Doctoral Lecture Recital: 2014-10-02 – Mi-Jin Kim, piano

One of 2,574 items in the series: Doctoral Recitals available on this site.

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Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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1 recording (50 min., 30 sec.)

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Kim, Mi-Jin October 2, 2014.

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  • Main Title: Doctoral Lecture Recital: 2014-10-02 – Mi-Jin Kim, piano
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: Comparative Analysis of the Musical Distortion in Kaikhosru Sorabji and Vladimir Horowitz's Piano Paraphrases Based on Bizet's Opera Carmen

Degree Information

Description

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (50 min., 30 sec.)

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

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Related Items

College of Music Program Book 2014-2015: Student Performances, Volume 1 (Book)

College of Music Program Book 2014-2015: Student Performances, Volume 1

Student performances program book from the 2014-2015 school year at the University of North Texas College of Music.

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Program: https…

Comparative Analysis of the Musical Distortion in Kaikhosru Sorabji’s and Vladimir Horowitz’s Piano Paraphrases Based on Bizet’s Opera Carmen (Thesis or Dissertation)

Comparative Analysis of the Musical Distortion in Kaikhosru Sorabji’s and Vladimir Horowitz’s Piano Paraphrases Based on Bizet’s Opera Carmen

This study focuses on a comparative analysis of two piano paraphrases, Pastiche on Habanera from ‘Carmen’ by Kaikhosru Sorabji and Variations on a Theme from Bizet’s ‘Carmen’ by Vladimir Horowitz. These compositions idiomatically distort the original material in a manner that was not explored up to the moment of their respective conception. They expose each composer’s free compositional approach, reflecting musical freedom rooted in the originality of their musical thinking. The aesthetic uniqueness of these two compositions strongly stimulates and justifies academic interest to explore their technical construction, musical differences, and artistic significance. This study proposes to undertake a comparative study of these two compositions, analyzing (1) aspects of the musical character, which are linked with embellishment, or rearrangement of original material, and (2) differences in performance approach based on recorded examples and critical observations by others of the performances of these works by Sorabji and Horowitz.

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Dissertation: https…

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  • October 2, 2014

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  • Jan. 26, 2017, 11:36 p.m.

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  • Feb. 23, 2024, 5 p.m.

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  • 33.210701, -97.150088

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Kim, Mi-Jin. Doctoral Lecture Recital: 2014-10-02 – Mi-Jin Kim, piano, audio recording, October 2, 2014; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc948542/: accessed April 9, 2025), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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