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MARC Record from Marygrove College

Record ID marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:64345951:3773
Source Marygrove College
Download Link /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:64345951:3773?format=raw

LEADER: 03773cam a2200709I 4500
001 ocm01707129
003 OCoLC
005 20191109072610.7
008 751016s1940 enkf b 000 0 eng d
010 $aa 41000144
040 $aCSU$beng$cCSU$dPAU$dNLGGC$dOCLCG$dLGG$dUKMGB$dOCLCQ$dOCLCF$dOCLCO$dOCLCQ$dCNUTO$dNJR$dDHA$dTLE$dTWS$dBBC$dEUX$dUKROH
015 $aB6214800
016 7 $a000382903$2Uk
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020 $a0198810504
020 $a9780198810506
029 1 $aAU@$b000004026765
029 1 $aAU@$b000012691242
029 1 $aNZ1$b5154647
029 1 $aUKBCI$b130249947
029 1 $aUKBNS$b130249947
029 1 $aUKSCO$b130249947
029 1 $aUKSGC$b130249947
029 1 $aUKSOM$b130249947
029 1 $aUNITY$b021519994
029 1 $aUNITY$b036694282
029 1 $aUNITY$b06032841X
029 1 $aUNITY$b113485018
029 1 $aUNITY$b130249947
029 1 $aUKMGB$b000382903
035 $a(OCoLC)01707129$z(OCoLC)29438511$z(OCoLC)123173537$z(OCoLC)977560560$z(OCoLC)979199677$z(OCoLC)993150799$z(OCoLC)1000657592$z(OCoLC)1008406605$z(OCoLC)1016514368$z(OCoLC)1017244405$z(OCoLC)1043530268$z(OCoLC)1048241539$z(OCoLC)1049278385$z(OCoLC)1057585112$z(OCoLC)1103881728$z(OCoLC)1105293340$z(OCoLC)1107999675$z(OCoLC)1110312188$z(OCoLC)1110743891$z(OCoLC)1113089096$z(OCoLC)1120151219$z(OCoLC)1120813613$z(OCoLC)1126187023
043 $ae-it---
050 14 $aN6915$b.B55 1956
082 04 $a701.17
084 $a20.02$2bcl
049 $aMAIN
100 1 $aBlunt, Anthony,$d1907-1983.
245 10 $aArtistic theory in Italy,$b1450-1600,$cby Anthony Blunt.
260 $aOxford,$bClarendon Press,$c1940.
300 $avi, [2], 168 pages$bplates$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
340 $m8vo.$2rdabf
490 0 $aOxford paperbacks
504 $aBibliographical foot-notes; Bibliography: pages 160-164.
505 0 $aAlberti -- Leonardo -- Colonna: Filarete: Savonarola -- The social position of the artist -- Michelangelo -- The minor writers of the high renaissance -- Vasari -- The council of Trent and religious art -- The later mannerists.
520 $a"This book seeks to broaden the comprehension of the student of Italian Renaissance painting by concentrating not on the works of art themselves, but on the various artistic theories which influenced them or were expressed by them. Taking Alberti's treatises as his starting-point, Anthony Blunt traces the development of artistic theory from Humanism to Mannerism. He discusses the writings of Leonardo, Savonarola, Michelangelo, and Vasari, examines the effect of the Council of Trent on religious art, and chronicles the successful struggle of the painters and sculptors themselves to elevate their status from craftsmen to creative artists."--Amazon.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aAesthetics.
650 0 $aArt, Italian.
650 0 $aArt, Renaissance.
650 0 $aPainting, Italian.
650 7 $aAesthetics.$2fast$0(OCoLC)fst00798702
650 7 $aArt, Italian.$2fast$0(OCoLC)fst00816430
650 7 $aArt, Renaissance.$2fast$0(OCoLC)fst00816786
650 7 $aPainting, Italian.$2fast$0(OCoLC)fst01050910
650 17 $aKunsttheorie.$2gtt
776 08 $iOnline version:$aBlunt, Anthony, 1907-1983.$tArtistic theory in Italy.$dOxford, The Clarendon press, 1940$w(OCoLC)558134716
994 $a92$bERR
976 $a31927001043014