Showing posts with label analog synthesizers. Show all posts
Showing posts with label analog synthesizers. Show all posts

Tuesday, May 29, 2012

"Digital Re-Working / Re-Appropriation of Electro-Acoustic Music"



What is DREAM

DREAM is a EU funded project, aimed at preserving, reconstructing, and exhibiting the devices and the music of the Studio di Fonologia Musicale della Rai di Milano. During the 1950s and 1960s, this was one of the leading places in Europe for the production of electroacustic music, together with Paris and Cologne.
During the project, part of the equipment of the Studio (oscillators and non-linear filters) has been virtually reconstructed and will become part of the permanent exhibit at the Museum of Musical Instruments in Milan.

The aim of this one-day symposium is to present to the public the main results of the DREAM project, including the installation that recreates part of the original devices of the Studio di Fonologia di Milano della Rai, as well as the book “The Studio di Fonologia – A musical journey”, edited by Maria Maddalena Novati and John Dack, and published by Ricordi.

The event is comprised of two parts.
The morning will be devoted to the workshop Conservare, mostrare, interagire: per un museo da toccare [Preserve, exhibit, interact: for a tangible museum]. During the workshop, DREAM researchers and invited speakers will discuss applications of novel interactive technologies to museum exhibits, with particular reference to music and musical instruments museums.
The afternoon session will present to the large public the results of the DREAM project, through the movie Avevamo 9 oscillatori [We used to have 9 oscillators], additional talks by DREAM researchers, and two musical performances that make use of sonic materials produced at the Studio di Fonologia.

Program
[http://dream.dei.unipd.it/?page_id=645]

Friday, June 15, 2012
Castello Sforzesco, Museo degli Strumenti Musicali, Sala della Balla Milano 
Free of charge, limited places available

Thursday, July 28, 2011

Hologram Room - vol.1 [USO001]

24-bit/48kHz Royalty-free Sound Design Collection


Hologram Room - vol.1 by usoproject

Hologram Room is the first bundle of the abstract Sound Design Collection produced by sound designers and composers Matteo Milani and Federico Placidi (aka U.S.O. Project).

These two gigabytes of “ready to use” original sound elements are designed to help you sweetening and enhancing your sound production. The whole library is organized in eight main folders: Active Drones, Alarms, Blips, Buttons, Communications, Ignitions, Telemetries, Transitions. It provides a selection of out of this world drones and ambiences, futuristic sound effects and electronic tools.

We have been spending hours composing, editing, mixing these categories in Symbolic Sound Corporation Kyma and Avid Pro Tools. All of the audio files have been embedded with metadata for detailed and accurate searches in your asset management software.

A note about the mastering: the library has not been peak normalized, but loudness normalized, based on the recommendation by the European Broadcast Union. What does it mean? During the audition of your samples, they will have the same loudness level when played through monitors.

This work has been made possible by the aid of LevelOne, a program developed by Grimm Audio.
EBU TECHNICAL provides all kinds of information about the EBU R128 loudness recommendation. The official R128 documents and guidelines can be found online, as well as introduction papers and videos.


Here is what you get in "Hologram Room - vol.1":
  • Folders:
    • Active Drones (81 items)
    • Alarms (26 items)
    • Blips (52 items)
    • Buttons (62 items)
    • Communications (18 items)
    • Ignitions (34 items)
    • Telemetries (35 items)
    • Transitions (123 items)
  • Tab-delimited file (.txt)
  • Excel spreadsheet (.xls)
  • License Agreement (.pdf)
  • Artwork (.jpg)

Audio Format: Broadcast Wave Files (.wav)
Sample Rate: 48 kHz
Bit Depth: 24-bit
Size: 1.87 GB
Download size is 1.23 GB (compressed .rar archive)

Available on www.unidentifiedsoundobject.com

Monday, May 30, 2011

Introducing: Observation’s Pod

Observation’s Pod is a new section on Synesthesia Recordings where we post most of our researches’ output to the collective.
This place works as a permanent Laboratory where the product of our creative and experimental activity with sound is freely opened to the public in its raw form.

Matteo Milani, Federico Placidi


#1 Kyma Studies by synesthesiarecs




#2 Three Studies for Analog Synthesizer by synesthesiarecs



These three small works are based on the improvisational exploration of a specific configuration of the modules of Serge Modular synthesizer.
The synthesis model which was implemented is that of the Complex Feedback Frequency Modulation as shown in the artwork image: two oscillators recursively modulating that build a dynamic non-linear system exhibiting a chaotic behaviour.
In order to obtain a high timbral complexity, the waveforms generated by each oscillator are dynamically varied through the use of waveshaping modules.
All the material was created using only the patch described above, without any filter or other editing/mixing procedure.
The three short works are created on order to intuitively explore a dynamic system, while combining its output using an analogy with three well-defined poetic abstractions.

