WIN Worldwide Independent Network’s Post

The club market in 2024 faces unprecedented challenges, but what does that mean for the future of live music? Pollstar dives into the topic with insights from industry leaders, including our own Stephen Chilton of Psyko Steve Presents. From shifting audience habits to rising costs, this article sheds light on the hurdles—and opportunities—that come with running independent venues and promoting live music in today's landscape. 🎶 Read the full piece here: https://lnkd.in/gueTUZCv

🔊 One Voice for EU Music During the Belgian presidency, discussions revolved around four main topics, each critical to the advancement of the European music sector: - EU Funding for Music: Exploring avenues for sustainable funding mechanisms to support the diversity and vibrancy of music across Europe. - European Music Observatory: Examining the potential establishment of a centralized platform to collect data, conduct research, and provide insights into the European music industry. - Music export, circulation of repertoire, mobility of music workers: Addressing strategies to facilitate the international mobility of artists, promote the circulation of music repertoire, and enhance opportunities for music export. - Institutional dialogue and policy co-construction: Highlighting the importance of fostering constructive dialogue between policymakers and music industry stakeholders to develop effective policies that support the growth and sustainability of the sector. READ THE RECOMMENDATIONS HERE: https://lnkd.in/empDNn9X #onevoice #onevoiceforeumusic #europe #livemusic

Are you ready for ESNS Friday? Not sure which session to see yet? How about this one: How EU-led Creative Europe’s Music NET-works and PLAT-forms are Shaping the Future of a Diverse and Competitive European Music Ecosystem Presented by: Creative Europe & European Union The EU has strengthened its commitment to the European music industry with a four-year investment in Creative Europe’s NET-works and PLAT-forms. These strategic collaborations unite leading organizations across the entire music value chain - from creation and promotion to distribution and beyond - to build a more connected, innovative, and diverse European music ecosystem. In a rapidly changing global landscape, this panel will explore how EU-supported NET-works and PLAT-forms foster collaboration, drive innovation, and create fair opportunities for artists and professionals. Leading voices from across the music ecosystem - including music authors, composers, live music professionals, festivals, venues, export offices, managers, agents, and promoters - will share insights and actionable solutions to empower artists and industry professionals, ensuring the European music sector continues to thrive. We from YOUROPE will send our wonderful Marta Pallarès (board member & Primavera Sound) to share her experiences. See you there? When: FRI 17 Jan 13:30 Where: Oosterpoort - Kleine zaal #esns25 #yourope #3f #futurefitfestivals #europe #europeanunion #EU #CreativeEurope

"Is the Irish music industry broken, or is it simply evolving? For plenty of indie artists, managers, and labels, the status quo can feel more like a barrier than a springboard... That said, in an era of constant digital disruption and shifting power structures, there’s never been a better time to reimagine how we create, distribute, and—crucially—value music." In my latest report, I explore some trends shaping the future of independent Irish music, including: - The “shrinkage” of global platforms - The role of community-driven initiatives - Practical steps for forging a more independent Irish scene If you’re involved in the Irish music business or curious about where the industry is headed, this article is a must-read. Read the full report here: https://lnkd.in/euMEMHfZ #MusicIndustry #IrishMusicIndustry #MusicBusiness #IndependentMusic

Shared some thoughts on the state of the industry and what we can do to make sure it's sustainable. Thank you to André Chumko at The Post and 818. In recent years financial pressures, shifting entertainment preferences, and the lingering effects of the pandemic have contributed to a decline in live music attendance both here and around the world. For a sustainable and thriving music ecosystem, it is crucial that our support extends beyond the one-off tickets for international artists at arenas and stadiums. We must nurture a culture of regular attendance at shows by local artists at independent venues. These local shows and venues are the lifeblood of the music industry. They provide key opportunities for emerging artists to hone their craft and for industry professionals to develop their skills, and for people to connect over shared interests. Without these foundational experiences, we cannot sustain an industry capable of supporting the larger shows and festivals or developing the talented artists of Aotearoa. Full piece below!

