News

Jean Marsh, the Emmy-winning star of Upstairs, Downstairs, has passed away.

Per the New York Times, Marsh died at her London home on Sunday. According to her close friend, filmmaker Michael Lindsay-Hogg, Marsh's death was attributed to complications from dementia. She was 90 years old.

Jean Lyndsay Torren Marsh was born on July 1, 1934. She attended theater school before making her on-screen debut at the age of 18 in the 1952 TV movie The Infinite Shoeblack. She's make her feature film debut the following year in 1953's The Limping Man. By 1959, she relocated to the United States, picking up a role in the first season of The Twilight Zone as a robot companion created for a prisoner (played by Jack Warden) on an asteroid.

In the early 1970s, Marsh helped launch the TV series Upstairs, Downstairs. The show lasted from 1971 to 1975 in England and from 1974 to 1977 in the United States. Marsh played the role of Rose,...

Jean Marsh, the actress who co-created and starred in Upstairs, Downstairs, has died. She was 90.

Marsh passed away Sunday at her home in London from complications of dementia, her close friend, filmmaker Michael Lindsay-Hogg, told the New York Times.

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Marsh co-created Upstairs, Downstairs, and starred in the series as parlormaid Rose Buck. The ITV drama ran from 1971-1975, during which time Marsh was nominated for three primetime Emmys.

John Fordisn’t only the most iconic filmmaker behind American Western cinema, but the single most successful director when it comes to the Academy Awards; Ford received a record-breaking four wins for Best Director, even though How Green Was My Valley is the only one of his films that also won the award for Best Picture. The Oscars’ affinity for Ford’s work is understandable, as he both crafted a beautiful style of naturalistic visual storytelling and had the bravery to tackle projects that delved into somewhat controversial material. Although his Oscar-winning films The Grapes of Wrath and The Quiet Manhave since been heralded as classics, Ford won his first Best Director Oscar for the thrilling psychological drama The Informer. An edgy study in morality and guilt, The Informer was a brilliant exercise in tension that was radically ahead of its time.

One of the most influential auteurs of all time, John Ford is an icon of the Golden Age of Hollywood whose filmography has had an invaluable impact on the history of cinema. Ford began his directorial career in 1917, amassing 147 credits as a director throughout his nearly fifty years working in Hollywood. A filmmaker of immense range, Ford excelled at making war movies, comedies, crime dramas, documentaries, adventure films, and period pieces. However, it is Ford's prowess within the Western genre that truly made him a legend. During his career, Ford directed 56 Westerns, many of which rank among the greatest Westerns ever made.

Ford holds the Academy Award record for most wins for Best Director, winning for The Informer, The Grapes of Wrath, How Green Was My Valley, and The Quiet Man. Ironically, Ford never won an Academy Award for any of his iconic Westerns. In 1973, Ford became the inaugural recipient...

John Ford was the four-time Oscar-winning director who made over 140 films in his long career, spanning the silent era through the 1960s. Yet how many of those titles are classics? Let’s take a look back at 20 of Ford’s greatest movies, ranked worst to best.

To this day, Ford holds the all-time Oscar record for Best Director victories with four: “The Informer” (1935), “The Grapes of Wrath” (1940), “How Green Was My Valley” (1941), and “The Quiet Man” (1952). Of those, only “How Green Was My Valley” also won Best Picture (Ford also competed as a producer on “The Quiet Man.”).

Interestingly enough, the one Best Director nomination he lost was for the film that had perhaps the most profound impact on his career: “Stagecoach” (1939). The first of many westerns Ford shot in his beloved Monument Valley, it was also the beginning of a long and iconic career with leading man John Wayne,...

Clark Gable was the Oscar-winning matinee idol who starred in dozens of films before his untimely death in 1960. Let’s take a look back at 12 of Gable’s greatest movies, ranked worst to best.

After appearing in bit parts in a number of films, Gable shot to stardom with his performance in “A Free Soul” (1931) as a gangster who bewitches a young woman (Norma Shearer) whose attorney father (Lionel Barrymore) helped him beat a murder rap. From there forward, the actor’s persona as a raffish leading man who’s every guy’s best friend and every gal’s dream became cemented in a number of subsequent roles.

He won an Oscar just three years later for Frank Capra‘s screwball classic “It Happened One Night” (1934), in which he played a newspaper reporter traveling with a spoiled socialite (Claudette Colbert). The film became the first to sweep the five major Oscars,...

All titles below begin streaming for free on February 1 unless otherwise noted.

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Earthquake Underground (2/29)

When a massive earthquake submerges several subway cars underground, a group of misfit passengers band together to get to the surface or die trying.

Vice News Presents: Mass Shooting America (2/7)

An unflinching look at the true scope and scale of gun violence in America, as told by those who’ve experienced it first-hand.

Love You To Death: Mommy’S Missing (2/14)

The case of a missing mother reveals twisted family secrets that leave a trail of flames, arrests, and deaths in their wake.

