaesiadaitejasdaiaassaaniaiuaiaaajon 39, 40, 87, 117, 118 BEGSUBEIOW TG sun pennnicmnnmmanimqnnmnmnenusanes 96 BIEMAt Dai higininanmnionininananinenmataiaicnitin 74 BIG BER nmimmacomunamnim EMM CUA 15,16, 22 ELC sFIPUS IN sons snsiosasinsiciz cer asvessessseGaciusrtoviaatin 13, 26, 46, 47, 48 Billie PIPEFS VIdEO DIGI, cimnmunrenimnnnomnnnrcmmnminnt 41,88 Blake, Major i BIW ES PCE Fascansnnnrccaininismsnateonnmienenpeniariien
design-a-monster competition Bob B Soxx & The Blue Jeans
Here COMES SGN ClaUS vives pall
The Bells OF SEMGIV iss iissinnsiecmnnmnmniiseniimninarane 22 Brayham, Pete Pisses wn 29, 74,77 Britishness:of the: DOCtO Ri ssvecsvinsecssereveivnwesicaonsanvancccevsiiinentaees 96 isirelo(olagiitd per et nT er Te ee 51 Capaldl, PEt Tnwnaconmmnnuornomimcomunnmeunneimuncinni 46 CApRIEON, Max cnacnmannaisamunanpmnammnnenaiumuganmannne 8 Cay SEh, SSM rorcunnisopnivansumenmiusmemmnn 26 CASGNOVG vissriesres iavaviues 12, 13,16, 31, 48 Cash; MatiOMixsmenawanmenarnmnnnmmanmonais 66,67, 72, 74,77, 82
124) DOCTOR WHO | THE COMPLETE HISTORY
CASSANGIG nuianinmuninianitienauene 54, 58, 62,64, 66, 67, 68, 70, 71, 72, 13, 74, 77,78, 79,81, 82, 83, 85, 87, 88, 92, 93,101
CGI (computer-generated imagery) ......28, 29, 30, 31, 33, 36, 68, /4, 77, 83, 93, 100, 101, 102,104, 112, 116 COSES, TNC: sccsssnccesivnsaivatcnaansearctnreiasiinieninseariantinncnieaiannmnmen 96
CHESTERTON: BM anncunanconmcomcunmanmrnainnmanatt 5, 1a) GHIGKENIA NCCE oscisssccvesstcasssensesniemassseaersivsinsties 32, 41, 80, 88 GIP): sucencccnose 66, 67, 71, 72, 74,77, 78, 79, 81, 82, 87, 88, 92 CHTSEIGS COOL, Al wicseocsscarsaniusevicilivivanivirisivinetaitiecusteenbnisinurincdivens 8 Christmas Invasion, The. 6-7, 8, 9, 10-16, 17,
18-23, 24-25, 26-41, 42, 43-51, 53, 54,68, 72, 73, /4, 78, 84, 88, 111, 112
DECOMIG CME DOGCOR svecisvessvcivvvssovsiveveyveinsanivnricnvindeccovrsierscover 16 HrOad CASE icininncnnnnnacinrannnmeannnimmumannrannan 40 CAST ANG CEOS snranraccnnssenvave seeweiavanmmnenditnn 43-45
COSTUMC visecssesenes 19, 29, 31, 32 METEHANICISE iiniicrninnminurdananieunrnnicemmunntan 41
ON lOCatION mnnciimanionmncanioniiimanaTar 29 post-production » 33-36
PFE PROGUCHON niiiinniiiniimnnmndnrnniiananncnnen 12-23 DIOGUELION snummicmannnacimniuncmamneiunnienius 24-32 DIONE intteiantiinnuiannnuansicniamoonmannnes 46-51 DUBIGIY consunccimeiin mE 37-39 VECO Gpcninarniinininniimatinnmnnananmunate 23526 rehearsals... 16, 23, 28, 29, 30
STONY stenirs naucasiutangs aria connaoenil naneam apnea ae 10-11
The DOCS Wald (ODE cicccnsanannnmannnmmsntmncnecins 31