Sound & pictures by Federico Placidi



>>Flux
>>Field
>>Ton

[Observation’s Pod]

Saturday, April 02, 2011

Out now: "hiSS vol.1" on Synesthesia Recordings


The works included in 'hiSS [Synesthesia Sampler] vol.1' have been produced using only analogue devices and processing tools - such as no input mixers, analogue synthesizers and custom-built or hacked/reconfigured instruments.
Without the use of computers or digital devices, the 4 pieces recall an era from the 1950s-70s, when most of the electronic music makers around the world had limited resources and quite primitive equipment.

The compositional techniques are available in the following document:

[hiSS_vol-1_Press_Release.pdf]

Produced by Matteo Milani, Federico Placidi
Artwork by Kirjava [kirjava.deviantart.com]
SYN-005 | 2011 Synesthesia Recordings
Artists retain copyright to their respective works


RELEASE INFO:

Title: 'hiSS vol.1'
Cat.No: SYN-005
File under: Experimental/Electronic
Format: Digital/Compact Cassette
Release date: 4.2011

Limited edition compact cassettes coming soon! Contact us for more info:

write [at] synesthesiarecordings [dot] com

Digital album available ($ 5, mp3 @ 320 kbps) [here]
Pick other formats (FLAC, AAC, Ogg Vorbis) on BandCamp [here]

ALBUM ARTISTS:

Volker Hennes (GER)
Title of the piece: eromenoi erastai
Duration: 12' 16''

Volker Hennes (b. 1976) is a sound artist and composer. He studied at the Academy Of Media Arts Cologne from 2000 till 2005 – mainly at the Sound Laboratory, at which he was employed as assistant for two years. Focuses on live-electronics, acousmatic and electroacoustic music, computer music, field recordings, multichannel and interactives works, and installations. Works have been performed and presented internationally; e.g. Metamorphoses / Belgium, ICMC / Copenhagen, Concordia University/ Montreal, Música Viva / Portugal, MANTIS Festival / Manchester, Festival Internacional de Música Electroacústica Ai-Maako / Chile, A & A Elektrokonzert / Argentina, Digital Art Weeks / Zürich, SMC, Inventionen / Berlin. In 2003 he founded All Of Orlov with Robert Vater, since then performing duets and duels. Member of the audiovisual performance and improvisation group Frequenzwechsel.

[www.earesistible.de]


Chris Mercer (USA)
Title of the piece: Deification | for 2‐channel tape
Duration: 13' 14''

Chris Mercer received a B.M. in Composition at the North Carolina School of the Arts in 1995, and a Ph.D. in Composition at the University of California, San Diego in 2003. His principal teachers were Chaya Czernowin and Chinary Ung - instrumental music; and Peter Otto and Roger Reynolds - electronic music. He has held artist residencies at Experimentalstudio SWR, Künstlerhaus Schloss Wiepersdorf, and Sound Traffic Control in San Francisco. His music has been performed by The Nonsense Company, Ensemble Ascolta, Ensemble SurPlus, SONOR Ensemble, and Schlagquartett Köln. His most recent electroacoustic music and research have focused on animal communication, especially non-human primate vocalization, with research residencies at the Duke University Lemur Center, the Wisconsin National Primate Research Center, and the Brookfield Zoo.
His instrumental music involves modified conventional instruments, found objects, and instruments of the composer's own design, in combination with amplification, live electronics, and spatialization. He has taught electronic music at UC San Diego, UC Irvine, and CalArts, and is currently coordinator of the Music Technology program at Northwestern University.

[musictechnology.northwestern.edu/Mercer]


Ian Helliwell (UK)
Title of the piece: Convergence
Duration: 14' 02''

Since the start of the 1990s Ian Helliwell has been making films and building and modifying 9v circuitry, developing his unique series of Hellitron tone generators, which are used for live performance and for the soundtracks to over 50 of his experimental super 8 shorts. In 2007 he designed and built an analogue synth, the Hellisizer 2000, and since 2008 he has been producing The Tone Generation, his ongoing radio series which explores the early development of electronic music. In 2010 several of his abstract super 8 films have been included in a major retrospective of direct animation - Celluloid: The Cameraless Film at the Schirn Kunsthalle in Frankfurt.

[ianhelliwell.co.uk]


Jeroen Visser (CH)
Title of the piece: The Spanning
Duration: 13' 41''

Jeroen Visser (1961) is a musician and a composer living in Zürich, Switzerland. His primary instrument is classical piano, and he is also a self-taught woodwinds player. After his study of Sonology in Utrecht, being taught by a.o. G.M. Koenig, J. Vink, and S. Tempelaars, he worked as musician and sound engineer. From 1988-1992 he worked as music technologist at the Sweelinck Electronic Studio in Amsterdam, NL.
After his relocation to Zürich in 1993, he has been composing music for groups and theatre, where he was also responsible, as musical director, for productions, and making musical or sound installations. Recent musical activities, apart from electro-acoustic compositions, include studying ethiopian music, and playing music which investigates the combination of improvisation and musique concrete.

[121234.net]

Product pages:
[synesthesiarecordings.com]
[synesthesiarecordings.bandcamp.com]