TMZ No Bs: Miley Cyrus (2/24)

Harvey Levin and his team of TMZ experts discuss Miley Cyrus’ meteoric rise to fame and debate her biggest scandals and successes.

Love You To Death: For Love Or Money (2/28)

The shooting of a beloved Cleveland firefighter leads detectives to uncover a shocking plot for money gone very wrong.

Mark your calendars, Oscars fans, because the 97th Academy Awards will air on Sunday, March 2, 2025 on ABC. The annual star-studded ceremony will honor movies released in theaters within the 2024 calendar year of eligibility. AMPAS members will vote on the Oscar winners in 23 categories, including Best Director. But who will win? Here at Gold Derby, thousands of users have been making and updating their 2025 Oscar predictions for Best Director, so let’s take a look at all of the top contenders in our photo gallery below.

These 25 Best Director hopefuls are listed in order of their racetrack odds, which are derived from the combined forecasts of four unique groups: experts we’ve polled from major media outlets, editors who cover awards year-round for this website, top 24 users who had the best accuracy scores last year, and the mass of users who make up our biggest predictions bloc.

There will be five...

Plenty of Hollywood creatives spend their whole careers trying to win an Oscar, but some of them don't seem to care. Or if they do care, some of them have other concerns that take top priority. Such was the case with Dudley Nichols, a screenwriter whose career spanned from "Men Without Women" in 1930 to "Heller in Pink Tights" in 1960. In 1936 he won an Oscar for "The Informer," an acclaimed film about an Irish informant riddled with guilt after betraying his friend in the Ira.

Although "The Informer" is not too well-known these days, in the decades after its release it was commonly cited as one of the best movies in American cinema. In 2024, however, the movie is best known for what happened when its screenwriter won an Academy Award. Nichols, who was a co-founder of the Screen Writers' Guild, wasn't happy with the Academy's refusal to acknowledge the Swg or...

His career spanned more than five decades, and his influence on movie-making remains unparalleled. Still, even the biggest movie lovers may not know his name, John Ford. Often associated with Westerns, Ford made movies across genres, pushing the envelope at every turn. His efforts garnered him four Academy Awards for Best Director, a record that remains in place more than 50 years after his death.

Ford started making movies during the era of silent films but moved to Westerns during the 1930s. Notoriously harsh with his actors, Ford collaborated with greats like John Wayne, Henry Ford, and Maureen O'Hara on several occasions. He made several movies with Wayne, including Stagecoach and The Searchers, often regarded as two of the most influential films in cinematic history.

John Ford's Career Started His Career In Hollywood As An Actor

John Ford wasn't the only member of his family who moved to Hollywood from their family home in Maine.

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On May 16, 1929, the Academy of Motion Picture Arts and Sciences handed out its first two Academy Awards for Best Director to Frank Borzage ("7th Heaven") and Lewis Milestone ("Two Arabian Knights"). This was the only year the organization distinguished between drama and comedy, but it would not be the last time either of these men took home the top prize in their field. Milestone would win again in 1930 for his heartbreaking adaptation of "All Quiet on the Western Front," while Borzage, a visual storytelling master whose every film you should absolutely watch, triumphed anew in 1932 with the pre-code classic "Bad Girl."

Throughout the Academy Awards' history, 21 directors have earned more than one Best Director Oscar. 18 have won it twice (Alfonso Cuarón was the most recent filmmaker to join the two-time ranks with "Roma"), while Frank Capra and William Wyler are the only three-time winners.

John Ford's success at the Oscars speaks to the director's reputation as one of the greatest filmmakers of all time. Over the course of his long career in the industry, Ford worked with many of the most prominent actors in Hollywood from the 1920s to 1960s, pumping out a long list of memorable hits at the box office. Many were born from his collaborations with John Wayne, but it's important to note that his own directorial style, not necessarily Wayne or any other actor, that made Ford the Hollywood legend he is today.

Ford's work represents a very distinctive version of America, and his films often centered on specific themes and genres. Ford is well known for making Westerns such as Stagecoach, The Searchers, and The Man Who Shot Liberty Valance, among many others. John Ford was also well known for having served in World War II and for...

Ward Bond, a familiar face in the classic Hollywood Western genre, was a frequent collaborator of John Wayne. In fact, he was one of John Waynes most frequent co-stars and he even left Wayne a shotgun in his will. Throughout his career, Bond appeared in numerous films, often portraying rugged, no-nonsense characters, including an astonishing 13 Best Picture nominees an enviable record for any actor.

While Ward Bond may not have been a leading man, his solid performances and distinctive presence made him a valuable asset to any movie he acted in, such as the historically just ridiculous 1956 epic The Searchers. From supporting roles to more substantial parts, Bond's contributions to the genre are sometimes overlooked.

Ward Bond Appeared In 13 Movies Nominated For Best Picture 3 Of These Movies Were Oscar Best Picture Wins

In todays Hollywood landscape, top-billing actors can be more selective with the roles they take. It is hard...