TONITE: SST AG sssssissassesectseavvsearsvessessneeaviniveriiessniniinericndite 18,19, 20 Christmas Tree. w lO, 21, 22, 23, 29, 34, 36, 37, 38 GIERE; NOB cactsvcrizzcresreviccesiuarecenvanicidiapntaccovseniy 23, 26,27, 29, 38,39 ClOVIS) Frau simisscnimimmannnnranmianniancs 70,72, 74,77, 78 Coduri, Camille... .23,2/, 32,38, 39 GOhens. Wil liisainsenizaasinenencaveavcancccon qmennreceived 29, 88, 117 Collins, Pauline........105, 108, 109, 110, 111, 112, 117, 122-123 Collinson: Phil saiuscevineviccecenseevvcectns 15, 23, 26, 29, 31, 40, 41, 48, 72, 83, 84, 87, 100, 117
CONVENTION SiiniiinitanimmanimnmnnnnammNTTTTTN 4,26 Cook, Benjamin....... 18, 27, 31, 38, 39, 48, 49, 79, 102 Courtney: NiChOlaS sicinnninieniienninmmnninnnnmamanaTtn 74 Crusade, The wu wi @, 11d. CUD Of Lea kisnsmimnniinanineneaimmnmanmmnmeaiaN 11, 14,38 CUrs@Gf PEGdOR, THE i asascvanmnonniinuanueanmairienss: 110 GETS TTDI sass asasadsiapadiyasncanaacancauiaceedsbarnansuasiene 8,.55, 58, 59) 85,102 DTS OS Si cso ag ssttea rian vadigiinrkeriaiss monaeoessontaeritudeuneion 18, 27 DGILV MIT Of csicsnmnnncanscanarccenamninoncanmmven 16, 29, 37, 74 PD CHI EST vscath cseasvnnztersonevinnsanvexpnevdenesiediaassseeenitaaisneagsheil 27, 30, 37,39 DGIER. siisiimnrannnmmmennnmunmnnnmmnnmmninanentteninpaitt 26, 31 PGIEREMIPINGN cccccicertatecisersiiswsbisveiixiseinei amie liynsessiyiveien dobibiveliiviein 12 Dal@KSicccicisccsinrerseeicrnnseren 26, 38, 39, 71 PIGIGKS MGSTENDIGI),. TG cicsicsrsisseecesresvscsnseretisirsrtersinsiendeininnesisin 8, 14 Davies; RUSSEIT ssncnaniennncnnranaie 12,13, 14,15, 16,19, 20,
21, 22,23; 23, 20;37,38; 39,
40, 41, 48, 49, 50, 53, 54, 59, 68, 69, 70, 71, 72, 73, 74, 76, 78, 84, 85, 86, 87,100, 101, 102, 112,117,119
DAVISON; PRET jcsisniuriranmmninmpnnunatinmnnnne Day of the Doctor, The DICKS, TEFANCE wesc DIXON OF DOCKOTEED cisisissipninsioniiannin wicnirienniminainivinansitiiens DOCtOFDGNEES, Themuccaninmncnnunmmnunaanes DOCTOR WCAG EE: SHUNAGIAS ceca sinrisytsvicsespniasresinrrvvcsznssiecdevancvcie 15 Doctor Who Confidential........006008 16;:20; 23.27; 28,25; 30,31; 32, 36, 40, 41, 76, 77, 79, 80, 84, 88, 105, 108, 109, 111, 112, 116, 119 Doctor WhO Figurin€ COMCCTION vss 41 Doctor WAO MGGGZINE swiss 18, 20, 27, 41, 46, 48, 50, 79, 83, 84, 93, 101, 102, 111, 122 Dé CtOF WhO UARDOUA GE sisecciceccsenenceenonenmnscennneceaicntncceecs DOCTOF WHGUTEET PANTS cv miieeucravdeivenivariennneaviniunsieiaies Doctor WhO: A NEW DIMENSION wissen Doctor Who: Original Television Soundtrack. Doctor WhO: REGENELATION vss Doctor Who: Series 2 Volume 1...... Doctor Who: Seri€s 2 VOIUME Zornes Doctor Who: The 50" Anniversary COollection sss 41 Doctor Who: The Complete Second Series........41, 82, 88, 119 Doctor Who: The INSIDE StOFY wissen Doctor Who: The Shooting Scripts Doctor Who: The Ultimate TIME LO issn 12 Doctor, the
