Saturday, March 14, 2020

Booksteve Reviews-Barbara Payton: A Life in Pictures by John O'Dowd

The story of Barbara Payton's rapid rise and fall in classic Hollywood is tragic but John O'Dowd has managed to turn her from a cruel punchline into a sympathetic woman with a riveting backstory you never saw onscreen.  In his first book, he humanized her and here, in 1000 photos, he puts a face to her story every step along the way from beginning to end. Even though you know so many of her choices turn out badly, you can't help but find yourself rooting for her. The photos are all well-captioned, each identifying those in it and not presuming you recognize them from other photos in the book. There's even some recently learned new info in some! The progression of the photos shows her rise from normal looking girl to cute model to beautiful starlet, but then you see the alcohol start to wear her down far too early, then the progression of men, then the public scandals. It's all there on her face to see and by seeing it all in order, the sadness is at times overwhelming. By the time you reach the book's--and Barbara's life's--foregone conclusion, you feel exhausted.

The book itself is unquestionably gorgeous to behold, big, thick, and heavy, with stylish but easy to follow layout throughout. Speaking as a 30 year bookseller, this book would be more than worth it at twice the price! Highly recommended!

https://www.amazon.com/gp/product/1629333549

Friday, March 06, 2020

Booksteve Reviews: Tarzan, Conqueror of Mars by Will Murray

Author Will Murray is a chameleon. His non-fiction writing on comics or pulp history is always detailed, impeccably researched, and immensely readable. His Shadow and Doc Savage pulp pastiches read as if they were hot off the newsstands of the 1930s. Now comes Tarzan, Conqueror of Mars, a novel in which Murray gets to play with Edgar Rice Burroughs’ characters in ways Burroughs never did, all the while writing as if he, himself, were ERB. 

I must confess to having only a passing familiarity with the original Tarzan novels but I do have several of the classic John Carter books. Who we have in this novel are very clearly the Tarzan and John Carter of those books, and not the more streamlined, less complex big screen versions.

There really isn’t much plot to the book. It’s basically the Wizard of Oz. Tarzan inexplicably ends up on Mars, meets an unusual group of friends, and heads off to try to find the one person he’s told might be able to send him home.  

Of course, that one person turns out to be John Carter, by the time of this story long established as the big muckety-muck on Barsoom. 

While “muckety-muck” is, of course, not an ERB word, “Barsoom” most certainly is. It’s what the Martians themselves call their own planet in the original Mars series. It’s also one of a great many words that Burroughs made up and his readers were expected to learn. Quite a number of those words and names can be found here in this new book as well and, presumably, Murray has added some new ones of his own along the way.

Unlike many actual bestsellers of recent years, at no point does Murray talk down to his readers here. One has to pay attention and keep up or it would be easy to get lost. The author allows for most of the unfamiliar terms to be understood in context and in fact, manages to carry off a fairly breezy reading style that keeps driving you further and harder across the Martian sands. (Hint: Use Led Zeppelin’s “Kashmir” as your soundtrack whilst reading.)

Best of all is the characterization of the two leads. Both Tarzan—or Ramdar as he is known for most of the story—and John Carter are shown to be unyieldingly determined men, hardened and yet dignified, both accepting of their fates and dealing with them in very similar ways.

John Carter had arrived on the Red Planet years earlier and little by little had to re-learn everything he knew as well as fight to earn his place in his new environment. All of that occurred in his own earlier books. In Tarzan, Conqueror of Mars, we see Lord Greystoke in the same position with no trace of panic, just an arrogant determination to make the best of things. 

The book is paced nearly perfectly, starting slowly and fascinatingly with the Ape Man adjusting to his new and completely unfamiliar environment. Then we’re shown Tarzan’s swift rise from meeting his first Martians to bringing together and heading up an unprecedented motley crew of all sorts of Martians who had previously wanted nothing to do with each other. Onward they marched, with Tarzan leading by sheer strength of his self-confidence, convinced there must be a way back to Earth and Africa.

