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- The Maghreb rebab is a bowed lute now played mainly in Northern Africa. It fits within the wider rebab traditions of the Arab world, but also branched into European musical tradition in Spain, Sicily, and the Holy Roman Empire. In the late Middle Ages, the European rebec developed from this instrument (and from the related Byzantine lyra). The Maghreb rebab was described by a musicologist as the "predominant" rebab of North Africa, although the instrument was in decline with younger generations when that was published in 1984. The name rebáb (rabáb, rabába, rubáb, Arabic ربابة) refers to a group of significantly different stringed instruments, plucked or bowed lutes in regions under the influence of Islam. In North-West Africa and Al-Andalus in the Iberian Peninsula, a short-necked lute played with a bow was developed. It survives today as part of Andalusi classical music. (en)
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- Musicians playing the vihuela , one with a bow, the other plucked by hand. (en)
- Two musicians plaing the "rabé morisco" from the Cantigas de Santa María of Alfonso X of Castile, 13th century. (en)
- Rebab, Meknes, Morocco (en)
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- Developed in Andalusian Spain/North Africa, likely applying a bow to a plucked lute with a skin soundboard, such as a rubab or gambus or an earlier oud or barbat (en)
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- Instruments from Spain; instruments that followed shared similar names vihuela, viola and vielle. (en)
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- Instruments in which sound is produced by one or more vibrating strings, in which the resonator and string bearer are physically united and can not be separated without destroying the instrument, in which the strings run in a plane parallel to the sound table, in which the strings are sounded using a bow (en)
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- Cantiga rabé morisco.jpg (en)
- Vihuela de arco y vihuela de péñola en las Cantigas.jpg (en)
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- Maghribi rabāb, Moorish rebab, rebab, rebeb, rbeb, rbab (en)
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- The Maghreb rebab is a bowed lute now played mainly in Northern Africa. It fits within the wider rebab traditions of the Arab world, but also branched into European musical tradition in Spain, Sicily, and the Holy Roman Empire. In the late Middle Ages, the European rebec developed from this instrument (and from the related Byzantine lyra). The Maghreb rebab was described by a musicologist as the "predominant" rebab of North Africa, although the instrument was in decline with younger generations when that was published in 1984. (en)
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