accent COS TLITT Sie scrnevaransarnesnassrasesanionnansgensopes ,
PVA AS irernrcsteceanannnniammannrescanemsnaciie 10, 26, 30, 47
SEVP AG MAN G ssscaniscecniviecmaianecnnecnieiarernetaie 11, 30-31, 32 DOCtOFS DGUGHLER. TING sessssseivassecscencasccincccversesvanivicnsivccovierireestientnavttis 51 Doctor's HEArtS wessssesse 16, 36 DoONachie, ROM biiimininesinimamiumnmanmnmnenneens 108, 110 DOOR SOGAY conse vaveceivvvncsovsoveveivveveniecstvasiovstvevisevisvsvsibevtsenvtesiesn 53, 58, 60 DUkKe:OF Manhattaninicnunianenwunnienareinnie 70,72, 74,77,78 DVD, GOMINETIIAY arcarcinmncimainccniriatienrveowitee 40, 41,118, 119 DVD ext auwnnncmmmmranctaonenmnanacimnmanerinans: 34,88 Earth -nssinnnnnicnnnnnnananin 6, 8, 10, 11, 14, 16, 20, 22, 23, 33, 35,57, 58,91, 96, 102
Eccleston, CHriStOPNe Possess 12, 13,16, 22, 48, 49, 53, 54,55
ELA DOGO cisisesssintiessnmmitiaoananisicouniamaniapaneiie 64,96 EVERETT DECOR aiusamroeemennneninanauniomomunanana 9 EM PresSOl RaChOSS a uiisiisunsirausnssinndiaagaioudinaniisensauin 8 Empty Ghd: EiGxussuaeoneccameuunimacaom 18, 20, 70, 74 End of the World, Th. 21, 54, 64, 68, 70, 71, 72, 4, 78, 83, 93,101
EEC VATE, TIME acvaiasocceancnssaenseinstontncsiesevssisasusatvessvenvessicoiciipsvenrieie 8,51
Evans, Daniel
Face Of BO Gis isisiiarvacensavenvesvaves 66,67, 70, 72, 77, 78, 79, 81, 88 Faceless Ones, The.. Father Angelou FPLEIV CT SHO IY ecswssrenccvesevacocosnseeneecex cnn caetoireciweni int cuamonncecniatiinvin unienters 2l FeO? Hel conmnenaannimanccnnonnmenemnininatenmannaT 53,60
FEOSEOFSIAVEN,, The acuisiensaniuuinmsvamnincmseaiesieneseupiin 14
Fifth DOCtOF sisisssseniiis 26, 51, 96, 111 FlESE DOGIOE icssmancimummnmnamanumnnmamniinens 96, 111, FOI) ~sisinivicsicniaseuparaantainegutunitiacnusuaidiinuinn 103,105,115 FOMMGh DEVIC cmsnsncenmanncnmemnniannaanman 105,407, 111 Fourth Doctor... POR AER covnnonnanmanicnenuniinemmnmnonmmanianty GallAQheG SQAN csimiisisisrsninariecnesnimenicnaemapnimnnmeantececeta 79 GATCUS ACSI scssrasisiassasisacsraieiasvesiaesesrinansnoucneisioacanapinnignecieedornaiiananaiia ens 31 GardNe@k |Uliiniscscs acinar 13, 14, 26, 31, 40, 41, 48, 60, 70, 88, 117 GatiSs, Markinccnnennennnimnnannnninennnannnacenia ity 16, 39, 46 Gherkin, The.. m2l, 28,33 Ghost Light... cninanonninis LLO GCE Sai maniconimvoniunewniencananiarearen 28, 29, 30, 38 Girl in the FirePIGC€, THE sssssssssssssssesssssssneee 49, 53,57, 87,101, 111,112, 113,119 GMT Vitsiininanininniinnnianmniiasninimnnaammannaraied 29, 39, 84 Gold. MURTY nicnicesiagenciimmancnninmacanaiannccaiacssin 36, 83,119 GOrton, Neill sss n29, 31,76 Gieat HTAIGENES, THE iasinmnonancionnnonemmawunnnt 8