A few days left to fill out the Fair MusE survey 👇 🎵 🎧 : Dear music creators, performers and music industry experts, We invite you to be part of a significant undertaking – our survey as part of Fair MusE. This project, funded by the European Union's Horizon Europe, delves into the intricate landscape of ‘fairness’ in the European music ecosystem. The survey aims to explore how music creators, performers and music industry experts perceive and address ‘fairness’. Your perspectives are crucial as today there is an increasing policy interest to ensure that the European music ecosystem is ‘fair’ in a platform-based economy. As such, it’s worthwhile to ask what ‘fair’ actually is and identify what cannot be considered ‘fair’ for you. How can you contribute?  Filling out the survey will take approximately 8-10 minutes. The survey is available in English, French, German, Italian, Greek, and Spanish. Your input will be crucial in shaping the Fair MusE comprehensive report on understandings and perspectives towards ‘fairness’. Please feel free to share the survey link to your music contacts. Extension of the deadline: September 19, 2024. Learn more about Fair MusE: https://fairmuse.eu.   Fair MusE project Giuseppe Mazziotti Heritiana Ranaivoson Dr. Antoine Henry https://lnkd.in/eQzmhKjC

“Setting the Stage: How Music Works” is a report by ORCA (Organization for Recorded Culture and Arts), a think tank comprising independent record labels that invest in artists and turn their music into commercial and critical success. ORCA believes music has a unique power to support all communities and those living in them. It wants to foster a forward-thinking sector that offers opportunities to artists, businesses, and communities worldwide. Through this report, ORCA aims to initiate conversations and present ways the music industry can significantly increase its value, which includes economic, social, and cultural benefits within and outside the industry. This report was researched and developed by the nonprofit Center for Music Ecosystems, commissioned by ORCA. It is an introduction to ORCA and what it stands for. Read the full report to learn more about ORCA's mission and vision for a more inclusive and impactful music industry. Link: https://lnkd.in/d2VuX4Vz #centerformusicecosystem #musicreport #organizationforrecordedmusicandarts #musicpolicy #musiccities

Looking forward to taking part in the Scottish Music Industry Association (SMIA) Summit tomorrow and Friday, and taking part in the music export panel with Lisa Whytock, Rod Jones and Aja Garrod-Prance at 14hrs BST on Friday. The online event is free for members and you can join for free! Panel description below: This session focuses on strategic initiatives aimed at elevating Scotland’s music industry on the international stage. We will delve into actionable strategies and frameworks to strengthen Scotland’s global music impact and drive sustainable growth. Key topics include dissecting current challenges and opportunities in international music export, assessing the effectiveness of existing strategies and identifying what additional support is required to drive international audience development. How can Scotland’s music industry better leverage international platforms to expand its reach and influence? We will explore funding mechanisms critical to supporting export initiatives, alongside effective models from global counterparts that could be adapted for Scottish contexts. Additionally, the panel will address the integration of environmental sustainability into international music strategies, ensuring responsible practices while pursuing economic growth.

Ingenuity and the power of people to follow their dreams never ceases to amaze me. No matter how dark the sky there is always light somewhere. And yet that brightness shouldn't blind us to the challenges that people are continually having to overcome. Challenges that I still believe we as a society can work to overcome. The term coined by DJ friends of mine over lockdown, on those streams that kept us all sane, is "music connects us all". Reading this report I have hope that it will continue to do so. I've watched from the side-lines, as a consumer, the return of our much loved music events. Of the return to socialising in a way that is the same and yet still somewhat different. It's fantastic to see that employment is rising and the real amount the industry contributes to the UK economy. But if you want to see the heartbreaking, ongoing, impact of Brexit on upcoming talent, and the future if we can't find a solution to the crippling costs which are driving grassroots venues under then the report has plenty for you too.

Such an important topic of discussion with Gee Davy in Music Week 'on what UK artists and labels need to thrive amid increasing global competition' “British music is globally respected but the financial squeeze on UK-based labels and artists, particularly at the smaller end of the market, which cannot rely on corporate reserves or economies of scale, means less budget available for marketing, export or touring. Coupled with a reduction in real terms government funding for some of these activities over time, this means that it has become harder than ever for the UK to compete with other net music exporting nations.” ''There are plenty of UK artists being developed but breaking through is harder than ever. With the independent music business reportedly releasing 80% of new music, despite only 31.5% market share, there is a clear need for support for the independent sector to ensure British music can regain its top chart spots.” “The unique cultural makeup across the UK creates the perfect conditions for great music-making. Music and musicians speak to people’s lives and are important for the nation’s well-being and success and recognition. Homegrown talent and those who support their careers must get the attention they need to find and drive revenues back into the UK’s music economy – to fund investment in diverse future generations of great British music.” https://lnkd.in/ebcWKE3t