When John Carter finally appears, his self-narration replaces the omniscient narrator of the first part of the book. After that, the two types of narration pop up in different chapters for the remainder of the story. While written just as well as the rest of the story, and with John Carter’s “voice” being necessarily different, I can’t get past the fact that it seems an odd narrative choice. Was that perhaps a Burroughs trope I’m forgetting?

Anyway, once the gigantic airship Dejah Thoris delivers John Carter, the two protagonists spar in the seemingly inevitable way two superheroes do when they first meet in comics books. And like those encounters, they eventually come to a mutual respect and defeat a common enemy.

It’s been years since I’ve read any Tarzan OR John Carter, in any form, but I have read lots of Will Murray since and I have to say he never disappoints. Tarzan, Conqueror of Marswas tremendous fun even with my limited background. If you’re an Edgar Rice Burroughs fan, by this point, Will Murray’s name should be enough to grab your attention!



Sunday, March 01, 2020

There's One in Every Outfit-Will Eisner Productions



















For the annual Will Eisner Week, here's a little seen military panel by Will Eisner Productions (although not Eisner himself) that seems a spin-off of his PS, Preventative Maintenance magazine done for the military. Only the top one cites Eisner's studio so the others may or may not be done by someone else.

Tuesday, February 18, 2020

"Oh, Bergen Spare That Tree!"-1949


Charlie McCarthy may have had his own comics from Dell but that didn't stop other companies such as Street and Smith, Harvey and, here, National (DC) from including the popular character  (and Edgar Bergen) in their books as a public figure.






Sunday, February 16, 2020

TV vs. Real Life-Western Heroes by John Severin-1960



John Severin is one of those artists who started good and just kept getting better  for a long time. He worked in and around comics for more than six decades before his death not that long ago. Personally, I think these CRACKED pages are some of his best work ever! Only lightly humorous but accurate to the extreme!

Saturday, February 15, 2020

King Kong Meets the 4 (3) Marx Bros-1971

In the news this week is the re-release of the original KING KONG to be seen on the big screen for the first time in 62 years! That would make it 1958. Apparently somebody can't count. in 1971--only 49 years ago--I had my own personal exposure to the original KING KONG on the big screen in Covington, KY at the Madison Theater. The RKO film was re-released with ROOM SERVICE, the sole RKO picture made starring the Marx Brothers. RKO had, by then, long since ceased to exist but the ad shows copyright to "dinerman and co, inc" so presumably this was a legit re-release. It played all over the Cincinnati area as seen in this ad I lifted from the online archives.

Most interesting, though is the Marx Brothers portion. Some of my very earliest memories are of Groucho on YOU BET YOUR LIFE and by 1971 I had seen him on talk shows and variety shows and even I DREAM OF JEANNIE. I knew Groucho. I did NOT know he had any brothers. ROOM SERVICE (probably their worst picture as they were shoehorned into a pre-existing play) was perhaps not the best place to meet them.

Especially when the ad promised me FOUR Marxes but ROOM SERVICE features only three as Zeppo was already gone! I was so confused. Looking at the ad now, they even have Zeppo!

Over the next few years, as the aging Groucho rose to become a countercultural cult figure, and inspired by the highly publicized re-release of ANIMAL CRACKERS, I was able to literally catch ALL of the classic Marx Brothers films in big screen re-releases, generally with very appreciative packed audiences.

KING KONG returned to the big screen just five years away, too, in the multi-million dollar reboot mislabeled as "The single most original motion picture event of our time." I didn't catch THAT one 'til TV and I was NOT impressed. I've now seen the original at least half a dozen times. A true classic!

Monday, February 03, 2020

Early Fibber McGee and Molly Publicity 1935-1937


FIBBER McGEE AND MOLLY has been one of my favorite old time radio series since a local station started playing it in the early 1980s. It's still being played here today, in fact, in the same Thursday morning time slot! Seen above are Fibber and Molly as I think of them but seen below are their pretty much unrecognizable "Earth II" versions. 

Although they started in 1935 when my father was 25 years old and unmarried, they continued on radio 8 months after my birth in 1959!