Hamme, NOVICE srssssessssressssseeessseens HANMOTPE, laNvvessessreseens
Harkness, Captain Jack
Harry Potter and the Goblet Of Fir@ussssssssssssssssnenien 31,51
HEWES) | AITTES wis cascrrnsvnersivtersnnnvicencanvseseny 18, 19, 23, 25, 26, 28, 29, 30, 31, 33, 58, 72, 76, 78, 88, 108
HICKitTan, ClaVtOM saitcccmnionmianinnmmenncnarnnen 20, 46, 83
Highlanders, The.. m6 HOPG ANNE swicgusiscnnananmonduoynameunimaama maui 80 HOst; The siicniinanimnsnaviinenns 98, 99, 102, 103, 104, 105, 108, 109, 110, 111, 114, 115, 117 HOUGHTON, DAVE sivvsssesssesssssvvrssssesessssssssssseneesssesssseneees 33,110,119 [Ge WARHOFRS .usrisiaticnauxnintianmncineaii naoniaanmarincaanidneneveun 18 ICE WOIOKS) TAG mnmanmonnn nario 18 LUGS AAMT AM, WUGVE aescasssgaaasascearnnscerantntacecnzansacotarueniagnedivannson 53, 59 Impossible Planet, The way D1; 39 INGEPENGSME, TAG siarvecccssissserirevnasicisorsiasraassianeretessiarearsieaeres 31, 39,85 NEPSEUA wiereccsnrvirsvvceencccoranrcacesversesucashyaveanesetainitniatseinenid cxessivnevetauntates Jatt, Sister Jingle Bells Jones; Harti etincnnsisanesnscrrasisceisieres 10, 11, 14, 15, 20, 22, 23, 25, 26, 34, 35, 36, 37, 40 Journey’S End min«eccnnammeonaninnnonnimnnanmnamimanmnantin 50
DOCTOR WHO | THE COMPLETE HISTORY 2s
Ps crest insBinshesvintNipneat ans taverductvsiaveasdetvieqstdvoncbisavbersbvelvardvvenncascistvect 57,85 Khachaturian, Aram Spartacus ballet (The ON@diN LINE) wissen 20 KAO-i-NOOF GiAMONG wessssssssssssseesessseen 99, 100, 101, 103, 104 RINGS DEMIOMS:, THI scazsccpvessivessevsieenccectswiqreinsiesovvisigevendivaiveisiieine 96, 111 KNIGHthOOd wavs 96, 102, 111, 113 KT aM Si uniarondammanonreienneniannmnygaeanjmnadnnteni ren 54,55 LAY: [SOG lhisiecccessessiverarineniawrarerinrentern 98, 99, 103, 105, 113, 114 LSE OF TRE TIMEIOFES si scecnecioncenmmanmamannanzonwmmuttn 64 Lethbridge-Stewart, Brigadier sccscssssssssscsens 16,22, 74 Llewellyn, Danny wane 10, 11,18, 20, 21, 23, 32, 33, 34, 35, 40 Location Filming Ba Orient Restaurant, Mermaid Quay vissesssen 73 Ba hy (Slat Giinmmannnniennsnudtacmninmnpmmniieenistees 30 Brandon Estate, Kennington... 