In the history of the Oscars, there have only been three times when winners refused to accept their awards. The Academy Awards are arguably the most prestigious awards in the movie industry, with the first ceremony taking place in 1929. Dozens of performers, directors, producers, and composers have been honored by the Academy for their work and many recognized movies have gone down in history as some of the best movies of all time.

While the Oscars are widely celebrated, the ceremony is not without its controversies. Some of the biggest Oscar controversies include movies being snubbed for awards and the wrong name being announced as the winner, most infamously at the 89th ceremony when La La Land was mistakenly announced as the Best Picture Award winner. In the 96-year history of the Academy Awards, there have only been three occasions where people have won the prestigious award but ultimately refused to accept the honor.

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Ana de Armas is a brilliant and beautiful actor and she has proven her acting chops time and time again by giving several brilliant performances in recent years. She even added James Bond to the growing list of films. The Cuban actress is fluent in both Spanish and English and she has made a great career for herself in Hollywood by working with brilliant directors and actors. So, if you also love Armas’ brilliant performances and want to see more of her here are the 7 best movies starring Ana de Armas you can watch right now.

7. Ghosted (Apple TV+) Credit – Apple TV+

Ghosted is a romantic comedy spy action-adventure film directed by Dexter Fletcher from a screenplay co-written by Rhett Reese, Paul Wernick, Chris McKenna, and Erik Sommers. The 2023 film follows Cole who falls head over heels for...

One of the more intriguing trends that has emerged within the last decade is the popularity of slightly elevated B-movies that feature well-known stars in some of the primary roles. Many of these films fall into the action, thriller, and crime genres, and tend to be released simultaneously in theaters and on VOD services. While the notoriety of a few major stars is generally enough to spark interest from more casual cinephiles, these projects can often serve as a great showcase for young, upcoming filmmakers who prove themselves capable of making solid genre entertainment. Although its narrative structure may be familiar to anyone well-versed in crime cinema, The Informer is an underrated thriller that features terrific performances from Ana de Armas, Rosamund Pike, and Joel Kinnaman.

Filmed in the freezing Nevada desert under studio pressure, Ford’s 1924 epic was a huge hit. It was the springboard for the director’s astounding career of westerns, idealism and high drama

Had the Oscars been around in 1924, when director John Ford’s epic western The Iron Horse was released, the critically lauded film would have swept up the lot. Though it might be largely forgotten now, this black and white silent movie, which turns 100 on 28 August, marked the point where Jack Ford – a former fly-by-the-seat-of-his-pants props guy who also acted a bit, and was first hired as a director by virtue of being available – became master film-maker John Ford, the director many still herald as the greatest of all time. When The Iron Horse was inducted into the Library of Congress film archive in 2011, the official registry citation stated that it “established Ford’s reputation as one of Hollywood...

The subgenre of crime movies focused on undercover cops and informants is certainly not a new invention; classics like John Fords 1935 thriller The Informer managed to be surprisingly gritty in an era of more restricted content, and the 1970s saw the resurgence of the formula in the New Hollywood era thanks to the success of cop thrillers like Serpico and The French Connection. Nonetheless, the genre was at risk of being deemed irrelevant at the turn of the century, as the most interesting cop stories were being told on television thanks to programs like NYPD Blue and Law & Order. However, Joe Carnahan managed to turn the neon-noir genre on its head with his groundbreaking 2002 crime film Narc.

Stars: Julian Sands, Charlotte Hope, Aoibhe O’Flanagan, Pippa Winslow, Philipp Christopher | Written and Directed by Erlingur Thoroddsen

What are the chances that two films called The Piper, both horror films involving the legend of The Pied Piper, would come out in the same year? And that both would be hard to see? While I haven’t seen the one starring Liz Hurley yet, I did get a chance to see this one – written and directed by Erlingur Thoroddsen and featuring the late Julian Sands in one of his last roles.

It opens with the voice of Gustafson (Sands) on the phone trying to talk Katherine out of destroying the last copy of her Concerto for Children. She tells him “It is evil, no one must ever know about it” before rushing outside to try and burn it in her fire pit. But something with glowing eyes intervenes, and she burns while the manuscript survives.

John Ford, the iconic director known for such films as Stagecoach, The Grapes of Wrath, My Darling Clementine, The Searchers and much more, will be the subject of the next edition of the TCM podcast The Plot Thickens, it was announced Wednesday.

“Decoding John Ford,” hosted by Ben Mankiewicz, premieres June 6. The fifth season of the podcast, consisting of seven episodes, will feature never-before-heard archival interviews with the likes of John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode and Ford himself.

TCM says Mankiewicz will “strip back the mythology to reveal Ford’s brilliance — alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist.”

“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” the host said in a statement. “This is a man defined by contradictions: he revered...

In the realm of classic Hollywood cinema, few names shine as brightly as that of John Ford. Known for his remarkable storytelling prowess and unparalleled directorial vision, Ford’s impact on the film industry is undeniable. Join us on a journey through the life, works, and enduring legacy of this legendary director as we delve into the cinematic masterpieces that have solidified his place in movie history.

