dbo:abstract
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- Raden (螺鈿) is a Japanese term for one of the decorative techniques used in traditional crafts and woodwork. It refers to a method of inserting a board-like material, which is a cut out part of the mother of pearl inside the shell, into the carved surface of lacquer or wood, or a craft made by using this method. The kanji for ra (螺) means 'shell' and den (鈿) means 'inlaid'. Raden is a term used only for the technique or work of inlaying thin layers of pearl shells. In Japan, the technique of embedding the mother of pearl of shellfish in lacquer is called raden, while the technique of embedding metal or ivory is called zōgan (象嵌). The basic technique of raden originated in Egypt around 3500 BC, and the technique spread along the Mediterranean coast. There is a theory that the technique of raden in the East was introduced from Persia in the Sasanian dynasty to China, and another theory that it started in the Yin Dynasty, and the former theory is now widely accepted. By the Tang Dynasty, Chinese luodian craftsmanship had reached a very mature level, especially lacquer-backed luodian on bronze mirrors, which was a treasure of craftsmanship in this period. Bronze mirrors with luodian lacquer backs have been excavated from Tang tombs in Shanxian County and Luoyang, Henan Province. The basic technique of raden was introduced into Japan during the Nara period from the Tang Dynasty. In Japan, raden had been used in combination with Japanese various maki-e techniques since the Heian period, but raden declined in the Muromachi period. From the Sengoku period to the Azuchi-Momoyama period, many Japanese lacquerware decorated with maki-e and raden attracted European people, and were exported through the Nanban trade via Portuguese and Spanish in response to the request of the Society of Jesus. In the Edo period, many pieces of Japanese lacquerware were exported to royalty and nobility in Europe through Dutch East India Company and private traders. The lacquerware exported during the Edo period put more emphasis on artistic expression by maki-e using gold powder lavishly than raden. In the 19th century, Japanese lacquerware with raden were exported again. The term may also be used for similar traditional work from Korea or countries in South-East Asia such as Vietnam, or for modern work done in the West. (en)
- 나전칠기(螺鈿漆器)란 목기(木器)의 바탕을 소재로 나전을 가공하고 부착하여 칠을 한 공예품을 말한다. 고유어로는 자개박이라고도 하며, 널리 (玳瑁), 호박, 상아, 보석 등의 소재로 이용하는 것도 포함한다. (ko)
- 螺鈿(らでん)は、広義には貝をもって飾ること(貝飾り)をいうが、狭義には貝片を器物等の木地や漆面に装着して施す装飾法をいう。 使用される貝には、ヤコウガイ(夜光貝)、シロチョウガイ(白蝶貝)、クロチョウガイ(黒蝶貝)、(青貝)、アワビ、アコヤガイなどがある。 (ja)
- Радэн (яп. 螺鈿, инкрустация раковиной) — направление в лаковом искусстве Японии, где для украшения лаковых изделий используется инкрустация из перламутра, слоновой кости или других материалов. Название радэн расшифровывается как ра (螺) — раковина и дэн (鈿) — «вставлять, инкрустировать». Чаще всего сами изделия сделаны из дерева, но могут быть и изделия из металла и других материалов. Подобную технику изначально изобрели в Китае в эпоху правления династии Тан. Изделия попали в Японию через торговцев и дипломатов. Китайский стиль существенно повлиял на японские изделия. Похожие техники также появились в Корее и странах Юго-Восточной Азии. (ru)
- 螺钿,是將贝壳或海螺鑲嵌在器皿表面的一种装饰工艺,因為會閃發出銀紫色的光芒而得名。螺鈿工藝源自於中國的周朝,但目前全東亞地區都擁有這種技藝,最常見於木器,也能用于漆器、銅器和金器上。 (zh)
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rdfs:comment
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- 나전칠기(螺鈿漆器)란 목기(木器)의 바탕을 소재로 나전을 가공하고 부착하여 칠을 한 공예품을 말한다. 고유어로는 자개박이라고도 하며, 널리 (玳瑁), 호박, 상아, 보석 등의 소재로 이용하는 것도 포함한다. (ko)
- 螺鈿(らでん)は、広義には貝をもって飾ること(貝飾り)をいうが、狭義には貝片を器物等の木地や漆面に装着して施す装飾法をいう。 使用される貝には、ヤコウガイ(夜光貝)、シロチョウガイ(白蝶貝)、クロチョウガイ(黒蝶貝)、(青貝)、アワビ、アコヤガイなどがある。 (ja)
- 螺钿,是將贝壳或海螺鑲嵌在器皿表面的一种装饰工艺,因為會閃發出銀紫色的光芒而得名。螺鈿工藝源自於中國的周朝,但目前全東亞地區都擁有這種技藝,最常見於木器,也能用于漆器、銅器和金器上。 (zh)
- Raden (螺鈿) is a Japanese term for one of the decorative techniques used in traditional crafts and woodwork. It refers to a method of inserting a board-like material, which is a cut out part of the mother of pearl inside the shell, into the carved surface of lacquer or wood, or a craft made by using this method. The kanji for ra (螺) means 'shell' and den (鈿) means 'inlaid'. Raden is a term used only for the technique or work of inlaying thin layers of pearl shells. In Japan, the technique of embedding the mother of pearl of shellfish in lacquer is called raden, while the technique of embedding metal or ivory is called zōgan (象嵌). (en)
- Радэн (яп. 螺鈿, инкрустация раковиной) — направление в лаковом искусстве Японии, где для украшения лаковых изделий используется инкрустация из перламутра, слоновой кости или других материалов. Название радэн расшифровывается как ра (螺) — раковина и дэн (鈿) — «вставлять, инкрустировать». Чаще всего сами изделия сделаны из дерева, но могут быть и изделия из металла и других материалов. (ru)
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