26, 28, 73 Brenittond Cerelicticar Dank dincasuncusimnansracnnins 26 Clearwell Caves, GIOUCESTEFSHIFE wissen ClalG AV HGS eisinpmimaiicmunoninianmein DYTER GARG EMS sini sisaiainisaauiauinmnanasdiianannssssiiait Enfys Television Studios, Cardiff... ‘iii Gelligaer COMMON, FOCHTIWi cscs GOWEF PERINSUldiammrammmuanammneneneans Headlands School, Penarth, Howells departMent StOFe wissen 29 HTV Studios wavs 29, 31, 74,111 LISASANTOL COUR icanimcnnnnnvmanincnianntenmmenimes 110 LOUCOUN Square, GaDAlfa vss 28, 74 MINERAL CENtesisnvsimnunencannavcnnme 31, 76, 84 Mil@MMIUM StAGIUM visssessscsssssssssssessesessssseneeessssssneenees 31 Penllyn Castle it THE HAYES sists isvinnesnninvcsevnininenerncnmnrdnieensinaudiniend The Paper Mill Cardit? scmsnornnmnnnnncmncnmnmnes Tredegar House, Newport... TREOWEN HOuSChiiiiiinniinnmnnnninaninnnnninnaniats WAMBO? scans Long Game, The... Love & Monsters... LUE; Ohiionssimmaaninaal aman anccmnn Vit. EUG S ccmmansponmmeannnnnreauaprmnns Master: IG kunmuiennioniinnmunmonmemmmmentnNs 15,50 McECo VS VESTER a mnisucaninannuauniamumanniumnonannieud 47 McCrimmon, Jamie... .98, 102, 104 McCurdy, Kevin... nee MEGEITIIVARIMT mastisnnenaneammnanmenenesomamommtaats 74 (MICK IIIT MEL a scacarasnctcrcecnecessonarnncansneoseieriadiermateisaanetoatocnaninnientants 33 Mill, Th@iscasiensvenans 28, 33, 83, 100,101, 109, 112, 116 MINER EX isniiinieiviscinaaivcnnmnineniaiaitine 25,29, 41,76 Mission Control...... will, 23,26, 31, 34,35 MOA SUV GI iseciincissnasimnmie unsmniacmamianinsionanenin 23,50, 70 Mohamad :| aS On gmnavncanannononmioncmmanmnmnuaramin 32 IAOCTINGSC,. TAG visssetsvcovcvvacnastsssesveascibvesiattvevevescavieeesesinresttsaihisstvedsenesen 105
126 DOCTOR WHO | THE COMPLETE HISTORY
Murphy, Cathy
Myles, Sophia sii MZlin bap ZOicsaananustonnmmnnnanmmtarene
NGW FGI Rnsiasarternuicagneiainnes 18, 28, 31, 41, 53, 55, 62-63, 64, 65, 66-68, 69, 70-74, 75, 76-93, 108, 111, 116, 118 ELICITED STP istsanessssniversvseadeticsvasvveigersseeneusnecegstennetendtsstonend A 78 DIOAU CASE insmirawnnrnwiemmanimmmiemanbenemaun 87 cast and credits. 89-91 METFChANGISE sowninennngimmoncreneMUnNR 88 DOSE PROGUET OM cinncsandvinvencenivmonndtenmmeniinines 81-83 Pre-PrOduCtON ncswrccnnammnnmonrenmnimmoniT 68-72 PFEQUE] wisssssssssn 32, 80, 84, 113 PFOCUCTION amcmmanenimmnnimmrenmernmmentteNnts 73-80 DIO Ml Ghanpecwiinieriemanenannicunarensanenminawine 92-93 publicity... 84-86 FEN@arsalS\ cccnenpininonurasamomniear acorn umn 76 SLONY. sisisscas 66-67 NEWSTOUNG uses 9, 38, 39, 74,84 NESE DOGIOR. TGs: iausiinininiaanciiinn ne nnananaant 8 NICHOlaS; StE DN Ehioncrinnanunnonnanncmavomanaiecs 109, 119 NODS, DONNA sitiniinnimiinnnaminankinnimpunmuenmaiminadaus 50 Oimeatiall a; CU assevcsvveevevevevsisccvtsancxsssusvvaccsvesinsnveanveciannanvinnteaaiteinaiseeed 26 OS weld) Clalal