Early Life

John Ford was born John Martin Feeney on February 1, 1894 in Cape Elizabeth, Maine. He was the youngest of 13 children born to Irish immigrants John Augustine Feeney and Barbara Curran. The Feeney family were devout Roman Catholics, and Ford’s childhood was steeped in Irish traditions and values.

At a young age, Ford developed a love of the sea. He worked as a deckhand and boatman during his teen years, gaining experience that would later influence his filmmaking. Though his beginnings were humble,...

Although he has personally competed for the Best Picture Oscar as a qualifying producer of just four films, Martin Scorsese is responsible for directing 10 of the top Academy Award category’s nominees, including 2024 contender “Killers of the Flower Moon.” This recent improvement upon his total makes him only the third filmmaker in Oscars history to helm a double-digit amount of Best Picture nominees. Including him, six people who were already credited with directing at least one nominee rose higher in the ranks this year.

The previous Scorsese films that vied for Best Picture are 2007 winner “The Departed” (for which he earned his sole directing trophy) and nominees “Taxi Driver” (1977), “Raging Bull” (1981), “Goodfellas” (1991), “Gangs of New York” (2003), “The Aviator” (2005), “Hugo” (2012), “The Wolf of Wall Street” (2014), and “The Irishman” (2020). Of the 10, he received producing notices for the most recent four and directing bids for all but “Taxi Driver.” The only ones who...

John Ford holds the record for the most Best Director wins in Oscars history, with four wins. None of the Best Director nominees have enough Best Director wins to even match Ford's record at the 2024 Oscars, let alone beat it. In fact, no living director even has three wins. Martin Scorsese is the only nominee who has previously won an Oscar for Best Director, which would bring him the closest to Ford's record if he won at the 2024 Oscars.

Legendary film director John Ford set an Oscars record 71 years ago that none of the Oscars 2024 Best Director nominees can beat. After an impressive year for film in 2023, the Best Director category at the 2024 Oscars is stacked with some very talented filmmakers. The list includes first-time Oscar nominees, Justine Triet and Jonathan Glazer, and previous Oscar nominees, Christopher Nolan and Yorgos Lanthimos. The last slot belongs to Martin Scorsese, whose...

John Ford holds the record for the most Best Director Oscar wins with four, a milestone that no current director has come close to achieving. Filmmakers like Steven Spielberg, Alfonso Cuarón, Ang Lee, and Clint Eastwood, who have two Best Director wins, would need two more to equal Ford's record and three to surpass it. Despite the larger pool of filmmakers in the modern industry, John Ford's record remains impressive and unlikely to be broken in the near future.

John Ford made history at the Academy Awards 71 years ago by the filmmaker holding a certain record, one that will likely not be eclipsed in the near future. Since 1929, the Academy Awards - more commonly known as Oscars - have been the barometer for success in the film industry. Oftentimes during Oscar season, studios build up a release slate consisting of movies that should get nominated for Oscars. This will...

(Welcome to Did They Get It Right?, a series where we look at an Oscars category from yesteryear and examine whether the Academy's winner stands the test of time.)

We are in somewhat of a transitional period with how we think about the acting categories for entertainment awards. This, primarily, has to do with gender. We have had separate categories for female and male performers for decades upon decades, but if you really stop to think about it, there is no difference in what a female actor does compared to a male one. Why shouldn't Colin Farrell in "The Banshees of Inisherin" compete against Cate Blanchett in "TÁR"? Of course, the worry is that in our patriarchal society, men will come to dominate that category and fewer women will be nominated and win. Then you have the added issue of non-binary performers being forced to slot themselves in a particular...

The episode of The Test of Time covering Tales from the Hood was Written by Andrew Hatfield, Narrated by Niki Minter, Edited by Mike Conway, Produced by John Fallon and Tyler Nichols, and Executive Produced by Berge Garabedian.

For the most part on this show, we are looking at certified classics to see if they still hold up. For the most part, anyway. Looking at you C.H.U.D. We try to look at everything from the cinematography and direction to the acting and special effects. Sometimes though the story ends up being the most important aspect of the movie. Every now and then a movie needs a reappraisal even when it wasn’t a hit at the time or seen as a classic. Look at what happened to The Thing. From box office dud (even though that has been blown out of proportion) and critical hatred to topping...

Italian actor-turned-director Andrea Di Stefano, whose sleek cop thriller “Last Night of Amore” just had its U.S. premiere at the Tribeca Film Festival, is in advanced stages of development on “Karski” a feature about Jan Karski, the World War II Polish resistance fighter who risked his life to blow the whistle on the Holocaust.

Di Stefano’s high-profile project, which is titled “Karski,” is being developed by New York City-based production company Phiphen Pictures, the indie founded by Molly Conners most recently behind Netflix’s “Like Father” and “It’s Bruno!,” the director said. Italy’s expanding Indiana Production, which shepherded “Amore,” is also on board.

