About: Muzan-e

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Muzan-e (無残絵), also known as "Bloody Prints", refers to Japanese woodcut prints of violent nature published in the late Edo and Meiji periods. One of the earliest and most well-known examples is the collection Twenty-Eight Famous Murders with Verse (英名二十八衆句, eimei nijūhasshūku) by the artists Yoshitoshi and Yoshiiku from the 1860s, which depicted several gruesome acts of murder or torture based on historical events or scenes in Kabuki plays.

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  • Muzan-e (無残絵), also known as "Bloody Prints", refers to Japanese woodcut prints of violent nature published in the late Edo and Meiji periods. One of the earliest and most well-known examples is the collection Twenty-Eight Famous Murders with Verse (英名二十八衆句, eimei nijūhasshūku) by the artists Yoshitoshi and Yoshiiku from the 1860s, which depicted several gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. (en)
  • 無残絵（むざんえ）は、江戸時代末期から明治時代にかけて描かれた浮世絵の様式のひとつである。『英名二十八衆句』『東錦浮世稿談』『魁題百撰相』の3つが代表的作例。その多くは、芝居の中の殺しの現場などをテーマとしており、画中に血液、血痕などを殊更に色鮮やかに描いているため、「血みどろ絵」、「残酷絵」、また「無惨絵」とも表記される。 (ja)
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  • Muzan-e (無残絵), also known as "Bloody Prints", refers to Japanese woodcut prints of violent nature published in the late Edo and Meiji periods. One of the earliest and most well-known examples is the collection Twenty-Eight Famous Murders with Verse (英名二十八衆句, eimei nijūhasshūku) by the artists Yoshitoshi and Yoshiiku from the 1860s, which depicted several gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. (en)
  • 無残絵（むざんえ）は、江戸時代末期から明治時代にかけて描かれた浮世絵の様式のひとつである。『英名二十八衆句』『東錦浮世稿談』『魁題百撰相』の3つが代表的作例。その多くは、芝居の中の殺しの現場などをテーマとしており、画中に血液、血痕などを殊更に色鮮やかに描いているため、「血みどろ絵」、「残酷絵」、また「無惨絵」とも表記される。 (ja)
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  • Muzan-e (en)
  • 無残絵 (ja)
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