sisissumerecsssoncsinivastennieretrronansianniansinnsanteciinearninmnnaicaeccsiii 8 Page: |-OWiSesannimaneninniiammannnnenncammann 19, 25, 76,109 Parting of the Ways, Th@ vs 12, 16, 18, 19, 20, 28, 74,108 Partnersn Cimesneancmancnncnimnnamnemnonnaans 64 P@LtS CHS caninnmimwmnninimmnmunninnanncunaiemansntn 33,101 Piper: Bille sicmmninannmnnnnncnnnn 13, 16, 18, 37, 41, 53, 58, 70, 74, 78, 88, 108, 113, 117 lAAVING siiinnnmninnnmnncarannniiaanmamineniinn 18,117 PIGHECOF TRE Od siesccnsieannimannannuaiiumenmiiiemnmince 64 Planet of the Spiders incnianwmomanmnmnnnnnneanate 13 PONG} AMY scnimansmiasauninwunundunimmsimunitonsieninnd 8 POWelll ES tebe sicisssissssisssiissiscussscincsassicais 14, 21, 26, 55, 99, 111, 116 PLE=CEGIS: irnimonmmincmmonnaunmaunin 32, 83, 87,104,107 DS) CHIGHEDE lv isminaaacmmnnaviinusndmnimadannnen 109 QuaterMass ExperiMent, Therese 16 Queen Victoria 55, 60, 96, 97, 98, 99,
100, 101, 102, 103, 105, 106, 108, 109; 170, 111,112;,113;,,115,716
ROCIO' TUMES scssasscarnssisccniaen 30, 37, 38, 40, 84, 85, 86, 117, 118 AUG Six susaatensuunusms qilttiauunasarmnilnamiau 40, 50, 87, 118 RavneGWElEh ane eommen ummm caaengreRnnenmteou 70
FEACGEHETAHON mcacsianisennansnnericainrarravinainis
Reynolds, Captain Rezard, Martin wn RICE I, DREN cssiiasuinnsiarusninecndia onasiranactaitnonaiumnini j RIS@ OF EHEIGY DES MEM sresreccssevvraseeavvvesstsecessavaasasirsaescveaninnie 53, 58,102 RODOESANTAS: wiinanaanannaniminsnonis 6, 10, 14,15, 20, 27, 29, 31, 32, 34, 37, 41 ROSED u tctirssas osopeatinnpsiant .. 8,16, 20, 26, 29, 36, 76, 83 RURGWOY Bride: The xccnonnnncanmnanommmnmnmriannny 8, 100 Sal VicsnenansmmonnennanenemninrannmanmmmenerirnmnennnminnntTs 21,26 Sarah Jane Adventures, The The Wedding Of SOFA [OMCs 51 Sl C(EK, AZ aM inireanrimennimeanincanrainancdieaarannnsnanenrenienvenendts 8 Satan Pit, The... DS) o7259 SENSNEIG, BOD scnvnconrsneanceninminsiicars perma rire 105 SCHOGLREUW ION siessccrvcecsesssasescenceccievtornasname 18, 26, 31, 53, 54, 56, 57 fOr 1OpALQ Screannof the: SHGIKG Wwasteccorninicinenixaaricmmnunnnte 13, 47 S@CON DOCTOF sven .96, 104, SECT SINE ita entre niasncduinanuannayaniacenapaiinowimnast 18, 37 SOVENET DOGO ii mannncincimmnaneart 64,96, 110 SHOKESPE GFE COCG, TGs siissiszsvcissnsszssicasisssveceacninspeeuninaveoiasiosevannannsins 96 SHOOTING SCHPTS issn 20;,71, 102 SiIVEr NEMESIS vesssssssiesssssssssssssssesssssssessessssseessssssuieesssssuesessssnenses 96 STFRODE a sncnssconssimmmncienmnancis 98, 102, 103, 104, 105, 110, 111, 115, 116 Sisters OF PIENItUCE...sssssssssssessssssen 64,69, 71, 76,80, 82, 85 Sives, Jamie Slade Merry CHrIStmas EV€ryONe