Karski in 1942, defying great danger, twice infiltrated Warsaw’s Jewish Ghetto to witness its horrors and managed to give first-hand accounts of the Holocaust from the Warsaw Ghetto to the Allies, including U.S. President Franklin D. Roosevelt in 1943. But his alarm cries fell on deaf ears.

Joel Kinnaman is set to lead the alien abduction thriller “They Found Us,” from director Neill Blomkamp, for AGC Studios.

AGC fully financed the project, and will launch sales via AGC International in Cannes next month. UTA Independent Film Group is co-repping U.S. rights.

“They Found Us” is based on an original screenplay by Jeremy Slater (“Moon Knight”) and will be produced by Wyck Godfrey and Marty Bowen for Temple Hill Entertainment (“Smile”). Ford is on board as an executive producer along with Temple Hill’s John Fischer. The film will shoot in Australia this year.

In the film, a father (Kinnaman) and daughter undertake a camping trip in the Utah wilderness to heal their broken relationship. Attacked by a hostile extraterrestrial lifeform, their lives, not just their relationship, are at stake as they fight with a humanoid beast to stop their abduction to an unknown and terrifying alien world.

Actor Joel Kinnaman is teaming up with “District 9” and “Elysium” filmmaker Neill Blomkamp for a new sci-fi film. Stuart Ford’s AGC Studios will fully finance “They Found Us,” a new alien abduction thriller to be directed by Blomkamp with Kinnaman attached to star, AGC Studios Chairman and CEO Ford and Temple Hill’s Wyck Godfrey announced on Wednesday.

“They Found Us” is based on an original screenplay by Jeremy Slater and will be produced by Wyck Godfrey and Marty Bowen for Temple Hill Entertainment.

Ford is onboard as an executive producer along with Temple Hill’s John Fischer. The film will shoot in Australia in 2023. AGC International will launch sales in Cannes with UTA Independent Film Group co-repping US rights.

Also Read:

Paramount Pictures Renews First-Look Deal With ‘Smile’ Producer Temple Hill Entertainment

“They Found Us” is an alien abduction story of a father, played by Kinnaman, and...

Joel Kinnaman (For All Mankind) is attached to star in They Found Us, an alien abduction thriller to be directed for AGC Studios and Temple Hill by Oscar-nominated filmmaker Neill Blomkamp (District 9), which will head into production in Australia later this year.

The film to be fully financed by Stuart Ford’s fast-growing independent content studio, AGC Studios, is based on an original screenplay by Jeremy Slater, whose credits include Moon Knight, Fantastic Four, The Exorcist, The Lazarus Effect and The Umbrella Academy. It will follow a father (Kinnaman) and his daughter Kaylee as they undertake a camping trip in the Utah wilderness to heal their broken relationship. After being attacked by a hostile extraterrestrial lifeform, their lives — not just their relationship — wind up at stake, as they fight with a humanoid beast to stop their abduction to an unknown and terrifying alien world.

Wyck Godfrey and Marty Bowen...

Italian actor-turned-director Andrea Di Stefano, whose gritty police drama “The Last Night of Amore” is launching from the Berlin Film Festival’s Berlinale Special Gala section, reps an Italian anomaly.

“Amore,” which refers to a police lieutenant named Franco Amore, oddly marks Di Stefano debut directing an Italian-language film after helming well-received U.S. indie thrillers “Escobar: Paradise Lost,” with Benicio del Toro, and “The Informer.”

Sumptuosly shot in 35mm film and set in present-day Milan, “Last Night of Amore” harks back to Italian genre films of the 70s and 80s but has a fresh contemporary feel. The plot sees the good lieutenant, played by Italian A-lister Pierfrancesco Favino being called on the night before retirement to investigate a crime scene where his best friend and long-time partner Dino has been killed during a diamond heist. Complications ensue, things get very frantic, and we learn how his love for his wife Viviana,...

Hey, "The Tonight Show With Host Jimmy Fallon" fans. Tonight, January 3, 2023, The Tonight Show with host Jimmy Fallon is going to finally return with brand new episodes for the new, 2023 season, and we're on here to give guys a little preview of what you can expect to see in tonight's new episode. The Tonight show had went on a hiatus for the holidays, but now, the wait is over. In tonight's new January 3, 2023 edition, you guys will see Jimmy Fallon sit down and talk with actress Ana de Armas. Ana is a Cuban and Spanish actress, and her resume is pretty impressive. She's been in some big-name movies like James Bond "No Time To Die," "Knives Out," "War Dogs," "Blade Runner 2049," "The Informer," "Deep Water" and many more. You can see her full resume on her IMDb page by Clicking Here.

John Ford was considered one of the top directors in Hollywood when he decided to make an elevated Western in 1939's "Stagecoach." The notion struck many in the industry as odd. Westerns were generally considered programmers, and, thus, beneath the talents of a man who'd won the 1935 Best Picture Oscar for "The Informer." But Ford was enamored of Ernest Haycox short story "The Stage to Lordsburg," and believed the public was ready for a fresh take on the genre. He also thought the ensemble film's lead, John Wayne, was at long last ready to become a star.

