An Entity of Type: album, from Named Graph: http://dbpedia.org, within Data Space: dbpedia.org

Ain't but the One Way is the tenth and final studio album by Sly and the Family Stone, released by Warner Bros. Records in 1982. The album began its existence as a collaborative project between Sly Stone and George Clinton, a sequel to Stone's appearance on the 1981 Funkadelic album The Electric Spanking of War Babies. While working on Ain't but the One Way, Clinton and Funkadelic quarreled with and eventually left Warner Bros. Records, and Sly Stone went into self-seclusion and could not be found. Producer Stewart Levine was assigned to take control of the project, and do what he could to complete an album. Upon its 1982 release, Ain't but the One Way underperformed and marked the end of Sly Stone's career with Warner Bros. Records.

Property Value
dbo:abstract
  • Ain't but the One Way is the tenth and final studio album by Sly and the Family Stone, released by Warner Bros. Records in 1982. The album began its existence as a collaborative project between Sly Stone and George Clinton, a sequel to Stone's appearance on the 1981 Funkadelic album The Electric Spanking of War Babies. While working on Ain't but the One Way, Clinton and Funkadelic quarreled with and eventually left Warner Bros. Records, and Sly Stone went into self-seclusion and could not be found. Producer Stewart Levine was assigned to take control of the project, and do what he could to complete an album. Upon its 1982 release, Ain't but the One Way underperformed and marked the end of Sly Stone's career with Warner Bros. Records. (en)
  • Ain't But the One Way är det elfte och sista albumet av Sly and the Family Stone, släppt av Warner Bros. 1983. Albumet spelades in som ett samarbete mellan Sly Stone och George Clinton som en fortsättning av det samarbete som inleddes dememellan i funkgruppen Funkadelic, på albumet The Electric Spanking of War Babies. Under inspelningarna av Ain't But the One Way hamnade Clintons grupp Funkadelic i tvist med skivbolaget, Warner Bros, som slutade med att Clinton helt lämnade Warner Bros. Samtidigt drog sig Sly Stone tillbaka och kunde inte slutföra albumet. Istället blev det producenten som fick i uppgift att avsluta projektet och han gjorde vad han kunde för att få fram albumet. När albumet släpptes, 1983, markerade det slutpunkten Sly Stones karriär på Warner Bros. Både Ain't But the One Way och dess föregångare, Back on the Right Track, ingick i en samlingsbox kallad Who in the Funk Do You Think You Are: The Warner Bros. Recordings, släppt av Rhino Records 1994. (sv)
dbo:thumbnail
dbo:wikiPageID
  • 3032205 (xsd:integer)
dbo:wikiPageLength
  • 4143 (xsd:nonNegativeInteger)
dbo:wikiPageRevisionID
  • 1104457832 (xsd:integer)
dbo:wikiPageWikiLink
dbp:artist
dbp:cover
  • Sly-aintbut.jpg (en)
dbp:genre
dbp:label
dbp:length
  • 2055.0
dbp:name
  • Ain't but the One Way (en)
dbp:nextTitle
dbp:nextYear
  • 2011 (xsd:integer)
dbp:noprose
  • yes (en)
dbp:prevTitle
dbp:prevYear
  • 1979 (xsd:integer)
dbp:producer
dbp:recorded
  • 1974 (xsd:integer)
dbp:rev
dbp:rev3score
  • B (en)
dbp:type
  • studio (en)
dbp:wikiPageUsesTemplate
dcterms:subject
gold:hypernym
rdf:type
rdfs:comment
  • Ain't but the One Way is the tenth and final studio album by Sly and the Family Stone, released by Warner Bros. Records in 1982. The album began its existence as a collaborative project between Sly Stone and George Clinton, a sequel to Stone's appearance on the 1981 Funkadelic album The Electric Spanking of War Babies. While working on Ain't but the One Way, Clinton and Funkadelic quarreled with and eventually left Warner Bros. Records, and Sly Stone went into self-seclusion and could not be found. Producer Stewart Levine was assigned to take control of the project, and do what he could to complete an album. Upon its 1982 release, Ain't but the One Way underperformed and marked the end of Sly Stone's career with Warner Bros. Records. (en)
  • Ain't But the One Way är det elfte och sista albumet av Sly and the Family Stone, släppt av Warner Bros. 1983. Albumet spelades in som ett samarbete mellan Sly Stone och George Clinton som en fortsättning av det samarbete som inleddes dememellan i funkgruppen Funkadelic, på albumet The Electric Spanking of War Babies. Under inspelningarna av Ain't But the One Way hamnade Clintons grupp Funkadelic i tvist med skivbolaget, Warner Bros, som slutade med att Clinton helt lämnade Warner Bros. Samtidigt drog sig Sly Stone tillbaka och kunde inte slutföra albumet. Istället blev det producenten som fick i uppgift att avsluta projektet och han gjorde vad han kunde för att få fram albumet. När albumet släpptes, 1983, markerade det slutpunkten Sly Stones karriär på Warner Bros. (sv)
rdfs:label
  • Ain't but the One Way (en)
  • Ain't But the One Way (sv)
owl:sameAs
prov:wasDerivedFrom
foaf:depiction
foaf:isPrimaryTopicOf
is dbo:wikiPageRedirects of
is dbo:wikiPageWikiLink of
is dbp:prevTitle of
is foaf:primaryTopic of
Powered by OpenLink Virtuoso    This material is Open Knowledge     W3C Semantic Web Technology     This material is Open Knowledge    Valid XHTML + RDFa
This content was extracted from Wikipedia and is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License