srssissssssssessssesesssssssesssssssssssessseniin 36 Sladen; ENSabEthccnunrdamnirconenmnmmnnnnienmentenmnmanniattens 57 SICH MIGK SV) wiviveecisiaiwveniinmunvireeinnnn 10, 11,,13,21,.22, 23,28, 29, 31, 34, 35, 37, 39, 58, 59, 68, 73, 74,85 SMUG, Sara LAME srecssvveevnsvanccsivescopmesvivenseneenenveniwres 56, 57,85 SMIth, TOM wissen 105,109 SHOU: TNC i scvinsenrsisisessesiyisteorsrinsceivinrdranerenreenquneteraminterterrnivinaviers 8 SONICS CREWCIIVEl anaaraiienaanninnmnmnnmnnnens 10, 30,67, 82 South Wales Evening Post...... 77,79,109, 117 Spearhead from SPOCe inasscnisinnnnncannsancasencaas 16, 22,79 StoOlemEGrth,. [Nebainesnaninciannutnananaimncnrenccansieaas SUDO}. TMG ssnissicsinsssassaasescasssntssunisazsisisnzciseonnpaaiiion SUAGGY MGI onmanmumnsiprunnienon ami imanmmrotiEIT Sunday Mirror... SVCOlEX sunucmnomoao Br 21, 22, 23,25,26, 28, 30,.32,33, 34, 35, 37, 40, 41, 54 SYCOFAX SPACESHIP vss 6, 11, 15,16, 18, 21, 22, 23;.30;,32:33;.35
T
TARD Stsvavnnsinmeancconinvsanearerveavnencnes 6;'8;.10;11,18;.19,,20; 21,22, 2/,:28;,29, 30,31, 32, 33,38;
48, 54,55, 58, 71, 72, 74,77,
78, 80, 83, 85, 86, 96, 98, 99,
101, 104, 105, 111, 112, 113, 114, 116, 117
TaRISO0G seuicmmaentcnenananenainimnipananetanaune 80,113 Tennant, Davi 4,5, 12,13, 16, 18, 19, 20, 22, 23; 26; 27, 28;.29; 30,31, 33; 36, 37, 38, 39, 40, 46-51, 54, 60, 64, 73, 14,75, 77, 78, 84, 85, 86, 87, 102, 105, 108, 109, 110, 111, 117, a
Thomas, Edward... 18,19, 30, 76, 109, 111 PUTS GG THOIRGIAL ssssvesesovarisinsiaresticsnenaivieedvenninvensisormontanisiniad 29, 64 Torchwood House.... 96, 98, 104, 105, 109, 110, TL 11S, 117
TORCMWOOG simvcirneacetsiceecniciencnivviaviesce 10, 20, 23, 60, 99, 102, 116 FOOEN GHG GIGW swivisiecsvsiveivernvvenvvtsearnvernisnat 53,79, 87, 94-95, 96 97, 98-105, 106-107, 108-123
Hdd WEEIHEL asinmmunncanincnrenenmvaniennninieraminin 109 broad CaS timaniamannainmnnnmnnmenmnancinaranmtin, 118
cast and credits. 120-121 MENCHANCISS niiianacncmaTENTERNNANTE 119 post-production 114-116 Pre=PROdUCtON aiicennionivimnniosmmanramnnran 100-105 PIOCUETOR ssrinssnarmnuncadmanicumenmaneimaatiaiorans 106-113 DFOFIIE.. sss 122-123 DUDICIEY cmernanncauunanucammeniromumnenaRN altily, FEACTNGUG Mhaimniimionnaiiannkanarnannmenimna aay 105 FEES Sa Shvnonmcmenpncmancsmmcetoonmeammmewen 105