The rest of Hollywood was not so certain. If Ford was serious about taking on this so-called "classic Western," why was he hellbent on casting Wayne, an actor of seemingly limited range scrapping it out in B movies?

Few in the industry understood what Ford was attempting. In fact, one of his most vital associates,...

Once Thanksgiving is in the rearview mirror, we’re going to start getting many film awards announced in quick succession, as a number of critics groups and others try their best to get their picks into the mix pretty early.

SEE2023 Oscars: Best Original Screenplay Predictions

Things really kick off on November 28 when the Gotham Awards hold their annual awards presentation ceremony, although the nominations have already been announced with “Everything Everywhere All at Once” and Todd Field’s “TÁR” leading the pack and likely to win a few awards each. Presented by the Gotham Film and Media Institute, the Gothams have been around since 2004, and it has gone one-for-one with Oscars, in terms of Best Picture five times in 18 years. Gotham tends to lean more towards the indie side of things, although it can be a terrific boost for a filmmaker like Chloé Zhao, whose earlier film, “The Rider,...

Writer/director Martin McDonagh and actors Colin Farrell and Brendan Gleeson have become the holy trinity of Irish films thanks to the critical and commercial success of 2008’s “In Bruges” for which Farrell won a Golden Globe, and their current collaboration “The Banshees of Inisherin,” which won best screenplay and actor for Farrell at Venice this past September. Since then, the Oscar buzz surrounding “Banshees” has become deafening.

During his four decade film career, John Ford made classic Westerns and dramas (“The Grapes of Wrath” and “How Green Was My Valley”; he won best director for both). But the no-nonsense filmmaker born John Feeney in Cape Elizabeth, Maine to Irish immigrant parents always revisited his Irish heritage.

The year 1924 saw the release of “The Shamrock Handicap” of which Variety noted “Ford loves everything Irish, and he made the most of the little human-interest touches.” His best-known Irish films, and for...

Common shows his excitement over his upcoming Broadway debut this November. Pic credit: ©ImageCollect.com/gotpap/StarMaxWorldwide

Common will be turning his dream into a reality as he takes the stage for his Broadway debut this November.

Lonnie Rashid Lynn, known by his stage name Common, has had a successful career in the music industry since his start in the early 90s.

The rapper has also established his place as a Hollywood actor, with starring roles in films such as Just Wright, The Informer, and John Wick: Chapter 2.

However, he has recently moved his talents over to the Broadway stage and will be starring in the role of Junior in Stephen Adly Guirgis’ play, Between Riverside and Crazy.

The Pulitzer Prize-winning play will begin previews on November 30 and will run at the Second Stages Hayes Theatre in New York City.

The rapper recently took to Instagram to announce his upcoming...

Common, the actor, rapper and songwriter who has won Oscar, Emmy and Grammy Awards, will make his Broadway debut in the coveted role of “Junior” in Stephen Adly Guirgis’ Pulitzer Prize-winning play Between Riverside and Crazy.

Today’s announcement by the Second Stage Theater completes casting for the play, which begins performances Nov. 30 at Second Stage’s Hayes Theater ahead of a Dec. 19 opening night.

Earlier this week, the production announced that most of the cast members of the acclaimed 2015 Off Broadway production will reprise their roles for Broadway, including Stephen McKinley Henderson, Victor Almanzar, Elizabeth Canavan, Rosal Colón, Liza Colón-Zayas and Michael Rispoli.

In the 2015 staging, the role of Junior was played by Ron Cephas-Jones.

The play, directed by Austin Pendleton, tells the story of ex-cop and recent widower Walter “Pops” Washington (Stephen McKinley Henderson) and his recently paroled son Junior (Common) as they struggle to hold on to...

Netflix is about to remove a alrge selection of movies and TV shows from its service.

Every month, without fanfare, numerous titles are removed from the streamer.

This means that, should something be on your watchlist, it will vanish until it’s added again.

Netflix doesn’t publicise the titles it will remove – and users will only be alerted to something’s imminent removal if they happen to select the title in question.

But, with help from the team at What’s on Netflix, we’ve compiled the full list – and you can find the compilation of everything being added this month here.

What’s leaving Netflix UK in September 2022?

1 September

Aakhri Adaalat

Alive

All at Sea

Anaconda

Angels & Demons

Armored

Bethany Hamilton: Unstoppable

The Bang Bang Club

Blow

The Boy in the Striped Pyjamas

Carbon

Cemetary Junction

Chadi Jawani Budhe Nu

Chicago Fire season one to four

Chicago Med...

Netflix is about to remove a alrge selection of movies and TV shows from its service.

Every month, without fanfare, numerous titles are removed from the streamer.

This means that, should something be on your watchlist, it will vanish until it’s added again.

Netflix doesn’t publicise the titles it will remove – and users will only be alerted to something’s imminent removal if they happen to select the title in question.

But, with help from the team at What’s on Netflix, we’ve compiled the full list – and you can find the compilation of everything being added this month here.

What’s leaving Netflix UK in September 2022?