STG) caisnapadacrnarinankersiesonanvenin iotanstnansmisiapacanionad 98-99 WETEWOlfrinnniniscunaanuncromaranacnnian 101-102, 115 TOI DOCEOR WhO scneccsicaviecaiaiieveescaivenvstivecarweenensaiedeieats 80, 84 TOWEL Of LOMA OM wrsinsninstenennsrsaensneeeniven 10, 22, 28, 32, 84 TAIIETS vcs 19, 36, 37, 38, 39, 86 Tranter, Jane... 14, 16, 32, 87, 101, 116 TUEKE ER MIRC vic cisisiievsinrvinvererreieneranacciansiininedtreiniimeaititnnineniosen 31,113 TWIN: DileMMNG, THE wicncccenenaniuannnnincnmennnmnnnenennninent 29 THIET, JACKIE ssisssssivssessensearsrnicasevsrisninnice 10, 11,15, 20, 21, 22, 23, 31, 34, 35, 60, 68, 73, 74
THIEN ROSE) csvsisisseavinrinvecivsininacerines 8,10, 11, 13, 14, 15, 16, 20, 21, 22, 23, 26, 28, 29, 31,
32, 34, 35, 36, 37, 38, 49,
50, 52, 54, 55, 57, 58, 59, 60, 61, 62, 64, 66, 67, 68, 69, 70, 71,72, 73, 74,76, 77,78, 79, 81, 82, 83, 85, 86, 87, 88, 94, 96, 98, 99, 100, 101, 102, 103, 104, 105, 108, 111, 113, 114,115, 116, 117
VIDEO GIANY wisientonisniincnecmnamnrcinmenicin 23,27, 28, 30, 41, 74, 77,78, 88 Voyage of the DaMNeG icsnswanmsiaarccinmnnsaneannnea: 8,50
DOCTOR WHO | THE COMPLETE HISTORY (dee
WIEST HOA cv zcccvcvececcccscaverzevrascscerenvectsssnberscuroresecertonsen 26, 39, /4, 84 WanaMakel ZOCisinininantsnnmmcneannn 73, 74,78, 92-93 WANTOPITOM KS iaicistsrcssssrsniesenviasecine 98, 100, 101, 102, 104, 105,
110, 111, 114,115,118 WllS, SSE IAG A visisnrcerecnaeceevanvranecorvoivtereinicnievironnuiunrseuavivins 76,109 WETGWOF wcninncanconanunanraiina 99, 100, 101, 102, 103, 104,
109, 110, 111,117,119 Western Mall iiicninmnccnmmonimnnnmmnnnnnnrninTarian 30, 39 WIGOWS GUISE, FAG virecnsinnievesisecnyncsiisienimnnien tannins 41
8 DOCTOR WHO | THE COMPLETE HISTORY
WIE, Mar Kisiiinninnscnisncammnmmnnninaianunn 109, 110, 111 WiliatiS sROMminniosnniupnionannmnnmanmnlimiaaaeadiannns 8 WiItON, PENA DE iiisscisiinireaioinmmnnnmacmearcmaaian 15; 31,39 WIMSHOME, SITIO srarisssconnsirerpciseenciseraineintiannanemtenga 71,102, 118 Woodnttt, Ob Tn: cecnmacmmonmmenmemn 4 WOT Wr TCG soasasssssssscccnssssseaasazavssnsesissaarsanscaneie, 14,15, 20, 21, 22,
26, 28, 32 LY GOINS ssavesesssesncnnveaaecevzensceuvnevansecy sons saivin aves ea RNa aSRAES CoO LTR 4,96
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DOCTOR
WHO
THE COMPLETE HISTORY
THE CHRISTMAS INVASION The newly regenerated Doctor crash-lands the TARDIS in London. It’s Christmas. Sinister robot Santas are attacking the city anda Sycorak spaceship is heading for Earth.
NEW EARTH The Doctor takes Rose further into the future than she’s ever been before, to New Earth. There, they are Summoned to a hospital where patients are being cured of incurable illnesses,
and encounter an old foe, Lady Cassandra.
TOOTH AND CLAW The Doctor and Rose meet Queen Victoria in 1879 Scotland. A group of sinister monks are plotting against the monarchy and hope to create a new empire... the Empire of the Wolf.