1 September

Aakhri Adaalat

Alive

All at Sea

Anaconda

Angels & Demons

Armored

Bethany Hamilton: Unstoppable

The Bang Bang Club

Blow

The Boy in the Striped Pyjamas

Carbon

Cemetary Junction

Chadi Jawani Budhe Nu

Chicago Fire season one to four

Chicago Med...

Netflix is about to remove a alrge selection of movies and TV shows from its service.

Every month, without fanfare, numerous titles are removed from the streamer.

This means that, should something be on your watchlist, it will vanish until it’s added again.

Netflix doesn’t publicise the titles it will remove – and users will only be alerted to something’s imminent removal if they happen to select the title in question.

But, with help from the team at What’s on Netflix, we’ve compiled the full list – and you can find the compilation of everything being added this month here.

What’s leaving Netflix UK in September 2022?

1 September

Aakhri Adaalat

Alive

All at Sea

Anaconda

Angels & Demons

Armored

Bethany Hamilton: Unstoppable

The Bang Bang Club

Blow

The Boy in the Striped Pyjamas

Carbon

Cemetary Junction

Chadi Jawani Budhe Nu

Chicago Fire season one to four

Chicago Med...

Netflix is about to remove a alrge selection of movies and TV shows from its service.

Every month, without fanfare, numerous titles are removed from the streamer.

This means that, should something be on your watchlist, it will vanish until it’s added again.

Netflix doesn’t publicise the titles it will remove – and users will only be alerted to something’s imminent removal if they happen to select the title in question.

But, with help from the team at What’s on Netflix, we’ve compiled the full list – and you can find the compilation of everything being added this month here.

What’s leaving Netflix UK in September 2022?

1 September

Aakhri Adaalat

Alive

All at Sea

Anaconda

Angels & Demons

Armored

Bethany Hamilton: Unstoppable

The Bang Bang Club

Blow

The Boy in the Striped Pyjamas

Carbon

Cemetary Junction

Chadi Jawani Budhe Nu

Chicago Fire season one to four

Chicago Med...

Netflix is about to remove a alrge selection of movies and TV shows from its service.

Every month, without fanfare, numerous titles are removed from the streamer.

This means that, should something be on your watchlist, it will vanish until it’s added again.

Netflix doesn’t publicise the titles it will remove – and users will only be alerted to something’s imminent removal if they happen to select the title in question.

But, with help from the team at What’s on Netflix, we’ve compiled the full list – and you can find the compilation of everything being added this month here.

What’s leaving Netflix UK in September 2022?

1 September

Aakhri Adaalat

Alive

All at Sea

Anaconda

Angels & Demons

Armored

Bethany Hamilton: Unstoppable

The Bang Bang Club

Blow

The Boy in the Striped Pyjamas

Carbon

Cemetary Junction

Chadi Jawani Budhe Nu

Chicago Fire season one to four

Chicago Med...

Netflix is about to remove a alrge selection of movies and TV shows from its service.

Every month, without fanfare, numerous titles are removed from the streamer.

This means that, should something be on your watchlist, it will vanish until it’s added again.

Netflix doesn’t publicise the titles it will remove – and users will only be alerted to something’s imminent removal if they happen to select the title in question.

But, with help from the team at What’s on Netflix, we’ve compiled the full list – and you can find the compilation of everything being added this month here.

What’s leaving Netflix UK in September 2022?

1 September

Aakhri Adaalat

Alive

All at Sea

Anaconda

Angels & Demons

Armored

Bethany Hamilton: Unstoppable

The Bang Bang Club

Blow

The Boy in the Striped Pyjamas

Carbon

Cemetary Junction

Chadi Jawani Budhe Nu

Chicago Fire season one to four

Chicago Med...

Netflix is about to remove a alrge selection of movies and TV shows from its service.

Every month, without fanfare, numerous titles are removed from the streamer.

This means that, should something be on your watchlist, it will vanish until it’s added again.

Netflix doesn’t publicise the titles it will remove – and users will only be alerted to something’s imminent removal if they happen to select the title in question.

But, with help from the team at What’s on Netflix, we’ve compiled the full list.

What’s leaving Netflix UK in September 2022?

1 September

Aakhri Adaalat

Alive

All at Sea

Anaconda

Angels & Demons

Armored

Bethany Hamilton: Unstoppable

The Bang Bang Club

Blow

The Boy in the Striped Pyjamas

Carbon

Cemetary Junction

Chadi Jawani Budhe Nu

Chicago Fire season one to four

Chicago Med season one to four

The Conjuring

Cujo

Deliver Us from Evil

The Distinguished...

Netflix is about to remove a alrge selection of movies and TV shows from its service.

Every month, without fanfare, numerous titles are removed from the streamer.

This means that, should something be on your watchlist, it will vanish until it’s added again.

Netflix doesn’t publicise the titles it will remove – and users will only be alerted to something’s imminent removal if they happen to select the title in question.

But, with help from the team at What’s on Netflix, we’ve compiled the full list.

What’s leaving Netflix UK in September 2022?

1 September

Aakhri Adaalat

Alive

All at Sea

Anaconda

Angels & Demons

Armored

Bethany Hamilton: Unstoppable

The Bang Bang Club

Blow

The Boy in the Striped Pyjamas

Carbon

Cemetary Junction

Chadi Jawani Budhe Nu

Chicago Fire season one to four

Chicago Med season one to four

The Conjuring

Cujo

Deliver Us from Evil

The Distinguished...

As the end of summer approaches, so does a slew of new movies and TV coming to Netflix this month.

This month, Netflix is serving up a documentary on the chaos of the ’99 Woodstock revival, Netflix’s take on “13: The Musical” and a juicy series expanding “Selling Sunset” into Orange County, California. Favorite returning Netflix series include “Never Have I Ever: Season 3,” “Queer Eye: Brazil” and the third season of “Locke and Key.”

As for library titles, the streaming service will add the “Spider-Man” trilogy, “Ferris Bueller’s Day Off,” “Miss Congeniality” and “Space Jam,” as well as hallmarks of the beloved “Men in Black” and “Bridget Jones” series.

Also Read:

The 55 Best Movies on Netflix Right Now

Check out the complete list of what’s coming to Netflix this month:

August 1

Big Tree City (Netflix family)

28 Days

8 Mile

Above the Rim

The Age of Adaline

Battle: Los Angeles

Bridget Jones...

Tuesday marks the 45th anniversary of Elvis’ death, but the King of Rock’n’Roll still rules. Released last week, “Elvis” (Warner Bros. Discovery/19.99) is #1 at Vudu (ranking by revenue) as well as iTunes and Google Play (listing by transactions). It also represents a new PVOD strategy for Wbd that says much about the studio’s priorities.

With 134 million domestic and still #9 this weekend, “Elvis” is the first Wbd film this year not available on HBO 45 days after release. That’s a radical shift for the studio, which released all films in theaters and on HBO Max day-and-date last year.

With every release, studios with streamers must weigh the values: PVOD at 19.99, allowing it the immediate benefit of retaining a rental price of 14 or more? Or, the more-uncertain potential to attract a subscriber who adds to the value of the streaming service — especially when it will soon wind up there as well?...

Gritty inner city crime pix don’t get any rougher than this — I witnessed the walk-outs personally. Barry Shear and a crack crew filmed in Harlem for this downbeat crime pic that could be called ‘Every Thief For Himself.’ Paul Benjamin just wants to score some mob money and leave the mean streets behind — but a single slipup brings the worst of the Mafia and the black mob down on his neck. It’s neither a ‘stick it to whitey’ saga nor a plea for justice: it’s story 8 million and 1 in The Naked City. Stars Anthony Quinn, Anthony Franciosa and Yaphet Kotto provide more acting fireworks, with solid assistance from Gloria Henry, Antonio Fargas and Marlene Warfield.

Across 110th Street

Region-Free Blu-ray

Viavision [Imprint] 120

1972 / Color / 1:85 widescreen / 102 min. / Street Date April 27, 2022 / Available from / Aud 34.95

Starring: Anthony Quinn, Yaphet Kotto, Anthony Franciosa, Paul Benjamin, Ed Bernard, Antonio Fargas, Richard Ward,...

Italian actor-turned-director Andrea Di Stefano, who helmed well-received U.S. indie thrillers “Escobar: Paradise Lost,” with Benicio del Toro, and “The Informer,” is set to make “L’Ultima Notte di Amore,” his Italian-language debut.

Universal Pictures Intl., Focus Features, and Italy’s Vision Distribution have worldwide distribution rights on the pic, which toplines Pierfrancesco Favino (Cannes competition title “Nostalgia” from Mario Martone).

The film’s title, which translates as “The Last Night of Love,” is a play on words. Amore actually refers to a police lieutenant named Franco Amore. On the night before his retirement the lieutenant is called to investigate a crime scene where his best friend and long-time partner Dino has been killed during a diamond heist. We soon find out that Amore was involved in the diamond heist and learn how the love of his wife Viviana will help him survive this fatal night.

The film’s screenplay is by Di Stefano.

What a great title to revisit — John Ford’s ‘Kabuki’ western is less about action and more about form and tradition — especially the way the truth gets plowed under in ‘the West,’ which is of course America reduced to a mythological keepsake. John Wayne, James Stewart and Lee Marvin’s characters seem to know they are playing roles that never change. We might question the values but there’s no denying that said values prevailed as the country’s consensus self-image. Paramount’s new 4K makes a great-looking movie look even better, Pilgrim — and we don’t tolerate no disloyal debates ’bout film grain North of the Picket Wire.

The Man Who Shot Liberty Valance

4K Ultra HD + Blu-ray

Paramount Presents

1962 / B&w / 1:85 widescreen / 123 min. / Street Date May 17, 2022 / Available from Amazon

Starring: John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O’Brien, Andy Devine, Ken Murray, John Carradine, Jeanette Nolan,...